Paper Presentations (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Collective Film Script Writing: Experiences in Using Mobile Creative Writing Tools
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Collective Territories: The Shared Space of Locative Media
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Colliding Realities: Acoustical Accidents and Clouded Texts in Stelarc’s Internet Ear
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Colliding Systems: Formal and Real-Life Learning
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Colors For All : Immersive Narrative 360 Video for Color Blind Awareness
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Commentaries on Metacommentaries on Interactivity
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Community Mapping: FROM REPRESENTATION TO ACTION
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Complex acquisitions: understanding the infrastructural properties of born-digital objects in museum collections
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Composing with Chaos: Applications of a New Science for Music
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Compositional Approaches to Spatialisation with the speaker.motion Mechatronic Loudspeaker System
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Computation as Dynamic Topography: The Coordination of Algorithms, Apparatus and Architectures in the Production of Digital Images
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Computer Demos and the Demoscene: Artistic Subcultural Innovation in Real-Time
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Computer Simulation of Callographic Pens & Brushes
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Concerning the Spiritual in Cyberspace: Immortality of Artist and Artifact in the Digital Domain
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Condensation revisited - A Lecture on Pigments:3
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Conditions of the Imaginary in Virtual Worlds
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Connecting new media art archives worldwide
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Conservation of Shadows: Shared Physicality Between Worlds
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Contemplative interaction and mixed reality artworks
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Contemporary Art and New Media: Outline for Developing a Hybrid Discourse
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Content and Discontent: An Alchemical Transformation
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Contesting citizenship: participation and political art
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Cooperative Experimentalism: Sharing to Enhance Electronic Media
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Corporeal Cinema: Tactility and Proprioception in Participatory Art
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Corresponding Wood Tools: Speculative Fabulations of Material Correspondence in Woodworking
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Cosmo-Techno-Poiesis: Architecture of Environmental Control
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Cramming Aesthetics, Art Appreciation & Education Into a Fun Museum Experience
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Creating #Citizencurators: Putting Twitter Into Museum Showcases
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Creation of Meaning in Processor-based Artefacts
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Creative Problem Solving as Aesthetic Experience
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Creative Research and Creative Practice: Bridging Histories
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Creativity and Computation: Tracing Attitudes and Motives
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Critical Interaction Design in the Everyday: Critical Cultural Production and the Everyday Web-Based Works
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Critical Interaction Design in the Everyday: Towards New Forms of the Social
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Cross-discipline collaboration: don’t care and don’t want to know
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Crossing Art, Science and Technology for Innovations through Maker Culture and Education
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Cubed: A Networked Physical Gaming System
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Cultivating Human Potential in Virtual Art Studios
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Cultivating the possible: using design methodologies for artistic research
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Curating/containing: Exhibiting Digital Art about Mental Health
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Curation as Research-Creation: Speculating on the Future of Art and Technology Festivals
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Cursory Speculations on HPI (Human Plant Interaction)
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Cyber Attractions of WagonNet: Modes of Activist Engagement for Reclaiming the Public Space
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Cybernetic Configurations: Characteristics of Interactivity in the Digital Arts
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CyberPRINT: Toward an Architecture of Being
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Cyborganics: Engendering Sympoietic Experiences through Body-worn Digital Artifacts in a Rewilded City
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Cyborgs and the duality of perception and morality in performative interaction
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Cybrids: Integrating Cognitive and Physical Space in Architecture
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Cymatics as a tool to create visual cartographies with the ecoacoustics from Delta del Llobregat Natural Park
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DATA ECOLOGIES: Laika’s Dérive and Datawork
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Data Won’t Change Your Behavior: A Critical Design Exploration of Quantified Self Technologies
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Data-Phantoms: Impossible Nests (Memories Post Extinction)
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Database Visualizations, Mapping and Cartography: Genealogy of Space, Visual Representation for Knowledge in Art
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Day-Dreaming States in Interfaced Environments
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Debunking the quantified self through artistic data portraits
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Deciphering Realities, Moving Frontiers
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Decoding Gaze in Science, Technology and Interactive Media Art
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Decolonizing the imaginary through the tactical use of machinimas
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Decomposing Landscape: Hearing the Troubled Site
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Decoupling design from the industrial paradigm
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Deep Space: Re-signifying Valle de los Caídos
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Deeply Listening Through/Out the Deepscape
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Dérive in the digital grid, breaking the search to get lost
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Design of Pictographic Signs for the Educational Area
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Design Process for Wearable Technologies and Urban Ecology: AirQ Jacket
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Designing for Bottom-Up Adaptation to Extreme Heat
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Detektors: Rhythms of Electromagnetic Emissions, their Psychogeophysics and Micrological Auscultation
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Deterministic Chaos, Iterative Models, Dynamical Systems and Their Application in Algorithmic Composition
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Developing Creative AI to Generate Sculptural Objects
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Diggers and Dreamers of the 20th and 21st Century: Creative Commons, Open Source and Digital Folkore
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Digging into the Cassava Tuber: Archiving Social Memory in Cyberspace as Social Digital Archaeology
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Digital Anarchival Poetics: Algorithms looking into Audiovisual Heritage
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Digital Anthropophagy and Anthropophagic Re-Manifesto (for the Digital Age)
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Digital Arts for Young Audiences? Mediation and Dissemination of Digital Arts and Culture to Norwegian School Children
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Digital Doubles
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Digital Dwelling: Building in Online Worlds
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Digital Imaging in Singapore: Internal External
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Digital Material and Creative Practice
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Digital Museum and User Experience: The Case of Google Art & Culture
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Digital Strategies to Change the World (abridged)
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Digital Waste or a Valuable Resource? Exploring the Aesthetics, Ethics and Value of Contextual Footprints
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Diligent Operator: The Resurrection of Musique Concrète with Max/MSP Jitter and Arduino
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Disembodiment in VR: Immersed in 3D Audio Experiences
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Displacements of Creative Activity in Brazilian Visual Arts
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DNA in a suitcase: Border Transmissions and Hybrid Bio-Collaborations in BioHome: The Chromosome Knitting Project
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Documenting Art, Science and Technology: Amnesia International: Early Computer Art Within the Tendencies Network and Bit International Magazine
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Documenting Art, Science and Technology: Dancing in the Light of an Information Overload
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Documenting Art, Science and Technology: Documenting Art, Science and Technology: The Daniel Langlois Foundation Approach
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Documenting Art, Science and Technology: Netzspannung.org: Knowledge Space For Media Art and Digital Culture
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Does Ritual Disappear as Walter Benjamin Describes in “The Work of Art in the Age of Mechanical Reproduction” in the Age of Digital Technology?
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Domains, Publics and Access: A Wiki In Progress On Access Archaeology
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Don’t Call It Art! On Artistic Strategies and Political Implications of Media Art in Public Space
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Dramaturgy as a model for geographically displaced collaborations
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Drawn: The Artist, Audience and Interactivity
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duliö Olé! - A mobile, swarm-intelligence based football game
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Dynamic paintings: real-time interactive artworks in web
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e-Dance: Relocating Choreographic Practice as a New Modality for Performance and Documentation
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E-Tower: Ludic Urban Experience Through Reactive Architecture and Personal Mobile Devices
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E-Waste: The Unnatural, Natural Resource | A Case Study on Creative Uses of Obsolete Technology
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e. Menura Superba: posthuman dreams of ersatz animals
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Eastern Cultural Heritage, Digital Remediation and Global Perspectives
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eCO2system: exploring the environmental and social impact of the internet’s materiality through a data-driven media art installation
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Ecological Aesthetics: Artful Tactics for Humans, Nature, and Politics
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Ecopornography in Digital Arts
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Écosystème(s) : a self-interactive sound installation
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Electronic Art and The Law: Intellectual Property Rights in Cyberspace
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Electronic Music Is Here To Stay. Or Is It?
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Elements: Art and Play in a Multi-modal Interactive Workspace for Upper Limb Movement Rehabilitation.
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Eleven Movements of the Cryoscape: Ecological Explorations in Sonification for Affectively Engaging with Climate Change
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Embedded Scenography in Interactive Public Art
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Embodied Emergence: Distributed Computing Manipulatives
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Emergence of (Experimental) Computer Art in Brazil: Pioneers and Events
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Emergent. A post-pandemic mobile gallery
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Emoto: Visualising the Online Response to London 2012
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Empathy in the Ergodic Experience of Computational Aesthetics
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Encoding Colours: from the trichromatic theory to the electromagnetic signals
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Encompassing the Body: Wearable Technology vs. the Avatar
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Environmental Critical Zones: Reading the Wrack Lines
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Epigenetic Painting: Software as Genotype, a New Dimension of Art
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Error in Audiovisual Apparatus as Aesthetic Value
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Espherica01: Visions of Free Falling Water in Stroboscopic Media
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Esthetics of Islamic Art: Potentials of the synergy Science/Art/Spirituality
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Evoking Empathy Through Immersive Experiences in A Walk Alone
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Expanded Relief (Holographic Meditations)
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Experiences on the Boundaries: Screens In Between
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Experimental Animation, Hybridisation and New Media
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Experimental Cultures and Epistemic Spaces in Artistic Research
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Explorations of Visual Representation: Towards a Language of Movement
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Exploring Musical Space by Means of Virtual Architecture
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Exploring the experience in everyday pedestrian routes: watch for ‘routinised’ pedestrians
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Exploring the Metahuman through Inverse Biotelemetry
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Exploring the Responsive Site: Ko Maungawhau ki runga
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Expression in interactive aesthetics: the case of physical computing
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Extending/Appending The Perceptual Apparatus: A History of Wearable Technology in Art
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Extensions of Reality: Plants and the Technological Virtual
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eye>hand>body>: data visualisation and the body in new media works
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Fabrique: shaping experiential landscape
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Facing Death and Afterlife in Electronic Art
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Fashion and Wearable Technologies: Computer Couture? Or: Queer Eye for the Cyborg
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Fashion and Wearable Technologies: Fashion, Mobility and the Tactical Imperative
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Fashion and Wearable Technologies: Intelligent Interfaces: Transformation of Self-Expression, Communication and Fashion with Wearable
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Feeling One’s Way: In Search of a Symbiotic Vocabulary of the Virtual
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- Rémi Sagot-Duvauroux
- Olga Kobryn
- Matthieu Couteau
- Sophie Balcon-Fourmaux
- François Garnier
- Rémi Ronfard
- Guillaume Soulez
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Fernfuehler: an Art and Research Project about Ambient Intelligent Furniture for Public Places
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Fête Mobile: a Hyper-Local Self-Surveillance and Media Broadcast Experiment
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First Person Shooter: The Subjective Cyberspace
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Flickering Formalism: The Art of Lorna Mills
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Flora Electronica: A Media Performance Space Across the Physical and Virtual Worlds
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Flower Wall Project: A Case Study in Participatory Art Utilizing Social Media
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Fluid Processor Design for Ecological Computing: a new techno-ecological computing paradigm for sustainability
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Folded Space: How Computer Games Rework Our Ideas of the Maze
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Follow the Yellow Brick Road! Fantasies of Center and Presence in Net Culture
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For a more symbiotic co-individuation with our technological avatars: how to go, with the Sciences and the Arts, beyond hybridization?
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For Interface, Against Regression! An Exploratory Surgery of an Transhuman Umbilical Cord
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For the Sleepers in that Quiet Earth: Experiencing the Behavior of a Deep Learning Neural Network Agent through a Generative Artbook
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Forging emotions. A deep learning experiment on emotions and art
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Forgotten Future #1. Magical Sound Machines
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Forgotten Landscapes: Interactive Virtual Reality in Public Art
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Form and Time / decentering sites of art studio pedagogy
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FormLaboratory: Interfacing Technology with Site
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Fostering Care and Peaceful Multispecies Coexistence with Agential Provotypes
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Free Networks, Subversive Networks: Subversive Networks: Disrupting Accepted Models of Human-Networked Interaction
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From Aleatoric Machines to the Future Sounds of Folk
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From Art as Knowledge to the Aesthetics of the Subject: New Ways of Thinking the Art of the 21st Century
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From Coexistence to Interaction: Influences Between the Virtual and the Real in Augmented Reality
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From Computer Art to Digital Art to New Media
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