Panels (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
The Locative Apparatus: From Situationism to Compositionism
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— Symposium:
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The Magnetic Field of Audiovisual Art Practices
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The Making Of Diamandini: Perception, Identification, Emotional Activation During Human-Robot Interaction
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The Media Façade as Paradigm Change of the Public Space
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The Media Space
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The Place is the Map: Because of Locative Media an A-Social Map
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The Place, the Space and the Ethnoscape: Examples of Hybridity in Western/European and Non-Western/Asian Media Arts
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The Power Play of Editorial Patchwork
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The Ritornelli of Everyday Life: Some Epistemic Experiments with Information Technology
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The Sewing Circle Method of Working Under Cover
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The Sound of Small Brain Circuits: Plasticity and Synchronisation in the Neurogranular Sampler
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The State of Ata, an Artists’ Book: My Turkish I.D. Card
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The Third Skin: A Medium or a Mess(age)?
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The Use of Animation in the Generation and Documentation of Ideas in Systems Painting
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The Values of Online Social Relations
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The ‘Rebuntu’ Project and Thoughts Around Behavior and Position of Modern Operating Systems
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Theatres of/as Art and Artificial Life
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Think BETA: Soft City Culture and Technology
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Totem, Network & Taboo: Collateral Damage no. 39
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Towards (Co-authoring) Communitas: The Facilitation of Becoming through Participatory Art/Tech Projects and the Practice of Place-Making
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Towards a Natural History of the Virtual Realms
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Towards the Third Culture: Intersections of Arts, Science, and Technology
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Transforming the Physicality of Emotion
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Translating Motion Capture Analysis into Performance
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Transreal Bodies and Digitized Clones: Bridging Realities With Sound, Biometrics and Motion Capture
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Unexpected Affairs: Wearable Technology, Human and The Arts
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Untitled
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Uncertain Aesthetics: Networks in the Age of Emerging Technology
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Unmediated Experience? Re-Mediating Phenomenological Approaches
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Unnecessary Research, What’s the Point?
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Unsitely Aesthetics: Performative Encounters in Public Space
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Using Live Notation for Musical Sonification Performances
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— Symposium:
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Variable Reality: Inter-Formalities in Digital/Analogue Arts
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Viral Not Virus: Alan Liu’s “Viral Aesthetics” Reconsidered
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Virtual Resistance: A Genealogy of Digital Abstraction
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Visual Abstraction, Cultural and Artistic Production in Virtual 3D Space
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Voyeuristic Spaces: Materialising the Desire of the Gaze
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We are the Medium-the-Context-the-Source of Networked Creativity
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With Design in Mind?: “Moral Economy” and Contemporary Digital Culture
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Worldmaking Between Humanism and Machinism
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Xindanwei: Workspace, Creative Network and Community
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You Hold the Camera Now: An Action Research Case Study of Pre-Kindergarten Transmedia Narrative Design
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Y’arr, What be Yer Share of the Booty, Matey? Deviance as Strategy
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“Πασαί Τέχναι βροτοίσιν εκ Προμηθέως”: Prometheus and Epimetheus: Fields of Foresight and Hindsight in Worldmaking
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”Objet Petit A”: The Changing Meaning of Abstraction and Representation in the Digital Age
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The Matter of Technology
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Artists’ Autonomous Transport Infrastructures
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Brazilian Artists and Curators
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Digital Divide
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Eco-Art + the Evolving Landscape of Social and Situated Practices
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Ecological Novelty and its psychological problems
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Econotopias: Imagining Possible Futures Through the Creative Economy
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Extending personalized experience with local engagement
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Title:
Getting Off the Planet
Presenter(s):
- Patricia Watts
- Jenée Misraje
- Sam Bower
- Joyce Cutler-Shaw
- Eric Hanson
- Charles Lindsay
- Juanita Schlaepfer
Title:
Hey Human! What Should We Do Now?
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— Symposium:
Title:
Hip Hop & Technology
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Making Sense of Data
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Motion and Power Between the Physical and Virtual
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Open Laboratories, Laboratorios Abiertos
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Our relationship to natural and altered environments
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Title:
Preserving Indigenous Cultures in the Digital Age of Globalization
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— Symposium:
Title:
Public Art Design Competition Finalists
Presenter(s):
- Paula Castillo
- Josh Lopez-Binder
- Julian Priest
- Thomas Strich
- Jared Winchester
- Cory Greenfield
- Casey Crawmer
- Sherri Brueggemann
Title:
SMARTlab/Catalyst: Catalysing Transdisciplinary Creative Technology Innovation For Real Social Change
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Title:
Technotopia: The Colonization of the Body as the Ultimate Frontier
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The Cognitive Underpinnings of the Denial to Act
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The Provincial and the Providential: Buffalo as Wilderness
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The Societal Implications of Energy Abundance
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The Viral.Net Virtual Forum on Radical Cosmologies
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Tools for Collaborative Research in Complex Ecosystems
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University Technology During a Budget Crisis
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What We Learned: The Changing Landscape of Curatorial Practices
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Working in the Experimental Forest: The Intimacy of Language
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Worlds Imagining Ecologies
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You are. I am. Everyone is: The Authorless as Producer
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Art, Body and Technology: an overview of current approaches from Latin America
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Art, Mediation and Contemporary Art Emergent Practices
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Between one and zero: noise, ghosts and plasticity
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Dance and Virtual Physics: The Mass of the Object Does Not Necessarily Equal the Object of the Mass
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Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience
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Digital Imaging and Artistic Education: A Pedagogical Model With Free Software GIMP
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Exquisite, Apart: Remoteness And/As Resistance
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Facing Affect: Synthetic Interface & Meaning
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Intimate Disavowal: Turning Away from Technological Media Art
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Latin American Kinetic Art and Its Relationship With Electronic Art: Gyula Kosice and Abraham Palatnik
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Making sense of sounds: patterns and noise
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Title:
Medium-Specificity and Sociality in Expanded Cinema Re-Enactment
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Title:
Mirroring Sherry Turkle: a discussion on authenticity, humanity and technology
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Nam June Paik: Cybernetics and Machines at Play
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Panel Statement: Im-position: a minor politics for interactive art
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Plasticity: Noise, Correlation and Interaction
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Science Fictional Aesthetics: The Novum & Cognitive Estrangement in Contemporary Art
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Shaping Cultural and Creative Space: Beijing as a Case Study
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Title:
Speculative Objects: Materialising Science Fiction
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The Impact of Gestalt Perceptual Organization in the Stereoscopic Theatre Environment
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Title:
The Inter-Society for the Electronic Arts Revived?
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Title:
Tracking the Boom: Think Tanks, Mouse Hacks and more in the United Arab Emirates
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Title:
A Diffractive Reading of the Messy Entanglements Between Mainstream Contemporary Art, Sci-Art and New Media Art
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Title:
A Living Catalogue for Anish Kapoor: Revealing Untold Stories in Rich Media Museum
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A talk about compositional gameplay and musical instrumentation
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A talk on Video Synthesises to accompany the Catching Light panel at ISEA2013
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Title:
Alien Agencies: the unstable dance between art, techno-science and new matter
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Title:
Alternative Histories of Computer Music: CSIRAC
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Title:
Collaborative Manufacturing Units Against the Black Box
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Title:
Computer Music in Chile 1970-1980: COMDASUAR
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Title:
Diffractive Art Practices: Ecologies of Intra-actions and Difference
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— Symposium:
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