ISEA2010 Presentation Overview
ISEA2010: [Overview] [Venues] [Presentations] [Workshops] [Art Events] [Gallery]
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Keynotes:
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Title:
Geo-Crises: From Knowledge to Action
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Presenter(s):
Title: Logistics and Strategies: What I Have to Tell You about Radio and 1995 — Presenter(s):
Title: MIND-LAUNCH: Reflections / Projections on Education as Art — Presenter(s):
Title: Out of Synch: What Artists Do Despite the Worn Out Conceptual Frameworks We Use to Think About Art — Presenter(s):
Title: The Tongue That Sees: Neuroaesthetics, Molecular Aesthetics and Media Aesthetics — Presenter(s):
Title: What Makes an Event? Considerations for the Occurrent Arts — Presenter(s):
Title: Ruhrort, Tokyo and the Shepards of the World — Presenter(s):
Title: Tokyo Galapagos — Presenter(s):
Paper Presentations:
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Motion Lab
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“Motion Lab” is a framework for a public discussion of ideas related to performance, movements and media. Set in Studio 3 of PACT, the Lab features specially invited guests and contributors who present their papers and projects. “Motion Lab” is facilitated by Scott deLahunta and runs thematically alongside and in association with the “Synchronous Objects, reproduced” installation located next door.
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Title:
Implicit Art
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Presenter(s):
Title: Interfacing Dance Knowledge: DS|DM Installation Abstract — Presenter(s):
Title: IntuiTweet: Corporeal Excavations of Social Networking — Presenter(s):
Title: Passage: a Hybrid of Interactive Installation and Performance — Presenter(s):
Title: Perils of Obedience — Presenter(s):
Title: Publishing Choreographic Ideas — Presenter(s):
Title: SenseStage: Low Cost Open Source Wireless Sensor Infrastructure for Live Performance and Interactive Real Time Environments — Presenter(s):
Title: The World-Producing Body — Presenter(s):
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Title:
Contemporary Art and New Media: Outline for Developing a Hybrid Discourse
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Presenter(s):
Title: Diggers and Dreamers of the 20th and 21st Century: Creative Commons, Open Source and Digital Folkore — Presenter(s):
Title: Flexibility after Destined Death — Presenter(s):
Title: Media Art and Its Theories: from “New Avant-garde” to “Science-Brut” Discourse Analysis Approach — Presenter(s):
Title: Media Art in Exploration of Image History — Presenter(s):
Title: Rethinking Cybernetics and Electronic/New Media Art History — Presenter(s):
- Elisabeth Schimana talks about her work with the Max Brand synthesizer, developed by the ingenious inventor Bob Moog for the visionary composer in the late 1950s and other sound producing machines from the early days of electro-acoustic music. Halldór Úlfarsson presents his acclaimed Halldorophone, an electro-acoustic string instrument in permanent development Hosts: Elisabeth Schimana & Halldór Úlfarsson [READ MORE]
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Title:
Briefly on Halldorophones
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Presenter(s):
Title: Forgotten Future #1. Magical Sound Machines — Presenter(s):
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Title:
Challenging Interactivity in Public Space
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Presenter(s):
Title: The Aesthetics of Electronic Art in Public Spaces — Presenter(s):
Title: Transcultural Electronic Negotiations: The Redefinition of Public Art across Cultures and Media — Presenter(s):
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Title:
Computer Demos and the Demoscene: Artistic Subcultural Innovation in Real-Time
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Presenter(s):
Title: Poesis of Software Use: Music, Materiality and Live Coding — Presenter(s):
Title: print soapbox — Presenter(s):
Title: The Coded Aesthetic Experience — Presenter(s):
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Title:
Detektors: Rhythms of Electromagnetic Emissions, their Psychogeophysics and Micrological Auscultation
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Presenter(s):
Title: From Aleatoric Machines to the Future Sounds of Folk — Presenter(s):
Title: Making the Inaudible Audible: Strategies and Disagreements — Presenter(s):
Title: Sound in the Networked City: Investigating the Role of Sonic Experience in the Informational Society — Presenter(s):
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Title:
Embedded Scenography in Interactive Public Art
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Presenter(s):
Title: Explorations of Visual Representation: Towards a Language of Movement — Presenter(s):
Title: Frame Seductions — Presenter(s):
Title: The Digital Panorama in Cultural Representation — Presenter(s):
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Title:
Exploring Rural Territory as a New Medium
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Presenter(s):
Title: Life on the Trailing Edge: Ten Years Exploring Trash Technology — Presenter(s):
Title: Some Initiatives in Pervasive Games in the State of Santa Catarina — Presenter(s):
Title: ‘Proticipation’: The Australia Council and Social Media Arts in Virtual Worlds — Presenter(s):
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Title:
ixi lang: A Constraint System for Live Coding
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Presenter(s):
Title: OTTO: Musical Instrument for Realtime Manual Beat Slicing — Presenter(s):
Title: Production of a Spatial Audio Narrative — Presenter(s):
Title: The Attract-o-Tone: A Performance-Oriented Musical Interface — Presenter(s):
Title: The Doomsday of Music — Presenter(s):
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Title:
Digital Anthropophagy and Anthropophagic Re-Manifesto (for the Digital Age)
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Presenter(s):
Title: Quasi-autopoiesis: Sublimed Human Intellect — Presenter(s):
Title: The Cartesian Subject 2.0: Body/Mind Dualism and Transhumanist Thought — Presenter(s):
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Title:
Airspace: The Interface of Biodigital Communication
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Presenter(s):
Title: Auto Atmospheres and Artificial Ecologies: Natural Architecture and Artificial Environments — Presenter(s):
Title: Cybernetic Bacteria 2.0 — Presenter(s):
Title: Nonorganic Life: Encounters between Frequency and Virtuality in Antarctica — Presenter(s):
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Title:
Aus Alt Mach Neu: Recycling Arts
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Presenter(s):
Title: Digital Imaging in Singapore: Internal External — Presenter(s):
Title: Homezone — Presenter(s):
Title: Rupture — Presenter(s):
Title: Transparency of Digital Manipulation or Not: Discussion of “Where Were the Mothers?” video installation — Presenter(s):
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Title:
Automata: Counter-Surveillance Using Public Space
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Presenter(s):
Title: Balloons, Sweat and Technologies: Urban Interventions through Ephemeral Architectures — Presenter(s):
Title: Don’t Call It Art! On Artistic Strategies and Political Implications of Media Art in Public Space — Presenter(s):
Title: Radical Ecological Art and NO Greenwash Exhibitions — Presenter(s):
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Title:
Database Visualizations, Mapping and Cartography: Genealogy of Space, Visual Representation for Knowledge in Art
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Presenter(s):
Title: ITCH: Individual Technology/Community Hacking — Presenter(s):
Title: Satellite Zodiac — Presenter(s):
Title: Unsigned — Presenter(s):
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Title:
Footnotes to the Electronic Bauhaus 2010
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Presenter(s):
Title: In Favour of Computer Art — Presenter(s):
Title: Twenty Years of ISEA: A Painter’s Response — Presenter(s):
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Title:
Public Programming: Exploring the Power of New Technologies to Augment the Relational Aspects of Art within the Public Realm
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Presenter(s):
Title: Silhouette Interference — Presenter(s):
Title: Superimposition of Old and New Media: “Light Wall” on Seoul Museum of Art Project — Presenter(s):
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Title:
Better Than Opiates
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Presenter(s):
Title: Digital Doubles — Presenter(s):
Title: From the sonArc::project to C_plexus Solaris: From In-forming Plasma in Vitro to Transforming the Solar Storm in 2012 in Vivo — Presenter(s):
Title: The Bit Expansion: Origin of Augmentation Operations in Mixed Realities — Presenter(s):
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Title:
Cubed: A Networked Physical Gaming System
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Presenter(s):
Title: Interactive Animation of a Large Scale Crowd for Art Installations: the Case of Humanography — Presenter(s):
Title: NodeBox 2 — Presenter(s):
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Title:
rtFem.TV: Feminist Artistic Infiltration of a Male Net Culture in Context of Art and Feminism and as Cyberfeminist Action
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Presenter(s):
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Title:
A New Colour Palette as Digitally Controlled Light
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Presenter(s):
Title: Pulsation of City: Interactive Flying Ball Installation — Presenter(s):
Title: Wind Space Architecture, Transmission and Sonic Mass: The Turbulence Sound Matrix and FLEX — Presenter(s):
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Title:
Cinematics and Narratives: Prototype1.2
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Presenter(s):
Title: Fernfuehler: an Art and Research Project about Ambient Intelligent Furniture for Public Places — Presenter(s):
Title: Making the Human Heart a Medium for Social Interaction — Presenter(s):
Title: RoB-ArtS: Robotic Behavioral-Arts System, A Platform for Creative Exploration of Agent Behavior — Presenter(s):
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Title:
Free All Monsters!
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Presenter(s):
Title: Inter(root), Banyan — Presenter(s):
Title: “… so schallt es heraus” — Presenter(s):
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Title:
Big Pixels: Pictoglyph to Favicon, A History of the Pixel
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Presenter(s):
Title: From Art as Knowledge to the Aesthetics of the Subject: New Ways of Thinking the Art of the 21st Century — Presenter(s):
Title: Methods of Evocation: The Evocation of the Sublime in Digital Art — Presenter(s):
Title: Multimedia Art and Multisensory Experience: Towards an “Epistemology of Multimedia” — Presenter(s):
Title: Process as Paradigm — Presenter(s):
Title: Qualia and Conceptual Blending: Another Structure of Music — Presenter(s):
Title: Site-Specific Art as Necrophilia: Platform in Kimusa Exhibition in Seoul 2009 — Presenter(s):
Title: The Role of Risky Objects in an Internet of Things — Presenter(s):
Title: What is All this Noise About — Presenter(s):
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Title:
Digital Waste or a Valuable Resource? Exploring the Aesthetics, Ethics and Value of Contextual Footprints
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Presenter(s):
Title: Net Art and Preservation: For Museums and Artists — Presenter(s):
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Title:
Absences: Public Art Interventions in Natural Spaces using Autonomous Electronic Devices
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Presenter(s):
Title: Machines as Gardens: Visual Culture and Post-Steel Sensibilities in the Ruhr District — Presenter(s):
Title: The Laboratory Garden — Presenter(s):
Title: Trains, Cars and Trees — Presenter(s):
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Title:
Betaville
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Presenter(s):
Title: Computation as Dynamic Topography: The Coordination of Algorithms, Apparatus and Architectures in the Production of Digital Images — Presenter(s):
Title: Practicing the Generic (City): Reconfiguring Life through Digital Media — Presenter(s):
Title: Unfolding Space — Presenter(s):
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Title:
Datalogging the Landscape
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Presenter(s):
Title: Re(cognition) Mapping: Redefining Space, Place and Territory — Presenter(s):
Title: Uplay Urban Playgrounds: Developing Ludic Strategies and Interfaces for Participatory Practices in Urban Space — Presenter(s):
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Title:
Hackteria and Bioelectronix
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Presenter(s):
Title: Herbologies/Foraging Networks — Presenter(s):
Title: Towards the Post-Digital Era — Presenter(s):
Theory and History of Media Art
Building Musical Instruments
Hybrid Public Spaces
Coded Art
Sonic Strategies
Expanded Visual Spaces
Media Politics of the Local
Musical Devices
Cyborgs and Transhumans
Atmospheres and Ecologies
Media Spaces/Personal
Public Interventions
Mapping Virtual Skies
History of Computer Art
Media Architectures
Augmenting Reality
Software for Artists
Taking Action – Sociopolitics and Media
Interactive Transmission
Smart Interfaces
Grounded Virtuality
New Art Theory
Archive/Preservation II
Media Gardens
Algorithmic Topology
Ludic Maps
Workshop Papers
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Title:
Geo-Crises: From Knowledge to Action
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Presenter(s):
Panels:
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Enunciations of Nonhuman Performativity
- The panel interrogates contemporary notions of performance and embodiment from a materialist and (post-) phenomenological point of view. In the light of this approach that includes performance and performativity in various contexts (e. g. Science and Technology Studies amongst other epistemic domains), the potential of the nonhuman to shape performative events enables new considerations about performative practices that comprise humans and nonhumans. Convener: Valerie Lamontagne [READ MORE]
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Title:
Alien Agencies: Liveness and Nonhuman Performativity
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Presenter(s):
Title: Looking ‘through’ Biomedia: Post-Anthropocentrism as Immediacy without Agency — Presenter(s):
Title: Materiality, Posthumanist Performativity, and Wearables — Presenter(s):
Title: Metastatic Membranes: Modulations of Threshold — Presenter(s):
Title: Your Participation Not Required: Machinic Performances — Presenter(s):
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Social networks and mobile communication are changing both the way the internet is used, and its status as a site and a medium of social engagement. The presentations in this panel deal with practical and artistic uses of the new communication tools and point to their potential for critical reflection and social change.
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Title:
Art and Politics. The Edith Russ Site for Media Art: A Space for Presentation and Production of Media Art
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Presenter(s):
Title: Curating Youtube Box [CYB] — Presenter(s):
Title: Mobile Republic: Visual Approaches to Discourse in South African Mobile Social Networks — Presenter(s):
Title: YouTube Favorites = Media Masters — Presenter(s):
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The panel discussion rethinks the role of material and medium in the present, challenged by artistic practices based on new materials. The aim of the panel is to intensify the discourse on the concept of ‘media’, to register how media have changed, how they have influenced our lives, and how artists can influence media developments in the future. In this context the panel will try to stimulate a debate on the ‘material turn’ in electronic arts.
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Title:
Biology as a New Art Medium and Its Possible Implications in Art Research
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Presenter(s):
Title: Materiality, Mediality and Concepts of Touch — Presenter(s):
Title: Simply Scripting, Milling, Printing? On the Resistance of Materials and the Question of Precision in Digital Architecture and Fabrication — Presenter(s):
Title: Technology, Materiality, and Aesthetics — Presenter(s):
- This panel assembles experts concerned with the complex issue of conservation and restoration of media art installations, who will present their recent research on restoration practices. Host: Imai, Inter Media Art Institute, Düsseldorf, DE [READ MORE]
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Title:
Archiving Experience: The Third Generation Variable Media Questionnaire
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Presenter(s):
Title: Between Remake and Reperformance: Emerging Narratives in Media Art — Presenter(s):
Title: Conserving Interactivity: imai Case Study on Bill Seaman’s Exchange Fields — Presenter(s):
Title: Obsolete Equipment: The Preservation of Playback and Display Equipment for Audiovisual Arts — Presenter(s):
Title: Still Accessible? Rethinking the Preservation of Media Art — Presenter(s):
- Besides mediating science and politics, how is the climate crisis intrinsically related to the form and functioning of digital art, what are the criteria for evaluating and critically discussing climate art? This panel aims to discuss both epistemological issues and broader cultural, political issues in order to examine the particular contribution of digital art to the climate crisis. Relevant questions are how digital art can contribute to questions around how we hear, see, sense climate change, how we experience a post-crisis environment, and how we debate and act facing climate change? The format of the panel will be that of an ‘Unpanel’ which aims at engaging the audience directly. It will include strategies from the presented projects interjected as creative interruptions, glitches, crises and confessions. Thus the participants will experience the delicate balances and tipping points of both our climate and the role of art in relation to it. Conveners: Søren Bro Pold & The People Speak [READ MORE]
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Title:
A Project of Disjunction and Conjunction: On the Aesthetics of Climate Change
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Presenter(s):
Title: CO2nfession / CO2mmitment: Experimental Urban Media in the Climate Change Debate — Presenter(s):
Title: From Representation to Action: How Art Addresses Climate Change — Presenter(s):
Title: Participatory Pyramids: An Interface for Climate Change? — Presenter(s):
Title: The Digital Aesthetics of Climate Crisis Abstract — Presenter(s):
- This panel blurs the boundaries between artistic and scientific research. While artists have become more involved in ethical and social debates about scientific discovery, scientists have been exposed to the processes and contexts of art. Thus, networking tends to expand the borders of the exact sciences and to cause a more robust level of dialogue from the humanities and the arts. [READ MORE]
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Title:
Networking in the Margins of Eco-Activism
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Presenter(s):
- The panel explores some of the paradoxes of social media and intends to engage critically with really existing examples. Although popular platforms facilitate unprecedented levels of sharing, the social relation is arguably produced in restrictive form, and personal and collective exchanges are further commodified. But instead of refusal we should recognize that this is another site of struggle unfolding under particular conditions and with a particular history. Hosts: Geoff Cox and Alessandro Ludovico [READ MORE]
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Title:
Analog Media as (Anti-)Social Networking
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Presenter(s):
Title: Introducing Really Existing Social Media — Presenter(s):
Title: Lizzy Kinsey and the Adult Friend Finders — Presenter(s):
Title: Online Communities and Client-Server Architectures — Presenter(s):
Title: [Id]entities as a Multilayered Self: The Individual Pervasiveness of Social Networks Abstract — Presenter(s):
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Hosts: Georg Russegger, Georg Tremmel & Shiho Fukuhara
CODED CULTURES is supported by the 14th Japan Media Arts Festival and BMUKK Austria. [READ MORE] -
Title:
CODED CULTURES: Exploring Creative Emergences
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Presenter(s):
Title: Common Flowers/White Out: Bio-Hacking, Open-Sourcing and Exorcising GM Flowers — Presenter(s):
- Since the beginning of digital culture, new technologies have exerted a deep influence on the arts – in their mode of production as well as interpretation. This panel aims at new concepts of today’s audiences, who emerge from a vanishing divide between media artists and media skilled users. The phenomenon of a new type of viewer/user of electronic art and its challenging consequences will be unfurled in lectures, a presentation by media artist Julius Popp, and a final discussion round. Hosted by Universität Siegen [READ MORE]
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Title:
The Aesthetic Experience of Interactive Art: A Challenge for the Humanities and for the Audience
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Presenter(s):
Title: The Artistic Approach and Conceptual Framework — Presenter(s):
Title: The Impact of Active Viewing, and Visual Literacy in Art Exhibitions — Presenter(s):
Title: Words and Characters in the Age of Electronic Performativity — Presenter(s):
- The importance of the audience as part of the media art event is widely acknowledged, but although interaction and embodiment are well theorised, we are yet to achieve a well grounded understanding of audience experience. It is fundamental to defining the context around which an art work has been made and shown. The panel asks how we understand the concerns of audiences and how they respond to concepts of creativity and innovation in media art. [READ MORE]
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Title:
A to X: Audience Experience in Media Art Research
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Presenter(s):
- A combination of research presentation and artistic intervention, the ‘Press Delete’ panel/performance expands the common format of conference panels through a dynamic double movement: being simultaneously on and of spam, it reflects the fragile socio-cultural negotiation at the heart of filtering ‘meaningful’ discourse out of informational flows. A critical garbage-archaeology, illuminating ‘dark sides’, ‘unintended consequences’ and creative acts connected to spam. Hosted by The Art of the Overhead and Kristoffer Gansing [READ MORE]
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Title:
An Infinite Continuum of Spewage: Bayesian Filtering and the Reinvention of Spam
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Presenter(s):
Title: Learning from Network Dysfunctionality: Accidents, Enterprise and Small Worlds of Infection — Presenter(s):
Title: Proto-Spam: Early Forms of Spam as Vernacular Performance on Usenet — Presenter(s):
Title: ‘Press Delete’: The Politics and Performance of Spamculture — Presenter(s):
- Focusing on the scope and development of “Computer Art”, this panel presents the CAT project’s current research, dealing with issues of archiving, curation, conservation and historical research. Tackling e.g. aesthetic and theoretical points concerning the survival of material archives, the panel also examines what aspects of early computer art activity might be relevant to the contemporary digital scene and might also influence its future development. [READ MORE]
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Title:
Codifying History: the CAT Project Examines the International Trajectory of Computer Art 1975-2000
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Presenter(s):
Title: The CAT Project as an Historical and Archival Collaboration — Presenter(s):
Title: “Computer Art in the Mainstream”: How the Venice Biennale Responded to the Historisation of Computer Art in the 1980s — Presenter(s):
Appropriating Social Media
Heavy Matter
Still Accessible? Rethinking the Preservation of Media Art
The Digital Aesthetics of Climate Crisis
Artistsinlabs: Networking in the Margins of Eco-Activism
Moderator(s):
Really Existing Social Media
Coded Cultures and Japan Media Arts Festival Session
Digital Art | Digital User
A to X: Audience Experience in Media Art Research
Moderator(s):
‘Press Delete’ – The Politics and Performance of Spamculture
Codifying History (Archive/Preservation I)
Forums:
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Latin American Forum I: Variantologia Latina
- The “Variantologia Latina” panel explores the deep roots of media history in Latin America, inquiring into phenomena which anticipate the concepts of network, photography and scientific tools before the 20th century.
Host: Variantologia Latina
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Title:
Interpreting New World Nature: Niermberg’s Historia Naturæ as a Palimpsest of Fantastic Literature
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Presenter(s):
Title: Novohispanic Imaginary: Light, Shadow and Diagrams — Presenter(s):
Title: Variantologia Latina — Presenter(s):
- The “Current Media Art Practice: Curators and Organizers” panel problematizes the role of curatorial processes in media arts in Latin America, looking for a contextualization in the global context. [READ MORE]
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Title:
(ready)Media: Towards an Archaeology of Media and Invention in Mexico
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Presenter(s):
Title: Collaborative Commons: Latin American Interdisciplinary New Media Initiatives — Presenter(s):
Title: Interrupted Realities — Presenter(s):
Title: Technophagic Emergence: Creative and Critical Trends of Digital Culture.BR — Presenter(s):
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The “Recent Histories of Electronic Culture in Latin America” panel discusses the phenomena of media and technology in the 20th century.
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Title:
Absolutum Obsoletum: If It Works It’s Out of Date
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Presenter(s):
Title: Asuar Digital Analog Computer — Presenter(s):
Title: From Free Software to Criticism on the Authorship Notion in Artistic Practices in Argentina — Presenter(s):
Title: Maleficio: Rituals of the Illnatured — Presenter(s):
Title: Women, Art, and Technology in Brazil — Presenter(s):
- The “Current Media Art Practice: Artist Presentations” panel contains a collection of current and fresh media art projects presented by the authors themselves. [READ MORE]
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Title:
art/technology/production/context/mexico
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Presenter(s):
Title: Intelligent Environments: Research and Experiments in Interactive Cinema — Presenter(s):
Title: Netart Latino ‘database’ / Interface-Map — Presenter(s):
Title: On Mobile Crash — Presenter(s):
Title: Water-Art-Technology — Presenter(s):
- This meeting addresses difficulties typically encountered while undertaking art-science research, teaching, and when meshing curricula from diverse fields. Following a 20-minute introduction to various aspects of this theme, attendees will participate in one of the 90-minute working group discussions led by the panelists. Issues to be addressed may include: integrating the knowledge base and skills of different disciplines; evaluating the credibility of references and key arguments; locating appropriate collaborators outside one’s field; forging models for interpretation, evaluation, and accreditation. To conclude, we reconvene as a group to identify and share ways to surmount some of the difficulties commonly encountered ... [READ MORE]
Latin American Forum II: Current Media Art Practice / Curators and Organizers
Latin American Forum III: Recent Histories of Electronic Culture in Latin America
Latin American Forum IV: Current Media Art Practice / Artist Presentations
Leonardo Education and Art Forum (LEAF) Meeting: Art-Science – Curricular Models and Best Practices
Moderator(s):
E-Culture Fair:
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E-Culture Fair 2010
- The E-Culture Fair 2010 will be showcasing innovative projects in the fields of media art, creative industry, research and education. It is the first step of an envisaged long-term co-operation between three partners: Virtueel Platform of Amsterdam, the Netherlands, BAM – Flemish Institute for visual, audiovisual and media art of Ghent, Flanders, and medienwerk.nrw of North Rhine-Westphalia, Germany, in affiliation with ecce – european centre for creative economy, organised by Hartware MedienKunstVerein In line with previous events held regularly since 2000 in the Netherlands, the E-Culture Fair 2010 is being presented for the first time in Germany as an ISEA2010 RUHR co-operation project. In an exhibition and trade fair environment – in workshops and through live presentations – international artists and creatives showcase their latest works and anticipate future collaborations in the context of electronic culture. The intention is to display the current state of artistic reflection, and to debate social as well as cultural transformations and various creative applications in the digital field.
Programme:
- Speakers: Dr. Inke Arns (HMKV/medienwerk.nrw), Flo... [READ MORE]
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