Panels (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
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Towards the Third Culture: Intersections of Arts, Science, and Technology
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Conspiracy dwellings: surveillance in contemporary art
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Panel Intro: Virtual Interventions: Digital Avant-Gardes
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Redefining Terms? ‘Artist’ and ‘Audience’ in New Media Art
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Response to 21st Century Schizoid: Bear Masculine Transitions Through Net Pornography
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Impact of Social Art in the People´s Smart Sculpture PS2
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The People´s Smart Sculpture: Social Art in European Spaces
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Think BETA: Soft City Culture and Technology
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Repulse the Beat: Teaching Cast and the Strategy Of Deceleration
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The Birth of Memory from the Spirit of the Machine
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Global Local Panel Intro
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Recombinant Culture Panel Introduction
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The Media Façade as Paradigm Change of the Public Space
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Interactivity and Control: The Aesthetics of Real Space Interactives
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 3
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Curating in/as Open System(s)
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Curating in/as Open System(s): Social Technologies and Emergent Forms of Curating
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EMDL: European Mobile Dome Lab for Artistic Research
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Anti-Author(ity) Manifesto: Digital World is a Plane
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GLUE: Case Studies on how Things Stick
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Luminous Green in Singapore: Electronic arts in turbulent weather
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The Aesthetics of Codes, from Multimedia Design to Creative Art Education
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Materiality, Posthumanist Performativity, and Wearables
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Open Design Practices, Materiality and DIY Wearables @ 3lectromode
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Gender and Technology: What Problem? Panel Statement 1
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The Network Without Walls
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The Arts of the Artificial: Some Implications for a Finite Universe
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Demusealizing the Museum: Audience’s Digital Agency and Institutional Critique 2.0 as Possible Futures for Art Institutions
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Ordinateurs et Sculpture Aux Etats-Unis et en France
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You Hold the Camera Now: An Action Research Case Study of Pre-Kindergarten Transmedia Narrative Design
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The Viral.Net Virtual Forum on Radical Cosmologies
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Gender Confusion and Other Forms of Cyber Cheating
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Interface Metaphors and New Narratives in Interactive Media
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Interactive Storytelling
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- Jacques Morizot
- Jean-Pierre Balpe
- Anne Cauquelin
- George Legrady
- Francois Soulages
- Liliane Terrier
- Maren Kopp
- Raymond Bellour
- Jean-Louis Boissier
- Anne-Marie Duguet
- Timothy Murray
- Grahame Weinbren
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Deviant Media Tactics: Creating Faces
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From Playful Strategies to Playability
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Digitalism and the More Knowledgeable Other
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In Times of Change: An Institutional Perspective on Collecting and Conserving Born Digital Art
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The Cognitive Underpinnings of the Denial to Act
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After the Gold Rush: Gold Farming in China – and in Western Academia
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Noise and Translation: Remapping Habitus Across the US/Turkey Border
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The Panic Museum: Memory and Digital Alzheimer’s in the Information Age – Exhibition and Conservation in the Digital Arts
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An Interrogation of Space
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- Peter Anders
- Pamela Jennings
- James Leftwich
- Patrick Lichty
- Gregory Little
- Timothy McFadden
- Mike Mosher
- Scott Patterson
- Dan Livingstone
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Transcending Boundaries, Making Creative Resistance: A Study on the Young Feminist Activist Group and Their Online Activism in China
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The Third Skin: A Medium or a Mess(age)?
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Is Digital Art Contemporary? Panel intro
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Open Laboratories, Laboratorios Abiertos
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The Touch of Art in the Age of Digital Paintings. Digital Irony?
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E/merging Publics? Interurban Collaboration and Building Connection Across Disparate Notions of Public Space
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[Id]entities as a Multilayered Self: The Individual Pervasiveness of Social Networks Abstract
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Civic Media and Data (h)ac(k)tivism: Environments, Tools and Practices for Critical Data+Code Literacy and Visualization
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Coping with Hyperculture
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Nano Thoughts & Hyperaesthetics, Art Speed and Interpretation
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A Project of Disjunction and Conjunction: On the Aesthetics of Climate Change
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Chastity Belts, Voluntary Incarceration, Sexual Politics & Art
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A Seismic Moment: Sound as weapon, from Jericho to Waco
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The Case of France: From Minitel to Gitoyen
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Computer Music, Music Languages, Live Coding
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For a symbiotic art/design/science education
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Unheard voices: audio visual recordings of memories of the troubles in Northern Ireland
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Hype: 1000 Seductions of New Media
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Interdisciplinary Trouble: Performing Science in Media Arts
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Techno Formalism: Excessive Surfaces, Abstracted Identities
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Curriculum in the Cracks: Encouraging Cross-Disciplinary and Art-Science-Humanities Teaching
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Towards an Inventory of Best Practices for Transdisciplinary Collaboration
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Training Methods for Transdisciplinary Collaboration: Best Practices and Didactics for Team Work Panel Introduction
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Intrainter Socialite: Emoticon Jacket For Social Interaction
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Virtual Reality as a Fine Art Medium Research Unit
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Ludic Strategies in Public Environments
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Background: Decontamination and Martial Law in the Anthrax Age
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Decontamination, Surveillance and Ready Made Martial Law in the Anthrax Age
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Surveillance Situationist-Humanistic Intelligence
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Wearable Computing as a Framework for Reflectionist Intervention
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Physical Space and Virtual Space in Electronic Culture
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Telepistemology and The Aesthetics of Telepresence
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Texting a Machine: Assembling an Emotional Response
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Art and Artificial Life in Latin America: the Historical Legacy Takes on the Artistic Establishment
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Mariotti’s Ritual Artefacts and the Origins of Media Art: In search of the Lost Multisensorial Characteristics of New media
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Sensation and Individuation in Generative Artworks and Caucasian Carpets
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Magnets of the Fantastic: FutureNorth
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Anti-Disciplinary Art: Rejecting the Standard Forms
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Interface and Active Space: Human Machine-Design
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Reinventing Phonography: Three Case Studies of the Transduction (Online)
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Information Must be Free to be Effective
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Plasticity: Noise, Correlation and Interaction
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The Sound of Small Brain Circuits: Plasticity and Synchronisation in the Neurogranular Sampler
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Media design as a creative language, the artist as meta-artist
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Bending Light: Strange Tales From the Projective Plane
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mediated_moments and plasma_flow
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Disrupting audio-visual paradigms with real-time technology
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Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Introduction
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Artificial Life: Challenges and Possibilities Panel Intro
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Learning to Dance With a Human
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3D Visualisation for Patient Centred Communication
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After Privacy: Surveillance, Sexuality and the Electronic Self
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Culture, Technology and Power: Creative Leisure and Social Change
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The Webrecorder’s Challenge of Enabling Access to Dynamic Webbased Art
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Towards (Co-authoring) Communitas: The Facilitation of Becoming through Participatory Art/Tech Projects and the Practice of Place-Making
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Recording stories of apartheid reparations in a culturally and economically diverse landscape
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Increases in Image resolution & Context Dependency
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I Want to Touch You: Transreal Aesthetics in Virus.Circus
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Transreal Bodies and Digitized Clones: Bridging Realities With Sound, Biometrics and Motion Capture
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Case Studies on Young Feminist Activists Using New Media
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The Power Play of Editorial Patchwork
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Creative Communities: Nooks, Niches, and Networks
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Sensorial Transcoding: Hypermodal Configurations of Perception and Expression in Electronic Art
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Between Hybridity and Hyper-Space: AES+F’s The Feast of Trimalchio (2008)
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Eastern-Western Interaction in Digital Media
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Posthumanism: is the (art) world ready for bioart?
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A Question of Antagonism: Identity, Representation of Self and New Media in Thailand
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Abstract Machines Within the Local and Global Dynamics
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Augment_me: Anthropomorphising the Other and Augment the Self
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Unsitely Aesthetics: Performative Encounters in Public Space
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EIDEA, An Emergent Interactive Installation for the Interactive Design of Emergent Art
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Globally Connecting New Media Art Archives: Progress, Goals and Challenges
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Object Hierophanies and the Mode of Anticipation
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The Media Space
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The Magic Light for Viewing the Inside of Objects: A Supernatural Interactive Display
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The Ritornelli of Everyday Life: Some Epistemic Experiments with Information Technology
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New Aesthetic Energy Infrastructure and the Land Art Generator Initiative
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Gender and Technology: The Epistemological Problem
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Amplexus Poetics: Language, Art and New Software Forms
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Dummies, Dolls and Robotic Simpletons Interpreting Artificial Stupidity
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The Metaphor of Cave in the Electronic Arts
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Body Matters Panel Introduction
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Viral Not Virus: Alan Liu’s “Viral Aesthetics” Reconsidered
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Transcoding Place Through Digital Media
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Art, Body and Technology: an overview of current approaches from Latin America
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Crypto Land: Blockchain as a challenge for art and digital art collections of the future
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A to X: Audience Experience in Media Art Research
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Speculative Objects: Materialising Science Fiction
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Curating Lively Objects: Post-disciplinary perspectives on media art exhibition
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Worldmaking Between Humanism and Machinism
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CTheory Multimedia: Wired Ruins/Digital Terror and Ethnic Paranoia
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