Panels (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Out of Line? Archiving Internet Art Off-Line
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Critical Futurists from Africa (HIVOS)
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Technological Embodiment of the Female Body and Voice via Radio Transmission
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Integration of Art and Technology for Realising New Communications
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Possibilities of the Virtual in Digital Space; Rethinking Bodies, Cognition, and Values in Metaverse
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Technologies as Agents to Penumbras
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Beyond Anthropocentrism: Art Practices to Expand Human Experience, Understanding, and Creativity
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Multimodal Interaction, Medial Arts and Education: A case applied in the multimodal learning of bioinformatics concepts and the visualization of biological data
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The Network of No_des: Excavating the Histories of the ‘New’
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Spectopolis: From Disney’s Project City to Dubailand
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Arabic Medicine Contributions to the Field of Ophalmology and Beyond
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Diagnosing the Computer User: Addicted, Infected, Technophiliac?
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Revolting Sounds: The Body/Machine with Organs
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Fake Organum: The Uneasy Institutionalisation of Art as Research
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Implementing STEAM approaches in Higher Education
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- Andrew Newman
- Heather Barnett
- Claudia Carter
- Nathan Cohen
- Robert Fischer
- Adrian Holme
- Kathryn Burns
- Tom Cahill-Jones
- Charmaine Stint
- Laura Veart
- Berry Jo
- Annette Naudin
- Alessandro Columbano
- Henriette Greulich
- Daniel Lordick
- Lisa Nickolaus
- Jaana Brinck
- Eva Durall
- Teemu Leinonen
- Natasa Brouwer-Zupancic
- Frank Nack
- Andre Nusselder
- Jacobijn Sandberg
- Mairead Hurley
- Jean O’Shea
- Shaun Ussher
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Schemas, Diagrams and Flowcharts by Artists, Engineers and Computer Scientists in Software Based Interdisciplinary Collaborations
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Immersions in a Field Phenomenon: Going with the Flow
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Theatres of/as Art and Artificial Life
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Bad Men, Good Men and the Data Ganger Cometh
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Transmitting Architecture: The Transphysical City
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P(l)aying (with) Attention: Distracted Reality Versus Augmented Place
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“Πασαί Τέχναι βροτοίσιν εκ Προμηθέως”: Prometheus and Epimetheus: Fields of Foresight and Hindsight in Worldmaking
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A Second Manifesto for Neuroplastic Arts
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Virtual Reality as a Medium for Social Interaction
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The Creation of the Medialab Madrid Archive: Preserving the Memory of Transdiciplinary Media Art Practices
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Transdisciplinary Collaborative Practices in Art, Science and Technology
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GPS Art: Mapping New Territories
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Our relationship to natural and altered environments
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Some Provocations from Skeptical Inquirers about Animal Sentience
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Boundary Crossing(s): Multi-scalar Entanglements in Art, Science and Technology
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Life, A Sensorium: Perspectives from the Sensorium Exhibition at ISEA2020
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Queering Infrastructure: the System Through the Erotic
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New Design Processes panel intro
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Five Miles of Liquid Tire: Making Sense of Spectacle, Looking, and Illuminated Art in Blackpool (1879 – 1998)
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New Media Contemporary Information Paradigms: The Reordered Memory on File Archive Structures
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The Mutualism Relation within the Entrepreneurial Ecosystem
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Extending personalized experience with local engagement
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2 Performances in the 21st. C Virtual Color Organ
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Interpretating Reactive Notation and Extreme Sight Reading
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Declaration of Sentiments/Gün
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Declaration of Sentiments/Gün (DOS/G)
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Liminal acts: Using mobile technology as a critical medium.
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Archiving as Art or Data Base Esthetics
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...and there was light! Rhetorical Performances in the Digital Realm
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The E-conference: Collapsing the Walls of the Arts Conference
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The Artist as Sensory Machine in the Post Reality
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From Prototypes to Niche Production: How the DIY Wearable Tech Community is Crafting a New Fashion Revolution
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Putting Users in the Picture: Embodiment, Affect and the Digital
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21st Century Schizoid: Bear Masculine Transitions Through Net Pornography
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Artistic Strategies in Generative Art Practices
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On Consciousness, Memory, and the Role of Art in the Era of VR & AI Maturity
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Paradiso Artificiale Rehearsals for Death: Avators and the Post-Biological Experience
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New Interfaces for Dance panel intro
Presenter(s):
- Armando Menicacci
- Scott deLahunta
- Emanuele Quinz
- Stelarc
- Flavia Sparacino
- Robert Wechsler
- Joe A. Paradiso
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Multisensory Mobile Devices: Redesigning Bodily Spatialities and Dimensions
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Scent marks and territories: cultural artefacts
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Wearable materialities
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- Camille Carol Baker
- Tara Baoth Mooney
- Elena Corchero
- Ebru Kurbak
- Mahir M. Yavuz
- Amanda Parkes
- Hannah Perner-Wilson
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Lust & Wanderlust: Sex & Tourism in a Virtual World
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The Cybernetic Cinema of the Whitneys
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Direct to Video: Steve Beck’s Cameraless Television
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Arctic Perspective Initiative (API)
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Virtual Bodybuilding: The Cultural Specificity of Virtual Reality Design
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Devirtualisation: Toward a Critical, Embodied Interactivity
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Paradigm-Busters: Complexity at the End of the Enlightenment
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Software Comes Second: Performative Technologies, Embodied Agents and Situated Machines
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Introduction Panel Statement
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Bringing Interactive Animated Characters Out to the User
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Art-Science: Exchange or Bartering?
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Any Resemblance to Any Other World Known or Unknown is Purely Coincidental
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Worlds Imagining Ecologies
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The Mutant Offspring of Information Economies
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Estonian Experience: Non-Institutional Media Art Production in Estronia
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Remote Actions/Collective, Divergence and Confluence: Art in Latin America
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Computers in Theatre: New Dimensions for Stage, Actors and Audience
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New Realities of the Body in Contemporary Performance
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Production of Knowledge in E-Environment in New Media Design Area
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Migrating Meaning: Understanding New Media Art in Central Eastern Europe
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The Digital Aesthetics of Climate Crisis Abstract
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”Objet Petit A”: The Changing Meaning of Abstraction and Representation in the Digital Age
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Dream Land: Mass Hallucinations and Virtual Changes to Real Environments
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Rapid Fire: Performative Experiences in Scanning the Visual and Auditory Scene
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The Open: Mediating the Human and Non-Human Interface
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Devising and Positioning Interactivity in Net projects
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Standardization of Music Representations
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Technique in Place and Technology with Reference to Contemporary Fine Art
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Space, Time, Body and World: Here, There, and Nowhere
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Digital Tools: Creative Development and Developing Creativity Panel Statement 1
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Diffractive Art Practices: Ecologies of Intra-actions and Difference
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A Diffractive Reading of the Messy Entanglements Between Mainstream Contemporary Art, Sci-Art and New Media Art
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Sublime Ecologies and Artistic Endeavours: Artificial Life and Interactivity in the On-line Project Technosphere
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Bending the possible (one pixel at a time). Small-file ecomedia for the Anthropocene
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So What’s New About This Revolution? Rethinking History
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Intro Towards a Descriptive Approach of Gesture and Sound Interaction
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Signal Territories, Infrastructures and Intermediaries: New Interfaces for Art Science and Communication Policy
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There Is No Such Thing as Interesting Programming
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Government, citizenship and the public sphere: contested democracy and digital technology
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Interpenetrations: Art, Science, Cultural Theory
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Microscopic Otherness and Signs of Sub-molecular Sentience
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Facing Affect: Synthetic Interface & Meaning
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MA Multimedia Design Degree Show 1998, Middlesex University
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Mictlan’s Cyber-Cartography, The Search of Mexican Families for Their Loved Ones: A Collaborative Socially-Engaged Art Project
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Who Owns Our (Software) Culture?
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Donation Alerts on Twitch.TV: Commodification of Community and Attention
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Challenged by Choices: Narrative and Virtual Reality – a Symbiosis or Antibiosis?
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AIwriting: Relations Between Image Generation and Digital Writing
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Electronic Authorship, Collaboration, Community, and Practice
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Making Connections Visible: Building a Knowledge Base for Electronic Literature
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Hydrological symbiosis: An approach to the experience of water-based artworks
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Modelling Death to Get Real Death: The Re-construction and Repetition of the Live/Death Ambivalence in Artificial Life
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Beyond The Digital Diaspora: Flame Wars
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Ideology of Interactivity: Freedom, Choice, Creativity Panel Introduction
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Objects and Agency: Art, Digital Media, Anthropology
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Computer Programming and Conception of Cities
Presenter(s):
- Jean Brange
- Ammar Eloueni
- Luca Galofaro
- Carmelo Baglivo
- Stefania Manna
- Flavia Sparacino
- Gruppo A12
- Marcos Novak
- Dagmar Richter
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Interactive Narrative: A Form of Fiction?
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Inside Out and the Materiality of the Digital
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Locative Media and the Politics of Space
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Multi-linear Narrative Structures in Multimedia
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Narratives, Interactivity and Metaphors Panel Introduction
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Technology Recapitulates Phylogeny: Emergence and interactive Art
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My Finger’s Getting Tired: Unencumbered Interactive Installations for the Entire Body
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Cinematic Experiences and Bio Visualization Introduction
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Moving Image + Data Visualization = Connection Visualization
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Biomedical Signals in Media Art: towards the Awakening of Internal Peace
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Tools for Collaborative Research in Complex Ecosystems
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The Sewing Circle Method of Working Under Cover
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Corps et sens en Performance Videographique Panel Statement
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Best Practices in Banana Time (aka, Is That iPhone Working or Playing?)
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Imperialism and the Sampling of World Sound
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Quoting and Appropriation: Whose Art is It?
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An Intent to Communicate Semaphores: Listening Posts, and other recent work
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Digital Paint to Digital Photography: The Long Reach of Abstract Expressionism
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Running to Stay in Place: Faculty Burnout in the Electronic Arts, Proposed Guidelines for Faculty in Computer-based Media in Art and Design
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The Ambiguity Zone: Which Dimension Am I In?
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