Paper Presentations (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Synthetics: The Electronically Generated Image in Australia
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Working Across Boundaries: Curating and Preserving New Media Art: Conserving New Media Art: Hardware and Meaning; Variable Media Preservation
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How to Generate PR for an Ephemeral Award and Exhibition System
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Translocal Networks: Babel Launch
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Collaborative Registers of Interactive Art
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FormLaboratory: Interfacing Technology with Site
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Mediated Urbanisms: Relief Space: Rereading the Skin of the City
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Rebalancing media in environments: analysing flows of action
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The Audiovisual Ghetto Blaster Effect
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Digital channels, the change in community structures and its consequences for social participation
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Design of co-evolving textiles applied to smart products
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Capturing and Recognizing Expressive Performance Gesture
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Prolegomena for a Transdisciplinary Investigation Into the Materialities and Aesthetics of Soft Systems
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The Condition Towards Hybrid Agency
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Photonic Webs in Space Time: The Aesthetics of Holography
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Yes/No/Maybe: Sense of Place and the Space In-Between
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Generating Diversity: Art, Robots, and the Future of Farming
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The Asian Tradition in the Works of Liu Kang and Tan Kai Syng
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Amplifications: Transformations in Sound and Technology in the Western Avant-garde and Experimental Arts
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Designing Nano-Media Across Disciplines: Circular Genealogies and Collaborative Methodologies at the Optical Frontier
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Shin’m: reshaping the perceived body with sound
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A Case Study of Taiwan’s TV Series: Blindness in Womanizer, P.S. Man
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Algorithms Utilized in the Interactive Animation ‘Fingertips’
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Delocalized pedagogy through digital music programming instruction
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Samsara: A digital medium for theatrical storytelling using animation, robotics and immersive technology
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Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments
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Arrivals and Departures: Media Res Lounge in Imagery Area
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Open Source City: Communism of Ideas: Towards an Open Source Practice of Architecture
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The Institute for Interanimation: A Framework for New Media Collaboration
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Network Culture, Media Art: Urban Identity and Cultural Change Dialectics
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What is All this Noise About
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Reclaiming and Commemorating Difficult Felt Experiences
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Research through Design, Documentation, Annotation, and Curation
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Corporeal Cinema: Tactility and Proprioception in Participatory Art
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The ‘Gaze’ of the Artwork: Seeing Machines and Interactive Art
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Artist’s experiment and scientific experiment: the “provability” and creative distinctiveness of an artwork
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Constructing Narrative in Interactive Documentaries
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Delay and Non-Materiality in Telecommunication Art
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Collaboration and Production Through Networks: fm01: film machine
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Counter-practices to the caribbean archives: the feminised narratives in Domino Effects (2009).
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Acting-Centred Definitions of Vactors, Synthespians, and Digital Doubles
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Art, Affect and Aging: Creativity Vs Deficit
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Calculating the Curvature of Crocheted Petals: A Post Media Exploration of Domestic Craft-Based Textile Patterns
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Crafting Wellbeing: Exploring how Digital Media can Extend craft-based Textiles and Contribute to Health and Wellbeing
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Oil, War and Housing Markets: the aesthetics of accumulation and waste
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Postbiology between protocol and manifest: portraiture of a passing specie
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The new theatre of the world: map mashups and web 2.0 space
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Terrorist Video and the New Iconoclasm in Art after 11. September
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Virtual places, real money: the role of virtual worlds in the success of video games as cultural products
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Perlin noise and sovereign land: Minecraft’s world generation algorithm and colonialism
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Material beliefs: designing speculatively with biotechnology for public engagement
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Collaborative and Creative Documentary Production in Video and Online
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Relationships between mood and aesthetics in video game design
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NEO//QAB: Creating a World Through Speculative Play
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Making the Human Heart a Medium for Social Interaction
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The Future of Art on the Internet, Using a Genetic Metaphor
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The future of art on the internet, using a genetic metaphor
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A study on the Alternative Artworks and Gallery based on AR
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Before the reset: transformative practice of interactive media art
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Blurring Borders Between the Real and Digital Worlds
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Digital Museum and User Experience: The Case of Google Art & Culture
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Does Ritual Disappear as Walter Benjamin Describes in “The Work of Art in the Age of Mechanical Reproduction” in the Age of Digital Technology?
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ITCH: Individual Technology/Community Hacking
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Quasi-autopoiesis: Sublimed Human Intellect
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Site-Specific Art as Necrophilia: Platform in Kimusa Exhibition in Seoul 2009
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Body Graffiti: Expressive Wearable Art Through Bodily Performance
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The Performative Archive: Formations of Social Memory in Interactive and Collaborative Documentary
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Concerning the Spiritual in Cyberspace: Immortality of Artist and Artifact in the Digital Domain
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Decoding Gaze in Science, Technology and Interactive Media Art
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Computer Graphics and Animations as Agents of Personal Evolution in the Arts
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Storing Art Images in Intelligent Computers
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Rethinking The Baseline: Explorations in Nonlinear Typography
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Controller and Controlled: Interchangeability
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Chemical Skin: Computer Numeric Controlled Craftsmanship (CNCC)
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Don’t Call It Art! On Artistic Strategies and Political Implications of Media Art in Public Space
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Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament
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Infra|Vergence_WIP: A Work in Progress by Building W/Immaterials, Mixed Reality as an Architectural Platform
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Inventing an Aesthetic for the 21st Century: Post-Design means Electrotexture
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Of Dissident Bodies in the Digital Era
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From instrument to interactive spectacle: transformations of participatory culture
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Race, Representation & Digital Divides: New Media Art as Transcultural Interface
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The Context Is the Message: Interactive Art as a Medium of Communication
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Interactivity and the Problem of Communication in the Context of Philosophy of Deconstruction
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Wider Contexts: Electronic Media as Sites for Public Art
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Reinterpreting Networks of People as Fluid for Political Purposes
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Interplay of Scripts and Resistance in a Participatory Workshop
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From meaning to liquid matters
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Project Time revisited: thoughts on skin therapy, urban planning and Singaporean Angst
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Narrative Hand: Applying a Fast Finger-tracking System for Media Art
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Performer vs Electronics: Performing Music For Instrument and Electronics
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Identifying Place And Placing Identity In Transnational Transmedia: A Case Study Of Two Convergent Media Projects
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Alien Aesthetics: Xenofeminism and Nonhuman Animals
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Investigating the artistic potential of the fulldome as a creative medium: the case of the E/M/D/L project
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ArtMUSE Goes Max: How Virtual Exhibition Technologies Arises Media Art in Europe
Presenter(s):
- Martin Koplin
- Lívia Nolasco-Rózsás
- Prof. Dr. Helmut Eirund
- Hermann Josef Stenkamp
- Ann Van Nieuwenhuyse
- Svetozora Kararadeva
- Iwona Bigos
- Irena Ruzin
- Hans-Hermann Precht
Title:
On the language of Abstract Animation
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Hertzian, Disruptive, Experimental Text Physicalizations
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Reinventing the Colonial Gaze Employing AI: a Case Study
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The Sound of Decentralization: Sonifying Computational Intelligence in Sharing Economies
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Creating Fixed Media Works Out of Site-Specific Compositions Through the Use of Spatial Responses and Physical Resonances
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IntuiTweet: Corporeal Excavations of Social Networking
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The Museum Machine Or: A Database Approach to the Representation of Space
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Spectrograms of the environment: entangled human and nonhuman histories
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Investment Without Term: A Radical Economy For Daily Practice
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From Microscopy to Nanotechnology: The Mediality of the Scientific Image
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Notions on David Lynch’s Use of Terror and the Importance of Film Sound
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Urban Augmented Reality and the Games of Cybergeography
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Alberti’s Window V2.0: A Vision Machine for Expanded Spaces of Representation
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Living The Emo Social Networks and Constant Need for Social Change
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Passive / Reactive / Interactive: Strategies That Unify Experimental Art, Artists, and Audiences
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Augmenting Design Research: Investigating Public Space With Mobile Sensor Data
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From 3D Shapes to Tonal Harmonies and Back
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Low Technology in the Digital Age: Designing with Post Consumer Waste
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Making Art as Commercial Products: An Ongoing Challenge of Device Art
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Mitate: realising playfulness, multiple viewpoints and complexity in device art
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Tactile RENGA: A Process of Rediscovery of color
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Origins of Japanese Media Art: Artists Embracing Technology from 1950s to Early 1970s
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What Digital Technologies Brought to Simulation Art
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Passage: a Hybrid of Interactive Installation and Performance
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Enhancing Spatial Experiences Through Digitally Augmented Spaces: The Library+ Project
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Mixed Reality: Emerging Spatial and Perceptive Experiences in Architectural Design
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PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Sound Synthesis
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Cursory Speculations on HPI (Human Plant Interaction)
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The Prosthesis of the Event in Cyberspace: La reserche du temps perdu beyond Oedipe and Gnosis
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The Aesthetic Experience of Interactive Art: A Challenge for the Humanities and for the Audience
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De-Coding Interactive Art: The Impact of 3 Decades of Academic Research in the Taxonomy of Digital Works of Art
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Affect & Media(ted) Experiences: Shocking Flesh: Fatness, Feeling and the Politics of Interpretation
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Internet Based Practices: (Trans) Local Histories: Going Digital: Comics and the Internet Era
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An Emotional Compass: Harvesting Geo‑located Emotional States from User Generated Content on Social Networks and Using them to Create a Novel Experience of Cities
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Net Art and Preservation: For Museums and Artists
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Flip the Book, Flip the Memories: a Case Study of Multimodal Interaction for the Library Located in Macao World Heritage Site
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Condensation revisited - A Lecture on Pigments:3
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Beneath the Surface and Into the Planetary: Listening to/for Coexistence in Contemporary Sound Installations
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The CAT Project as an Historical and Archival Collaboration
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The Exploratorium’s Invisible Dynamics Project: Environmental Research as Artistic Process
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Peau d’Âne: Where Wearables Meet Fairy Tales
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Queer Communication: Human-Nonhuman Encounters
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Geodesic Sound Helmets
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Space, Sound and Music: Using Embodied Experiences of Space to Produce Multiple and Interconnecting Experiences of Space in Acousmatic Music
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Babble and Speech: Approaches to Technology and the Spoken Word in Contemporary Sound Arts Practices
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Digital Strategies to Change the World (abridged)
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Managing Multiplatform Materials: Selected Case Studies
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I Found These Guys Inside of My Brain: My Self-Guided Tour of AIDS, Art, and Neuroscience
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A Method to Being: The Time Space Scanner
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Generative system for the synthesis of audiovisual narrative
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Live puzzle: a kaleidoscopic spatio-temporal narrative
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Global Media, Common Ground and Cultural Diversity
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Awkward Consequence
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Memoirs of the Blind: Surveillance, Speed, and Interaction
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Politics of HCI and the User-Programmer Continum
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Exploring AI Ethics Through Intelligent Everyday Objects
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Interlacing Worlds: Fibres and Sensory Mediation
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Post-human motherhoods: Reflections on mother-offspring bonding as symbiotic individuation in Contemporary Art
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