Panels (Sorted by Last Name)
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[Title] [Presenter Last Name] [Year]
Title:
Aspects of Realtime Scoring and Extreme Sight Reading
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Cordon off the Contempt in a Word Compartment (and Other Whispering Moments)
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Robots as Social Actors: Audience Perception of Agency, Emotion and Intentionality in Robotic Performers
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The Collaborative Museum
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Boys would only like the programme because there are boys in bands: how preschool children’s television tells the story of contested spaces
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Dissemination of Knowledge of Electronic Textiles in Art Schools and Universities
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The Values of Online Social Relations
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Indexical Immateriality: Photography and Cinema Inside the Machine
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Looking for What Underpins, An Analysis of “Bleeding Through: Layers of Los Angeles” and a New Project
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From Mouse Hack to iPad: New Media in the UAE at Zayed University
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Art in the Age of Networks
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From Insider Knowledge to Anecdote to Apocrypha: Reflections on How Media Art has Been and Could be Historicised
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‘Democratising’ Curating: Speed, Sexuality and Selfies
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From Weightless World to Hybrid Homes: Rethinking the Extra-Terrestrial
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Critical contact: the climate crises, human/nonhuman thinking, and sensing the possible
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Human Collaboration and Machine Generation Across Media
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Executing Ecologies: Systems, Code, Inscription
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Systemness: Towards a Data Aesthetics of Climate Change
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Art and the Economy: How do they relate in the Digital Age?
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Forschertrieb, The Instinct for Research: Toward a Queer Psychoanalysis and a Psychoanalytical Queer Theory
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Centers and Institutes for Art and Technology Panel Introduction
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30+ Years of Artistic Data Visualization: evolution, trends, opportunities
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Skype and Video Performance: How Good to See You!
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Panel Statement
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Open Cultures: cultivating collaboration
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Art-Sciing: Slippery Terminologies and Language Performances in Art and Science Collaborations
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 1
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Settler Dread and Indigeneity: Digital Media Arts in Oceania
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Bio-Architectures, Virtual Cities: The Revolutionary Human-Machine Community
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ISEA2023 Education Forum
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The Contemporary Art Centres of the Soros Foundation and C³
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Embodiment: Meat and Machines
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Introduction “The Value of Knowledge Transfer in Aya Yala Abya Yala”
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The Ocean that Keeps Us Apart also Joins Us: Charting Knowledge and Practice in the Anthropocene
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A Transdisciplinary Approach to Research-creation (When Art is Part of Everything Else)
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Balance-Unbalance (E-Arts Meets the Actual World)
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Was Part of the Media Arts History Swept Under the Carpet? (Latin America’s Lost Ark)
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The Provincial and the Providential: Buffalo as Wilderness
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Kinship and Disembodiment in Mediated Cloud Spaces
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Computational Thinking in Art/Design Education
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Embodied in VR: The Body as Experimental Ground
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Curating Games in the Asia Pacific Region
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Panel Statement
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Worldmaking, Participation, and Learning: Experiments in Collaborative Creation
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Ré-émergence des sens dans les Arts des Reseaux
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Electronic Art and Audience Panel Introduction
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Biology as a New Art Medium and Its Possible Implications in Art Research
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Tools for a Warming Planet
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Infrastructures of Illumination: On the Material, Poetic, and Political Valences of Screens in Urban Space
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Practices and Poetics of Urban Media Art in the Shadows of the Illuminated City Panel Introduction
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MetaDeSign “Designing a (possibly or seemingly infinite) Range of Possibilities”
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Conscience, Memory and Protest: Vestiges of the Forever War
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Title:
Design for the Non-Human
Presenter(s):
- Tyler Fox
- Elizabeth Demaray
- Jordan Matthew Yerman
- Kira Decoudres
- Adam Zaretsky
- Leigh M. Smith
- Helene Steiner
Title:
Working in the Experimental Forest: The Intimacy of Language
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Making sense of sounds: patterns and noise
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Gendered inter/activity? Reflections on memories of prison experience in Northern Ireland’s conflict
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Crossing Boundaries: The Banff Center for the Arts and Interdisciplinary New-Media
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Intimate Technologies and the War Zone
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Organic and Social Histories: Collaborative Systems, Structures and Metaphors
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Interactive Bio-Wearable Devices: Designing Affective Communications
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Sensory Cosmologies Group
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Agency and Autonomy: Intersections of Artificial Intelligence and Creative Practice
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The Computer As A Tool for Sculptors: Sculpting in Cyberspace
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- Timothy Duffield
- Rob Fisher
- Helaman Ferguson
- Frank McGuire
- David Morris
- Bruce Hamilton
- Stephen Pevnick
- Stewart Dickson
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Reticular Aesthetics: Adversarial Media Art After the Material Turn
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Reimagining the Art Institution as an Open Source Civic Organisation
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The Cultural Aesthetics of Pervasive Gaming
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Artificial Consciousness: Will Art replace the Artist?
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Algorithmic Generation of Temporal Forms
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De la Fenetre au Labyrinthe: Les Technologies, le Corps et le Plaisir des Relations
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Alternative Histories of Computer Music: CSIRAC
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Artificial Changelings: A Work of Responsive Cinema in Progress
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Sensing the Virtual
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The Ecological Value of Pervasive Media
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Art and the Liminal: Imagination, Liminality and Avatar-Mediated Presence
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Cultivating Conduits: Virtual Attempts to Make a Real Connection
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Dialogic Exchanges for Virtual Curation
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Artists as the New Producers of the Common (?)
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Re-Conquering the Gamified City: An Old Battle on a New Urban Ground
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The Exploitation of ‘Tangible Ghosts’: Conjectures on Soundscape Recording and its Re-Appropriation in Sound Art
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Mediated Natures: Speculative Futures and Justice
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Inside Out: Surveilling and Safeguarding for a Healthy You!
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In Praise of Imperfection: Prototypes
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Unnecessary Research, What’s the Point?
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Sharing Subjectivities: Exploring New Concepts of Interface Design Panel Introduction
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Sharing Subjectivities: Exploring new concepts of Interface Design Panel Statement
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Panel Statement
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Using Live Notation for Musical Sonification Performances
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The Construction of Artistic Truths in Digital Images
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The Betaville Participation System
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Mnemonics as complementary space: theorising essayistic film towards a discourse on lost environments
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MA Multimedia Arts Degree Show 1998, Liverpool Art School
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Artists’ Autonomous Transport Infrastructures
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The Visual Politics of Play: On the Signifying Practices of Digital Games
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Creating Toy Cities: The Experience Design of Transmedia Objects
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New Media in Latin America, A State of Affairs
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Electronic Art and the Globalisation of Culture
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Technological Diffusion and the Construction of a Universal Aesthetic
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Uncertain Aesthetics: Networks in the Age of Emerging Technology
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Making Sense of Data
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The Avant-Gardes’ Everyday Sensorium: On Tasting and Smelling Modernism
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Les Nouvelles Technologies et le Retour au “Primitivisme” de l’art
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Towards the Development of Electronic Literacy and Network-Thinking in Remote Aboriginal Communities
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Computers and Sculpture
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Computers and Sculpture in the USA and France
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Computers and Sculpture in the USA and France Panel Introduction
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Art In Science or Science In Art? On an Often Underestimated Relationship
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Waves of Technology: The Hidden Ideologies of Cognitive Neuroscience and the future production of the Iconic
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About The Appearance of Digital and Technological Arts: For a Rehabilitation of the Memory
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Disrupting the City: Using Urban Screens to Remediate Public Space
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Too Quick: The Challenges of Interactive Art
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Nucleus of Art and New Organisms, Innovative Research Lab in Brazil in the Field of Hybridization, Bio Telematics and Transculturalism
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Real-time Notation, Text-Based Collaboration, and Laptop Ensembles
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Fact, Fiction, Faction: Converging Styles in Literature and Journalism in Online-Publications
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Between Remake and Reperformance: Emerging Narratives in Media Art
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CO2nfession / CO2mmitment: Experimental Urban Media in the Climate Change Debate
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Documenting the Digital Critics: Analysing and Archiving Criticism After the Internet
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Science Fictional Aesthetics: The Novum & Cognitive Estrangement in Contemporary Art
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Sounding Out Genders: Women Sound Artists Talk about Gender and Technology Panel Statement 2
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ISEA2016 Keynote Panel
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Local Wisdom in the Global Village
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Saddling The Troyan Horse
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Technotopia: The Colonization of the Body as the Ultimate Frontier
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Mediated Hauntings: Conjuring Cultural Memory in the Present
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Participating in Participation: Politics and Citizen Power
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Electronic arts in the age of the metaverse: what kind of a positive symbiotic organization?
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Gender and Technology: What Problem? Panel Statement 2
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God and Silicon: Better Eternal Living Through Technology
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Greg Garvey – Pedagogy of the Oppressed Panel Notes
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Visual Abstraction, Cultural and Artistic Production in Virtual 3D Space
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Ideology of Liveness and falsification of the ontological “Live”
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Rational Games for Biological Spaces Panel Introduction
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