Panels (Sorted by Exhibition Year)
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[Title] [Presenter Last Name] [Year]
Title:
From Mouse Hack to iPad: New Media in the UAE at Zayed University
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Increases in Image resolution & Context Dependency
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ISEA: an incubator towards an urban research think tank at the College of Arts and Creative Enterprises, Zayed University
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Learning to Dance With a Human
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mediated_moments and plasma_flow
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Open Cultures: cultivating collaboration
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Panel Statement
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Panel Statement
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Panel Statement
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Realism and the Future of the Moving Image
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REFLECTIONS ON CREATING AND EXHIBITING DIGITAL ART
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Same Same but Different: Curating in the digital landscape (whilst staying out of the rain)
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The Open: Mediating the Human and Non-Human Interface
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Art in the Age of Networks
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Genresis: Trends and Trajectories within the Art/Science Genre
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Locating East West Robot Culture
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Locationally Yours
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Responsive Environments: A Panel On the Interrelation between Location, Atmosphere, and Digital Media
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Arabic Medicine Contributions to the Field of Ophalmology and Beyond
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Birding the Future: environmental health within a regional and global perspective
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Diversifying the city: The role of heritage and culture in the age of technology
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Dream Land: Mass Hallucinations and Virtual Changes to Real Environments
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Location aesthetics: Creative technologies
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Scent marks and territories: cultural artefacts
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Pain, Art and Communication
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30+ Years of Artistic Data Visualization: evolution, trends, opportunities
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Analyzing Disruptive Tactics and Strategies in Media Activism
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Complexism: Art + Architecture + Biology + Computation, A New Axis in Critical Theory? (part 1 and 2)
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Curating Lively Objects: Post-disciplinary perspectives on media art exhibition
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Digital performance in flesh and bones
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Disrupting audio-visual paradigms with real-time technology
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Disrupting the City: Using Urban Screens to Remediate Public Space
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Disruption Through Design: Critical Exploits and Spaces of Possibility
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EMDL: European Mobile Dome Lab for Artistic Research
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Human/Non-Human: Biologies, Ecologies and Subjectivities in New Media Art
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Media design as a creative language, the artist as meta-artist
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New Collecting: Curating After New Media Art
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Objects and Agency: Art, Digital Media, Anthropology
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The Visual Politics of Play: On the Signifying Practices of Digital Games
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Waves of Technology: The Hidden Ideologies of Cognitive Neuroscience and the future production of the Iconic
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21st Century Schizoid: Bear Masculine Transitions Through Net Pornography
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After the Gold Rush: Gold Farming in China – and in Western Academia
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Any Resemblance to Any Other World Known or Unknown is Purely Coincidental
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Artistic Strategies in Generative Art Practices
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Case Studies on Young Feminist Activists Using New Media
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Closer and The Nether: The End of Intimacy as We Once Knew It
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Computational Thinking in Art/Design Education
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Creativity and imagination in the history of art and physics
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Cum Panis: the Biopolitics of Self, Fermentation and Revulsion
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Documenting the Digital Critics: Analysing and Archiving Criticism After the Internet
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Donation Alerts on Twitch.TV: Commodification of Community and Attention
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Emerging Narrative Forms and Bit Sensations
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From Insider Knowledge to Anecdote to Apocrypha: Reflections on How Media Art has Been and Could be Historicised
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Get Lucky: Cognitive Aspects of Generative Art
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Graphic Design Principles and Computer Programming
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Hong Kong Women’s Queer Port Tastes and Twink Fantasies
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How Active is the Audience? A Study of Chinese Game Fandom
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Ideology of Liveness and falsification of the ontological “Live”
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Let’s Watch Porn: Pornography and Sexually Formation in Young Hong Kong Lesbians
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Livestreaming, participatory culture, and gender politics at the edge of e-sports
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Object Hierophanies and the Mode of Anticipation
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Overscale Art in Public Space: from Play to Dysplay
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Rapid Response Collecting and Curating: Learning from the Victoria and Albert Museum
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Response to 21st Century Schizoid: Bear Masculine Transitions Through Net Pornography
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Sex for Work, Fun and Revolution in Early Hong Kong Media
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Software Art and Design: Computational Thinking Through Programming Practice and Critical Code Theory
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Texting a Machine: Assembling an Emotional Response
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The Aesthetics of Codes, from Multimedia Design to Creative Art Education
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The Blog-The Memory Dump, The Disregarded Power of Undone Art
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The E-conference: Collapsing the Walls of the Arts Conference
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The Internet of Bodies: Future Human / Machine Choreographies
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The People´s Smart Sculpture: Social Art in European Spaces
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The Persephone Project: Technologically Convergent Artificial Ecosystem
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The Radioactive Ecologies of Ken and Julia Yonitani
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The Webrecorder’s Challenge of Enabling Access to Dynamic Webbased Art
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To Consent and to Resent: Discourses of Sexual Agency in Hong Kong Media
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Transcending Boundaries, Making Creative Resistance: A Study on the Young Feminist Activist Group and Their Online Activism in China
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Transcoding Place Through Digital Media
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Turning the City into a Medium: Stories of Media Arts City
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‘Democratising’ Curating: Speed, Sexuality and Selfies
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Data Natures: The Politics and Aesthetics of Prediction
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ISEA2016 Keynote Panel
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A Transdisciplinary Approach to Research-creation (When Art is Part of Everything Else)
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Archiving Digital Heritage: Pioneers of Fin-De-Siecle Latin America Introduction
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Art, Science and Anthropology Experiments: Inviting other Knowledge about Mosquito-borne Diseases through Transdisciplinary Collaborations
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Bio-Creation of Informatics: Rethinking Data Ecosystems in the Network Economy
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Biomedical Signals in Media Art: towards the Awakening of Internal Peace
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Brazilian Pioneers in Art and Technology: Waldemar Cordeiro, Abraham Palatnik and Otávio Donasci
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Cinematic Experiences and Bio Visualization Introduction
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Civic Media and Data (h)ac(k)tivism: Environments, Tools and Practices for Critical Data+Code Literacy and Visualization
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Data and Public Policy: An Approach to Data Ecosystems from a Human Rights Perspective
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Title:
Design for the Non-Human
Presenter(s):
- Tyler Fox
- Elizabeth Demaray
- Jordan Matthew Yerman
- Kira Decoudres
- Adam Zaretsky
- Leigh M. Smith
- Helene Steiner
Title:
Digital Threshold: Art, Body and Self-reflection on the Screen
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Electronic Art in Brazil: Exhibition Spaces, Museological Strategies and Digital Archive
Presenter(s):
- Priscila Arantes
- Marcos Cuzziol
- Cleomar Rocha
- Nara Cristina Santos
- Tania Fraga
- Reynaldo Thompson
- Maria Luiza (Malu) Fragoso
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Environmental Aesthetics and Nature Immersion Art Practices
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Establishing the Continuously Unfinished: The Institution as an Artistic Medium
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Evolved Architectural Representation: From Orthographic Drawings to Corporal Mapping and Swarm Behaviour
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Fake Organum: The Uneasy Institutionalisation of Art as Research
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Feminizing the Archives of Digital Art: Recovering the Work of Female Artists Working in Mexico, 1960-1980
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Forking as Cultural Practice: Institutional Governance after the DAO
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Foro Académico de Diseño y Arte Latinoaméricano
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Higher Education for Sustainable Transitions by Mutual Learning in Immersive Transdisciplinary Real-world Laboratories (RwL)
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Immersions in a Field Phenomenon: Going with the Flow
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Interdisciplinary Innovation, Collaboration and Learning Processes in Academia
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Julio Le Parc & the GRAV: Instability, Movement, Active Past. A Perspective Look on his Work and Ideas from the Present of Electronic Art
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Laboratories and Digital Experimentation Centers in Ecuador: First New Technologies Art Experiences
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Latin American Forum Legacy
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Mariotti’s Ritual Artefacts and the Origins of Media Art: In search of the Lost Multisensorial Characteristics of New media
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Methodological Approaches and Sensitive Experiences Based on Nature Immersions, Field Trips and Rural Residencies Introduction
Presenter(s):
- Bart Vandeput
- Karla Schuch Brunet
- Carlos Augusto Moreira da Nóbrega
- Laura Beloff
- Maria Luiza (Malu) Fragoso
Title:
Moving Image + Data Visualization = Connection Visualization
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Multimodal Interaction, Medial Arts and Education: A case applied in the multimodal learning of bioinformatics concepts and the visualization of biological data
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New Realities of the Body in Contemporary Performance
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Panel on Sonology: Sonifying the Conflict
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Reimagining the Art Institution as an Open Source Civic Organisation
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Signal Territories, Infrastructures and Intermediaries: New Interfaces for Art Science and Communication Policy
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The Mutualism Relation within the Entrepreneurial Ecosystem
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Towards an Inventory of Best Practices for Transdisciplinary Collaboration
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Training Methods for Transdisciplinary Collaboration: Best Practices and Didactics for Team Work Panel Introduction
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Was Part of the Media Arts History Swept Under the Carpet? (Latin America’s Lost Ark)
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When a School of Satellites is a School of Photography
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Book Presentation Jakká- Ninudlamama
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Comunidad, arte, ciencia y tecnología: Reflexiones sobre la producción y práctica artística
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Gueê: A Tribute to the Tikuna woman
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Introduction “The Value of Knowledge Transfer in Aya Yala Abya Yala”
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Balance-Unbalance (E-Arts Meets the Actual World)
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Critical Futurists from Africa (HIVOS)
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Curriculum in the Cracks: Encouraging Cross-Disciplinary and Art-Science-Humanities Teaching
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Ecological Aesthetics: Artful Tactics for Humans, Nature, and Politics a Panel
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Impact of Social Art in the People´s Smart Sculpture PS2
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Mediated Empowerment: Using Media and Technology to Amplify the Voices of Local Communities
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Mediated Natures: Speculative Futures and Justice
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Mictlan’s Cyber-Cartography, The Search of Mexican Families for Their Loved Ones: A Collaborative Socially-Engaged Art Project
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Self-Willed: Flux and Reaction in Systems, Organisms and Materials
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The Dark Side of Making: Reflecting on Promises, Practices and Problems of the Last 25 Years
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Transdisciplinary Collaborative Practices in Art, Science and Technology
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Penumbra in Faint Light: Contemporary Art and Technology in Latin America Panel Introduction
Presenter(s):
- Reynaldo Thompson
- Tirtha Prasad Mukhopadhyay
- Priscila Arantes
- Gilbertto Prado
- Daniel Argente
- Daniel Cruz
- Bernardo Piñero
- Jorge La Ferla
- Nara Cristina Santos
- Maria Luiza (Malu) Fragoso
Title:
Technologies as Agents to Penumbras
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Curating Games in the Asia Pacific Region
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Curatorial Challenges in Art, Science and Technology: FACTORS 4.0 at Bienalsur
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Expanded Circuits and Poetic Re-Writings: Circuito Alameda
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Ibero American Observatory of Digital and Electronic Art | Observatorio Iberoamericano de Arte Digital y Electrónico
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Illuminating Invisible Histories in the City of Continual Becoming
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