Panels (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Trance, Fixation, Serenity and Death: Meaningful Repetition: If There is One Moment Only, Let it Be Here in the Falling Snow. Out on the Wild Grasslands, I am You
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Disturbing Conurbations: Swimming Against the Dominant Spectrum
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Kinesthetic Attunement: Walking, Talking, Listening, Knowing
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Laboratories and Digital Experimentation Centers in Ecuador: First New Technologies Art Experiences
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CODED CULTURES: Exploring Creative Emergences
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The City as Ludic Interface: Vectors of Vireal Testlabs in Urban Mediatecture
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Disruption Through Design: Critical Exploits and Spaces of Possibility
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Data and Public Policy: An Approach to Data Ecosystems from a Human Rights Perspective
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Media-Making Madness: #Revolution, Media, and the Arab World
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Oh, Bottom Thou Art Changed: Stigma Symbols and the Corporeal Codings of Shame
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Alien Agencies: Liveness and Nonhuman Performativity
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Imaginaries and engineering through bodily and digital experience with experimental matter for artistic outcome
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Alien Agencies: the unstable dance between art, techno-science and new matter
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Roger 10-4: Exploration of the Body as Space/Surface of Transmission and Reception
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Preserving Indigenous Cultures in the Digital Age of Globalization
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Curatorial Challenges in Art, Science and Technology: FACTORS 4.0 at Bienalsur
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The Future Master Craftsperson: How to Get What You Want
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Critical Frictions, Connective Affinities: “Ideologies of Interactivity”
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The Magnetic Field of Audiovisual Art Practices
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Industries of Culture and Creation Panel intro Panel Statement
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Immerce Cunningham Multimedia Prototype: A Visual Data-base Based on the Dances of Merce Cunningham
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Body Maps: The Virtual Body Project
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The Matter with Media: Error in Audiovisual Apparatus as Aesthetic Value
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Literature, Journalism, and the Telematic Society 2: Fact, Fiction, Faction; Converging Styles in Literature and Journalism in On-line Publications
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Theoretical and Practical Approaches to Electronic Arts Education
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Interactive Technotextiles: The Hybrid Between Textiles and Technology
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Touch and Go: Hyperformanccs, Automated Teller Machines, Identities, Social Relations
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Making Trouble: Redesigning the Rituals of Civic Life
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Networking in the Margins of Eco-Activism
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Hybridity: Interfaces, Identities, and the Arts
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The Rhythm and Structure of Multi-Cultural Communication
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Digital Tools: Creative Development and Developing Creativity Panel Statement 2
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Y’arr, What be Yer Share of the Booty, Matey? Deviance as Strategy
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Feminizing the Archives of Digital Art: Recovering the Work of Female Artists Working in Mexico, 1960-1980
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Liberate Your Avatar: The Revolution will be Socially Networked
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Locationally Yours
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Rapid Response Collecting and Curating: Learning from the Victoria and Albert Museum
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Pathetic Fallacies and Category Mistakes: Making Sense and Nonsense of the (near-future) Sentient City
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The ‘Finished’ Work of Art is a Thing of the Past
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Living Agency: Curating in the Age of Digital Networks
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Ecolocated: environment, sound and engagement
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Digital performance in flesh and bones
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Folksonomies as Social Curating: The I tag you tag me Exhibition Case
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Responsive Environments: A Panel On the Interrelation between Location, Atmosphere, and Digital Media
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Cleaning and Character in Motion Capture Portraits
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Fluxus,Intermedia and Language Experimentation: The Reconstruction of Media at the End of Language
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Your Participation Not Required: Machinic Performances
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Centers and Institutes for Art and Technology Panel Member
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Software Art and Design: Computational Thinking Through Programming Practice and Critical Code Theory
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Untitled
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Julio Le Parc & the GRAV: Instability, Movement, Active Past. A Perspective Look on his Work and Ideas from the Present of Electronic Art
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Way to Go: The Impact of Process on Artists’ Residencies in Science and Research Settings
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- Vicki Sowry
- Oron Catts
- Roger F. Malina
- Denisa Kera
- Arantxa Mendiharat
- Irène Hediger
- Lonce Wyse
- Marta de Menezes
- Anne Kienhuis
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Creating with the Camera, Canvas, and Computation
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Kunstliche Kunst: Art and Aesthetics in Times of the Artificial
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The Computers and Sculptors Revolution: Projects from Europe and the United States
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The Place, the Space and the Ethnoscape: Examples of Hybridity in Western/European and Non-Western/Asian Media Arts
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Brazilian Pioneers in Art and Technology: Waldemar Cordeiro, Abraham Palatnik and Otávio Donasci
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Transcultural Approaches Panel Introduction Panel Statement
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Islands of the Day Before: Artistic Exploration in Post-Anthropocenic Food Ecologies
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Seeking Syncretism in Post-Biological Mixed Reality Data Transfer Systems
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SMS-Embroidery-Feuilleton
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Do You Know What It Feels Like for a Girl in Virtual Worlds?
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Incompatible Elements
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Erotics of the Internet
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Pain, Art and Communication
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Interactive Arts for Digital Natives
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Ecological Aesthetics: Artful Tactics for Humans, Nature, and Politics a Panel
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Panel Statement: Im-position: a minor politics for interactive art
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A Matter of Perception: Exploring the Physicality of Electronic Art
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Data Natures: The Politics and Aesthetics of Prediction
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A Study of the Changing Role of Typographic Education Within the Context of Hypermedia
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@juspar [1] and Now Quoting Galloway [2]: “Code is the Only Language that is Executable”. Does What it Says. #code #chun [3] #netpol1010
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Benji: A Brief History of the Man Who Brought the Intelligence of Search to our DNA
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Presentation for Code panel
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The Techno/Cultural Interface: String Cycles and Watch the Skies
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Meaning without mirrors: Mapping the Margins of Cyberspace
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Forking as Cultural Practice: Institutional Governance after the DAO
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Art, Design and Interactivity
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Interactive Design and Electronic Arts
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- Pierre Lavoie
- Joshua Davis
- Olivier Koechlin
- Murielle Lefèvre
- Étienne Mineur
- Casey Reas
- Maurice Benayoun
- Jean-Jacques Birgé
- Minna Tarkka
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Neural Mediation: Instrument of Perception as Spectacle, Narrative, and Method
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Why Should I Get a New One If the Old One Ain’t Broken? Aesthetics, Pragmatics and Social Tactics Of Low-Tech
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Comunidad, arte, ciencia y tecnología: Reflexiones sobre la producción y práctica artística
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Surveillant Interventions: From City Walks to Live Cinema
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Complexism: Art + Architecture + Biology + Computation, A New Axis in Critical Theory? (part 1 and 2)
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Between Past and Future: Collaborating in the City Space
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The Place is the Map: Because of Locative Media an A-Social Map
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Intelligent Architecture
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Same Same but Different: Curating in the digital landscape (whilst staying out of the rain)
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The Chemist as Flâneur in Intelligent Architecture
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Archiving Digital Heritage: Pioneers of Fin-De-Siecle Latin America Introduction
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Penumbra in Faint Light: Contemporary Art and Technology in Latin America Panel Introduction
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- Reynaldo Thompson
- Tirtha Prasad Mukhopadhyay
- Priscila Arantes
- Gilbertto Prado
- Daniel Argente
- Daniel Cruz
- Bernardo Piñero
- Jorge La Ferla
- Nara Cristina Santos
- Maria Luiza (Malu) Fragoso
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Three-Dimensional Media Technologies and the Electronic Arts
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The Surface of a Hysterical Body as an Interface
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Mediated Empowerment: Using Media and Technology to Amplify the Voices of Local Communities
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Art, Science and Anthropology Experiments: Inviting other Knowledge about Mosquito-borne Diseases through Transdisciplinary Collaborations
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Films: Party, Love Story, M. Monroe, V. Mayakovsky and Manifesto of Neo-Academism
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Emerging Narrative Forms and Bit Sensations
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The Running Nude: Narrative Mistakes of a Generative VR Experience
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Sitings of Art in Unsitely Places: The City as Atelier Aleatoire
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Computers as Metaphor, Minds as Computers: Notes Towards a Dysfunctional Robotics
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Landscape, Culture, and the Phenomenology of Technological Mediation
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Interdisciplinary Innovation, Collaboration and Learning Processes in Academia
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Art and technology at school. Resources for a critical integration of new media art practices in the school context
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Common Flowers/White Out: Bio-Hacking, Open-Sourcing and Exorcising GM Flowers
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From “Immaterial” to “Hypermaterial”
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Interactive Electronic Art
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Transforming the Physicality of Emotion
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Creative industries forum
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The Locative Apparatus: From Situationism to Compositionism
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Tracing Space: Locative Media as a Means for Artistic Expression
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The Societal Implications of Energy Abundance
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Internet Project: Cultures In Cyberspace
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The Inter-Society for the Electronic Arts Revived?
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Methodological Approaches and Sensitive Experiences Based on Nature Immersions, Field Trips and Rural Residencies Introduction
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- Bart Vandeput
- Karla Schuch Brunet
- Carlos Augusto Moreira da Nóbrega
- Laura Beloff
- Maria Luiza (Malu) Fragoso
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Wetware Hackers Discussed
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Prologue: transitional geographies / feminist mapping
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The ‘Rebuntu’ Project and Thoughts Around Behavior and Position of Modern Operating Systems
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From Literal to Metaphorical Utopia: Space and Time in the White Cube
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Higher Education for Sustainable Transitions by Mutual Learning in Immersive Transdisciplinary Real-world Laboratories (RwL)
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The Making Of Diamandini: Perception, Identification, Emotional Activation During Human-Robot Interaction
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Curb the Black Box: Overcoming Techno-Positive Fantasies
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Digital Materiality: Making the Incomprehensible (Unbegreifliche) Perceptible
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Artists Teaching Artists: Case Studies of the Masterclass paradigm
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Webbed Spaces: Between Exhibition and Network
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