Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
For the Sleepers in that Quiet Earth: Experiencing the Behavior of a Deep Learning Neural Network Agent through a Generative Artbook
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Future Tripping VR Project: Immersive Data Visualization of Social Networking from the Arab Uprising
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Generating Diversity: Art, Robots, and the Future of Farming
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Genomix Mask: Examining the Complex Relationship Between Genes, Epoch, and Aesthetics.
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Heaven and Hellscapes: Exploring Altered Mind States through Procedural Environments
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Hoax News Websites at the Crossroad between Popular and Political
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In a Hole in Rural Saskatchewan, Canada without a Phone
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iPhotograms: An Exploration of Technology Through Cyanotype
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Journey of the Ancients
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Mould Racing, or Ecological Design through Located Data Games
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Movement Unercommons: Movement Analysis as Meaning Making in a Time of Global Migrations
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Museum as Interface: The Implosion of the White Cube and Radical Museology
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OMNI ANIMA: Holophonic Transformation of Indigenous Sami Joik Song into Shared and Embodied Flesh
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Online Social Network based on Internet of Things and Habit of Drinking Coffee in South of Brazil
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Performance Practices in Electronic Dance Music in the 21st Century
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Phantom Pain: From Absence Dearest Memories Are Born
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Posthumanism, Technology, and Monstrous Life Forms
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Processes of Creation in Mexican Digital Art
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Programming is Law: Can I be a Feminist if I Don’t Want to be a Programmer?
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Promoting Underrepresented Culture through Media Arts Collaboration
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Put Evaluation into Practice: The Collaborative Residency Life Cycle
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Seeing with Machines: Decipherability and Obfuscation
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Shards: Multi-dimensional Stereoscopic Cubism in Virtual Reality
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Smile to Vote: Towards Political Physiognomy Analytics; Experimental Method for Electoral Behavior Prediction
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Somebody on Stage: Reviewing Interactive Body Augmentations in Performing Arts
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Spaces That Perform Themselves
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Sustaining Cultural Heritage through Digital Preservation
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The Institute for Interanimation: A Framework for New Media Collaboration
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The Serendipitous Pattern in Interaction Design
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The Timbre of Trash: Anthropomorphic Strategies to Resist Technological Obsolescence
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Through the Aleph: A Glimpse of the World in Real Time
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Towards a Living Materialty
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Towards Enactive Systems: Affective Cane for Expanded Sensorium and Embodied Cognition, Mobility and Freedom
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- Diana Maria Gallicchio Domingues
- Adson Ferreira da Rocha
- Ricardo Torres
- Silvana Funghetto
- Mateus R. Miranda
- Pedro Henrique G. Inazawa
- Paulo R. Fernandes de Oliveira
- Gilda A. Assis
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Tributes to Francisco José de Caldas: New Expeditions and Hybrid Practices in Art and Science
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Turbidity Paintings: Communicating Science Through the Lens of Art
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VZVZZ as a Medium of Abstraction: The “Stilleben” Project
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When Electronic Art was just Art: The Early Days of New Media in Brazil
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A Method to Being: The Time Space Scanner
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A Study NPR Rendering with Spiral Drawing Style: Focused on the SSD (Single line Spiral Drawing)
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Acting-Centred Definitions of Vactors, Synthespians, and Digital Doubles
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Affective Atmospheres | Ambient Feedback Ecology
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After Dan Graham: An archaeological approach to virtual reality art
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AIBO: An Emotionally Intelligent Artificial Intelligence Brainwave Opera – Proof of Concept
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Ambient Commons and the Eternal Passage of the Sun in Generative Public Art
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Anonymous: VR Storytelling Through Alienation and Reflexivity
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Approaching Sustainability: Generative Art, Complexity, and Systems Thinking
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ART AND BIOTECHNOLOGY: The Curatorship in the Light of the Exercise Between, Technology, Philosophy and Politics
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Art Museums Facing the Light of Reality: An Approach to Virtual Reality Inside Museums
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Biometric Visceral Interface: A Soft Robotic Immersive System for Extended Perception
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Blurring Borders Between the Real and Digital Worlds
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Cognitive Assemblages in Ecological / Digital Art
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Colliding Systems: Formal and Real-Life Learning
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Colors For All : Immersive Narrative 360 Video for Color Blind Awareness
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Conservation of Shadows: Shared Physicality Between Worlds
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Cooperative Experimentalism: Sharing to Enhance Electronic Media
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Developing Creative AI to Generate Sculptural Objects
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Digital Museum and User Experience: The Case of Google Art & Culture
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Espherica01: Visions of Free Falling Water in Stroboscopic Media
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Facing Death and Afterlife in Electronic Art
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Flower Wall Project: A Case Study in Participatory Art Utilizing Social Media
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Forgotten Landscapes: Interactive Virtual Reality in Public Art
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FormLaboratory: Interfacing Technology with Site
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From Here to Eternity: Experimental and Creative Approaches to Collecting and Distributing New Media Art Within Regional Arts Organisations
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From Real to Virtual Embodied Performance: A Case Study Between Dance and Technology
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Fugitive Color and the Choreographed Escape
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Hauntology, the Penumbra, and the Narratives of Play Experience
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Heavy Metal and the Oratorio for a Million Souls
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Hertzian, Disruptive, Experimental Text Physicalizations
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Heterochronicity: Historicizing Drainage and Enlightenment in Mexican Ecological Art
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Hong Kong’s Yellow Umbrella (2014): A Prescient Political Game
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Humanoid Robot Magic: Various Responses and Communication
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Imitation-Classification–Construction: Vessels of Vanitas and the Changing Meaning of Ornament
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In Search of Holistic Spirituality: A Philosophy of a Physi-Musiking Practice
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In the Spotlight: Searchlights, Art, Surveillance and Spectacle
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Interactive Technology as Toolkit: Structure of Communication, Senseware, and Research Strategy
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Legend of Wrong Mountain: AI Generated Opera
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Lifemirror: On the Circulation of Light in Networks
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Lightening the Hiatuses of Story: A Discussion on Intervals in Story-telling of Interactive Documentary
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Machinic Surrogates: Human-Machine Relationships in Computational Creativity
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Mediating Exhibitions via Audience Participation on Social Media: Collectivist and Individualist Curatorial Approaches in One World Exposition 2 Exhibitions
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Memex in the Mirror: Using Social Media to Visualize Collective Thought in Real-time
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Memoirs of the Blind: Surveillance, Speed, and Interaction
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Mexican Electronic Art: Reuse and Reinterpretation of Technology
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Misplaced Euphoria: Developing Kinesthetic Empathy Through Interactive Performance
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Mixed Reality Art Experiments: Immersive Access to Collective Memories
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- Jens Herder
- Shinpei Takeda
- Kai Vermeegen
- Till Davin
- Dominique Berners
- Bektur Ryskeldiev
- Christian Zimmer
- Ivana Druzetic
- Christian Geiger
Title:
More Than a Render: Digital Humans and the Politics of Representation
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Multi-viewpoint Strategies: Ambisonic Auralization and Localization through Walking and Listening as Places of Negotiation in Conditions of Hybridity and Change
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Multimodal Data Portrait for Representing Mobile Phone Use Behavior
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Mysterious Chinese Movable Type Printing From Technology To Art
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Of Insects, Wisps, and Uncertainty: A Hermeneutical Comparative Analysis of Ori and the Blind Forest and Hollow Knight
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One Step: The Impact of Interactive Public Installations on Promoting Public Awareness of Poverty
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P@tch: Can We Use DIY Techno-Craftivism to End Armchair Activism
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Plant Based Bio-Drone for Environmental Monitoring in The Amazon
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Post-digital Typography Education with Digital Fabrication
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Privacy in the Age of Mobile XR
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Reasonable Weirdness: Integrating Machine Perspective in Visual Creativity
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Rediscovering Korea’s Ancient Skies: An Immersive, Interactive 3D Map of Traditional Korean Constellations in the Milky Way
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Reflective Remediation as Critical Design Strategy: Lessons from László Moholy-Nagy and Olafur Eliasson
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Reinterpreting Korean ‘True-View’ Landscape Painting Using Graphics Analysis Techniques: The Case of Jeong Seon’s Dosando
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Seeing Life: The Impalpable Entanglement of an Artist and Microbes in Bio-Art
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Shakefie: Alternative Selfie System to Criticize SNS Platform as a Constructor of Fake Identity
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Simulating Photography: Images Made by the Scanning Electron Microscope
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Situating Artificial Intelligence Art in Visual Cultural Heritage
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Spatial Installations From Incidents Of Lights And Shadows Applied In Architecture Teaching
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Storydiving: Techniques for Engaging 360 Narratives
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Telepresence: A Collective Virtual Reality Performance Experience
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Temporal Hybrids: Using Augmented Reality to Re-Imagine the Affordances of Natural Objects
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The Gone Garden VR Experience: An Impressionistic Representation as Virtual Heritage Reconstruction
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The Illuminated Self: Transcendent and Epiphanic States in the Encompassing Aesthetic Environment
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The Innovation Potential of Sensory Augmentation for Public Space
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The Myths of Our Time: Fake News
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The Projective and Introjective Experience of the Landscape
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The Public Sphere Engendered by Media Technology: Masaki Fujihata’s Light on the Net (1996)
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The Re-Inventing the Wheel Project: An Archaeological Approach for Making Things Alternatively
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The Rebirth of Shadow Arts: App Design for the Intangible Cultural Heritage of Chinese Traditional Shadow Art
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The ‘Gaze’ of the Artwork: Seeing Machines and Interactive Art
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The “Piano-of-Lights”: A Visual-Music Instrument for FullDome Display
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Toward the Experiential VR Gallery using 2.5-D
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Transcendence and Microbiopolitics: Art and Biology as Material Speculation
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Transformation and Regeneration of the Chinese Traditional Oiled-Paper Umbrella in Contemporary New Media Art
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TransVision: Exploring the State of the Visual Field in the Age of Extreme Augmentation
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Twinkle: A Flying Lighting Companion for Urban Safety
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Underwater Sound and Oceanic States of Mind
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Using the Internet as a Platform to Destabilise Gallery Spaces, Curation and Artistic Practice
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Vapor as Tectonic Element to Sculpt Microclimate in Architectural Space
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VoicingHan: Between Mortal and Immortal
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Volumetric Light Sculptures: Occupying the Space Between the Apparatus and the Image
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VR for Toegye’s Ten Diagrams on Sage Learning: Experiential Space-Time based on the Concept of Eastern Philosophy
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Windward | Windword: Elemental Metaphors for Data Art
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Without Stones There is no Arch: Subjectivity and Identity Production in Virtual World Aesthetics
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You Cannot Step into the Same Museum Twice: How Natural Light Pulsates a Space
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“Resonance of the Heart”: A Direct Experience of Embodied Sonic Meditation
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“Site of Reversible Destiny Yoro AR”: Platform for Utilization of Art Database and Development of AR System
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“The Transmediated Self”: An Interactive and Visual Metaphor of Human Cognition
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Passive / Reactive / Interactive: Strategies That Unify Experimental Art, Artists, and Audiences
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After the Tunnel: on Shifting Ontology and Ethology of the Emerging Art-subject
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Art and the Broken Mirror: a Technogenetic Perspective on Digitally Expanded Realities
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A Database of Interdisciplinary Art in Russia
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A History of the Internet through MoMA’s Exhibition Sites: Web-Archiving Art Content at NYARC
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A Little Better: Emotions in the Age of Cryptocurrency
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A Taxonomy for the Contiguous Spectrum: Corporeal Computing Futures and the Performance of Signal Transmission
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Aeon Performance System for Visual Music
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Aesthetic Qualities of Thermal and Vibrotactile Materials for Somatic Contemplation
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AIBO: an Emotionally Intelligent Artificial Intelligent Brainwave Opera, Part 2, or the Making of a “Sicko” AI
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An Invitation to DANCE: Making Sense of Viewer Interaction in Installation Art
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Any One, AnyWare: Perceiving Sentience and Embodiment in a Distributed Sculpture
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Archive or Alive: The Experimental VR Digital Collection of Shou-You LIU’s Shapde 5.5
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Archiving and Researching Media Art in Israel: Challenges, Innovative Solutions, and Potential International Collaborations
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Archiving Australian Media Arts: Towards a Method and a National Collection
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Archiving Interactive Art for Art Practitioners and Theorists
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Art and Science Intra-action of Collecting Water from Fog: Ethical Response-ability in Karen Barad’s Mattering
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Aural Soilscapes: Sensory Challenges in a Subterranean World
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AURALROOTS: Learning about Sentience though Embodiment and Simulation in Three Sonic Environments
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Beneath the Surface and Into the Planetary: Listening to/for Coexistence in Contemporary Sound Installations
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Beyond the Turn and Towards the Event: Analyzing the Curatorial as a Material-discursive Practice
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Blimpy: an Artistic Framework for Creating a Spatial Augmented Reality Experience with Helium Blimps
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Can Art Contribute to the Research on Multisensory Processes?
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Carving out a Path: Building Research and Knowledge Environments (RKE) in a Digital Culture
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Chatterbox: an Interactive System of Gibberish Agents
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Creative Audio Design for a Massively Multipoint Sound and Light System
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Cyborg and Prosthesis: The Body of Subjective Motivation Extension
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Cyborg Encounters: The Abilizing Capabilities of Embodying Disabling Avatars
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Dance and Code with Empathy: A Reading of Joana Chicau and Merce Cunningham
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Data Pollution Devices: Artistic Strategies Against Behavior Capture
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Data, Sense, Resonance: an Art of Diabetic Self-Tracking
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Designing Technology for a Symbiosis Between Natural Systems and Information Infrastructure
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Digital Art Festival, Biennial Of Digital Art and Labcult (UFMG/PPGCI)
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ELMCIP Electronic Literature Knowledge Base
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Embodied Cognition, Digital Cultures and Sensorimotor Debility
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Enchanting Materialities: E-textiles Installations for an Ecosophic World
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ePPA Project: Telling Peru’s Video Art Histories Through a Unified Platform
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Expanded Notes on the Exhibitionary Conditions of Virtual Reality
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Expanding Sensitivity in Immersive Media Environments
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Experimenting with Robotic Softness
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Exploring AI Ethics Through Intelligent Everyday Objects
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Gestural Metaphor and Emergent Human/Machine Agency in Two Contrasting Interactive Dance/Music Pieces
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git show: Musical Creativity, Ideation, and GitHub
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Glowing Lichen: Visually Sensing Social Spaces
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In Pieces VR: Micronarrative and Abstraction in the Design and Conceptualization of a VR-based Experimental Documentary
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Indigenous Sentience: Fernando Palma’s Electronic Divinities
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Inhaling Consciousness: Ecological Sentience at Molecular Level
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Intercultural Dialogue in Museums through Mixed Reality
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Liminal Scape, an Interactive Visual Installation with Expressive AI
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