Paper Presentations (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
The Lungta Project: Physical Visual Music
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The Order of Passions: A Portrait of Polyphonic Canada
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The Renegade or an Aesthetics of Resolution: A few thoughts on a techno-imaginative toolbox and its potential for digital art as -and beyond- critique
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The Scroll Unfurled: Ancient to “Vanguard”
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The Suplemento Dominical do Jornal do Brasil: Art, Poetry, and Media Design in Yellowed Newspapers and Digital Archives
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The Tomb of the Grammarian Lysias: Real-Time Performance and Crowd-Distributed Music Diffusion with Networked Mobile Devices
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Too Big To See: The Need for Design Strategies to Visualize Multiple Spatiotemporal Datasets
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Toxicity at the Equidistance of Biotechnology and Biopolitics
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Transcoding the Aesthetics of Activism
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Transient Materialization: Ephemeral Material-oriented Digital Fabrication
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transmission+interference: noise, resonance and territory
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Turbulent World: An Artwork Indicating the Impact of Climate Change
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Understanding Third Space: Evaluating Art-Science Collaboration
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Unified Physical and Digital Experiences: Exploring Art and Digital Media via Augmented Reality Interface
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URME Surveillance: Analyzing Viral Face-crime
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Visual Arts Creation Assisted by BICASSO: Brain-Inspired Computationally Aesthetic Selective Savant and Observer
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VR Panoramic Photography and Hypermedia: Drawing from the Panorama’s Past
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Weblogmusic: A Performance Platform for Individually Time-Shifted Improvisers
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When Ideas Migrate: A Postcolonial Perspective on Biomodd [LBA2]
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White Night Melbourne in 2013 and 2014: Disruption or Contribution Toward the Socially Engaged Public (Art)?
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World-Wide-Walks: Glaciers in the age of global warming
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[Personal Nature]: An Artist’s Approach to Assistive Technology
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‘Splitting Centre’: directing attention in trans-media dance performance
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‘The Value of Art’: Transforming User Attention into Monetary Value in a Series of Interactive Artworks
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‘Twitter’: Practice in Writing, A recipe for Creativity & Creative Interpretation
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“Chair de lumière” by Marjolaine Béland: How Disruptive Conditions and Mimicry Capture Attention and Favor Empathetic Resonances
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From Interaction to Post-Participation: The Disappearing Role of the Active Participant. Introducing Research Framework of Post-Participation
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Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore
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“Vernacular Sound”: System for Soundscaping of Everyday Objects
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A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web
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A Double Détournement in the Classroom: HK Protest Online Game as Conceptual Art
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A Webcam Interface for Somatic-Technological Dance Experiences
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Aesthetics of Adaptive Behaviors in Agent-based Art
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Alien Aesthetics: Xenofeminism and Nonhuman Animals
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An Interactive Mnemonic Space For Jodi.org: The Process of Re-exhibiting
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An Origin of Interactive Art: Nam June Paik’s Progressive Musical Instruments
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Artistic Technology: Coded Cultures, “Making” and Artistic Research
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Augmented Reality as Experimental Art Practice: from Information Overlay to Software Assemblage
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AURALROOTS: Cross-modal Interaction and Learning
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Between Decay and Preservation: A Personal Approach to Media Art Archiving
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Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build
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Cash Rules Everything Around Me: Reading the Recuperation of Hip-hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise
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Connecting Indigenous Cultures to Design Pedagogy
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Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems
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Cultivating More-than-Human Lifeworlds: Laudatio on Indigenous Fermentation, Smell and Metabolic Power Grids
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Cyber Terrorism in Name of Cyber Activism: Discomfort in Looking at Some Derivative Works in Recent Hong Kong
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De-schooling Product Design Education, an Experimental Physical Approach
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Digital Confucianism: A Confucian Take on Computation and Algorithm
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Digital Musicianship Training for Classically Trained Music Students in a Laptop Orchestra
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Evaluating Art Hacking Events Through Practice
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Exploring the Medium: The Indexical Function of Artistic Photomicrography Made by the Scanning Electron Microscope
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Expressive Experiments : Art and Particle Physics
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FileLife: Kurenniemi and the Question of Living Archives
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Flip the Book, Flip the Memories: a Case Study of Multimodal Interaction for the Library Located in Macao World Heritage Site
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Foundations of a Design Framework for DIY Nomadic Public Screens
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Going beyond the glitch art: Critical glitch studies as a new research paradigm for analyzing post-digital technologies
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Hearing Blind as a New Interface for Exploring the Urban Soundscape
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How the Traditional Chinese Idea of Time and Space Can Be Applied through Digital Moving Images
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Ideational Drawing as a Foresight Method in Designing Future States of Objects
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Intimate Technologies: The Ethics of Simulated Relationships
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Joke Lanz is Spinning the Records: Analysis and Graphical Representation of an Improvised Concert of Experimental Turntablism
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Microtemporality: At The Time When Loading-in-progress
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Microtemporality: Techno Sex in Art: Mating Man and Machine In the Solve et Coagula Experiment
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Music in Print, How Publishing Has Been Able to Flirt With Music
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Noise &/as Nervousness: Gertrude Stein in the Interface
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Noise Responsive Systems: How do those change the infrastructure of the Institution?
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Occult Computing for Artists: An introduction
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On-line Film Circulation in China: The Case of Youku Tudou As a Creative Corporate Soft Power Champion
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Paradoxical Bodies: Animal Human and Machine
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Performing Identity through Wearable Sensing
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Plasticity and Feedback: Schemas of Indetermination in Cybernetics and Art
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Posthumanism, New Materialism and Feminist Media Art
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Re-enacting And Open Sourcing As Methods For Experiencing Programmed Art Utopia
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Reading Digital Art in the Age of Double-Coding
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Simondon’s Concept of the Image: At the Junction of the Technological and the Animal
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Somplexity: An Experiment of Posthumanist Platonic Sex
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Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games
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Symmetry: Breaking Through the Looking Glass
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The Algorithmic as Agonistic Agency: Approaches on Experimental Design, the Politics of Codes, and PostAnthropocentric Paradoxes in (Media) Cultures
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The Condition Towards Hybrid Agency
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The Impoverished Image: Online Video Art Exposure
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The Role of Eye Contact and Spectatorship in Interactive Installations
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The Unstable Characters: Reading of Chinese Text-based Digital Works
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The Virtual Thematic Route Emil Benčić: From Experience to Infinity
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Touch as Techne: Pulse Reading as Interface
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Transcoding Nang Talung: An Animated Adaptation of Thai Shadow Play
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Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments
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‘The Familiar’: Technology-being-with-us
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“This is a techno-necklace from my great grandmother”: Animism-Inspired Design Guidelines for Digitally Ensouled Jewellery
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And the Earth Sighed: A Case Study
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Applying Interaction Design for Building Mediated Experiences by Technology to Foster the Ancestral Culture of Colombia. Case: Kosmos Astronomical Museum
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- Clara Isabel Pantoja Muñoz
- Carlos H. Sánchez Benavides
- Carolina Ledesma
- Andrés Felipe Gallego Aguilar
Title:
Art and Interaction: Language and Meaning Production
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Artistic Brain: A Complex Nonlinear System as Advanced Neuroesthetic Research
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Augmentations Across Virtual and Physical Topologies: Mixed Reality Re-assembled
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Avoid Setup: Insights and Implications of Generative Cinema
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Capricious Creatures: Animal Behavior as a Model for Robotic Art
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Cognitive Beings: Brain Mechanisms Discussed in Cultural Studies
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Compositional Approaches to Spatialisation with the speaker.motion Mechatronic Loudspeaker System
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Corporeal Cinema: Tactility and Proprioception in Participatory Art
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Creation of Meaning in Processor-based Artefacts
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Curating/containing: Exhibiting Digital Art about Mental Health
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Data Won’t Change Your Behavior: A Critical Design Exploration of Quantified Self Technologies
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Decomposing Landscape: Hearing the Troubled Site
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Design of Pictographic Signs for the Educational Area
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Design Process for Wearable Technologies and Urban Ecology: AirQ Jacket
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Designing for Bottom-Up Adaptation to Extreme Heat
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Digital Material and Creative Practice
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Diligent Operator: The Resurrection of Musique Concrète with Max/MSP Jitter and Arduino
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Does Ritual Disappear as Walter Benjamin Describes in “The Work of Art in the Age of Mechanical Reproduction” in the Age of Digital Technology?
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Domains, Publics and Access: A Wiki In Progress On Access Archaeology
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Eastern Cultural Heritage, Digital Remediation and Global Perspectives
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Emergence of (Experimental) Computer Art in Brazil: Pioneers and Events
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Encoding Colours: from the trichromatic theory to the electromagnetic signals
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Extending/Appending The Perceptual Apparatus: A History of Wearable Technology in Art
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Fluid Processor Design for Ecological Computing: a new techno-ecological computing paradigm for sustainability
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Fostering Care and Peaceful Multispecies Coexistence with Agential Provotypes
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Hackitectures: Reordering Physical Spaces, Electronic Flows and Social Bodies
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Hello, World: The Artist’s Palette Using New Media among Atoms, Bits, and Connectivity
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Imagined Geography, Interstitial Futures, Guatemex
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Interactive Art Based on Musical Genealogy: Nam June Paik’s Random Access
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Journalism Visualization Devices: Six Visual Modes of Seeing
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Mechanisms of Listening and Spatial Mental Imagery
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Media Culture and Heritage: Curating Outsidership
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Mental maps of Traditional Fisherman in the Caribbean Sea
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Motivation in Design Strategies for Behavior Change
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On the Cohesion of an Electronic Device Ensemble
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Open Estudio: Mapping Intercultural Dialogues through Art and Technology
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- Esteban García Bravo
- Carlos Mario Sánchez Giraldo
- Pablo Andrés Pulgarín
- Isabel Cristina Restrepo Acevedo
Title:
Place-making With Telepresence: A Navigation Guide to A Journey into Time Immemorial’s Seven Exhibition Spaces
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Poetic Instinct: Aesthetic experience as a vital function
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Politics of HCI and the User-Programmer Continum
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Preservation of Electronic and Digital Art in the Context of Expographic Spaces and Museums: An Information Management Perspective
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Preservation of Material and Immaterial Heritage through Interactive and Collaborative Artistic Interventions
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Production Processes of Mexican Digital Artists
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Projects Desluz and ZN:PRDM (Neutral Zone: a River Passes Through Me) by Poéticas Digitais Group
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Prolegomena for a Transdisciplinary Investigation Into the Materialities and Aesthetics of Soft Systems
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Prototyping Puppets Beyond Borders
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Reimaging Coral Reefs: Remodelling Biological Data in the Design Process
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Representing Peace in Colombia through Interactive and Transmedia Non-Fiction Narrative
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Retracing the Story of Bourges’s Institute of Electroacoustic Music through Exploratory Programming and Live Visualizations
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Sopro (The Blow)
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- Milton Terumitsu Sogabe
- Fernando Fogliano
- Fabio Oliveira Nunes
- Soraya Braz
- Carolina Peres
- Cleber Gazana
Title:
Soundscape as a Pedagogical and Reflective Tool for the Preservation, Resignification, and Creation of Narratives about the Colombian Coffee Cultural Landscape: visual arts Laboratories of the Ministry of Culture
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Temporary and Distributed Libraries, Breaking Boundaries, Creating New Resources
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The Aesthetic Experience of Augmented Reality Art
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The Demise of the Frame: A Media Archaeology of Motion Prediction
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The Exhibition Space through the Presence of Digital Games
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The Return of Wonder: Speculative Robotics and Re-enchanting the Machine
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The Sound of Decentralization: Sonifying Computational Intelligence in Sharing Economies
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Transmedia as a Tool for the Reconstruction of Collective Memory in post-conflict Scenarios in Colombia
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TURBA Concert in 15 Movements for 64 Neural Oscillators
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Un-Earths: Disorientation, landscape & the industrialized map
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Urban Mesh: Exploring Data, Biological Processes and Immersion in the Salmon People
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Valuably Unsought: Systems for Digital Serendipity
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Video Art, Artivism and Photography as Tools for Subvertising the Patriarchal Indoctrination of Advertising
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Vis. [un]necessary force: A Socially Engaged Creative Practice Research Project
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Visualising the Meditating Mind: the Aesthetics of Brainwave Data
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Visualization of Climate Change in Internet
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Warfare Outcome as a Ground for Destruction of Heritage and Real Estate
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Weeping Bamboo: Resonances from Within – Exploring Indigenous Memory
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Blackfoot Blogs and the Charm of Languages
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360° Dance Film: Reflections on the Making of Tidal Traces
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A Cognitive Vernacular for the Internet of Things?
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A Flexible Approach for the Application of Immersive Audio to an Installation Performance
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An Emerging Role for Design Methods in Transdisciplinary Practice
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- G. Mauricio Mejía
- Cassini Nazir
- Roger F. Malina
- Alex García Topete
- Felipe Cesar Londoño Lópes
- Andrés Felipe Roldán
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Animating Glass: Stencil Animation and Smart Materials
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Atmospheres and Immersion Architecture
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Awkward Consequence
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Be Sicklecell Be a Hero (Xenofantasies in Transparent Scenarios)
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Between technological precision and artistic ambiguity in Locative Art
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Bio Art as a Trading Zone: A Creolized Art Form of Biology and Art
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Chemical Skin: Computer Numeric Controlled Craftsmanship (CNCC)
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City Identity for Durban: Port with a Green Heart
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Click: an Audiovisual Sound Sculpture
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Collaborative Artistic Practices within Indigenous Communities
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Collaborative Composition with Creative Systems
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Cyber Attractions of WagonNet: Modes of Activist Engagement for Reclaiming the Public Space
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Cyborganics: Engendering Sympoietic Experiences through Body-worn Digital Artifacts in a Rewilded City
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Digital Arts for Young Audiences? Mediation and Dissemination of Digital Arts and Culture to Norwegian School Children
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Ecological Aesthetics: Artful Tactics for Humans, Nature, and Politics
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Empathy in the Ergodic Experience of Computational Aesthetics
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Expanded Relief (Holographic Meditations)
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Experimental Animation, Hybridisation and New Media
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