Panels (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Art, Design and Interactivity
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Art-Science: Exchange or Bartering?
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Art-Sciing: Slippery Terminologies and Language Performances in Art and Science Collaborations
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Artificial Changelings: A Work of Responsive Cinema in Progress
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Artificial Consciousness: Will Art replace the Artist?
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Artificial Gender, Natural Technology, and Emergent Mind
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Artificial Intelligence in the Arts
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Artificial Life: Challenges and Possibilities Panel Intro
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Artificial Life: Challenges and Possibilities Panel Member
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Artistic Electronic Networking Experiences with the First Mobile Electronic Cafe International: Casino Container
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Artistic Identity on the Net Panel Introduction
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Artists as the New Producers of the Common (?)
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Artists Teaching Artists: Case Studies of the Masterclass paradigm
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Artists’ Autonomous Transport Infrastructures
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Architecture as New Media
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Aspects of Realtime Scoring and Extreme Sight Reading
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Asymmetries in the Control of Information and Ideas
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At the Time of Writing: Digital Media, Gesture and Handwriting
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Augment_me: Anthropomorphising the Other and Augment the Self
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Background: Decontamination and Martial Law in the Anthrax Age
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Bad Men, Good Men and the Data Ganger Cometh
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Balance-Unbalance (E-Arts Meets the Actual World)
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Title:
Being in Nothingness: Virtual Reality in Perspective
Presenter(s):
- Phil Hayward
- Nancy Paterson
- Carl Eugene Loeffler
- Jennifer Hall
- Mike Gigante
- Joachim Sauter
- Anna Couey
- Myron W. Krueger
- Susan Wyshynski
Title:
Bending Light: Strange Tales From the Projective Plane
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Benji: A Brief History of the Man Who Brought the Intelligence of Search to our DNA
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Best Practices in Banana Time (aka, Is That iPhone Working or Playing?)
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Between Image and Icon: The Real and Virtual City
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Beyond Anthropocentrism: Art Practices to Expand Human Experience, Understanding, and Creativity
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Beyond the Book: Computer-Based Literature
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Beyond The Digital Diaspora: Flame Wars
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Between a Thing and a Thought: The Neuropsychology of Selfhood
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Between Hybridity and Hyper-Space: AES+F’s The Feast of Trimalchio (2008)
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Between Past and Future: Collaborating in the City Space
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Bio-Architectures, Virtual Cities: The Revolutionary Human-Machine Community
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BioARTCAMP: Trekking the Lab Into the Field
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Biometrics, Identity Validation, Data Flavoring and The Keeper of Keys
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Biotopological Reconfigurations: Biospatial Affections and Infections
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Birding the Future: environmental health within a regional and global perspective
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Body Maps: The Virtual Body Project
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Body Matters Panel Introduction
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Book Presentation Jakká- Ninudlamama
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Boundary Crossing(s): Multi-scalar Entanglements in Art, Science and Technology
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Boys would only like the programme because there are boys in bands: how preschool children’s television tells the story of contested spaces
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Brazilian Artists and Curators
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Breeding Sentience: Queering Lineage and Voguing Enhancement
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Bringing Interactive Animated Characters Out to the User
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Bringing the Imaginary Back into Play
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Building Bridges or Tearing Apart Authorship: On-line Collaborative Art
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Capture, Measure, Rhythm: Inventing New Relations of Aesthetics and Politics in the Electronic Arts
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Capturing Dance and Choroetopography: Analyzing and Visualizing Complexity
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Centers and Institutes for Art and Technology Panel Introduction
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Centers and Institutes for Art and Technology Panel Member
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Chastity Belts, Voluntary Incarceration, Sexual Politics & Art
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Title:
City Scapes
Presenter(s):
- Charlotte Pochhacker
- Hermann Asselsbergh
- Els Opsomer
- Rony Vissers
- Sabine Bitter
- Helmut Weber
- Yvonne Wilhelm
- Alexander Tuchacek
- Christian Buehler
- Bart Lootsma
Title:
Cleaning and Character in Motion Capture Portraits
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CoLab panel: performance and interactive technologies
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Collaboration vs. Autonomy: Models of Social Computing in the Arts
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Collaborative Manufacturing Units Against the Black Box
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Collaborative Approach to Wearables Production
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Collateral Damage: Clouds, Criminality and Chatbots
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Commedia del Multimedia and Locomotion Pictures Panel Statement
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Complexism: Art + Architecture + Biology + Computation, A New Axis in Critical Theory? (part 1 and 2)
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Computer Animation Panel
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Computer Generated Photography and Neoclassical Sensibility
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Computer Music in Chile 1970-1980: COMDASUAR
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Computer Programming and Conception of Cities
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Computers and Sculpture
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Computers and Sculpture in the USA and France
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Computers and Sculpture in the USA and France Panel Introduction
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Computers in Theatre: New Dimensions for Stage, Actors and Audience
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Comunidad, arte, ciencia y tecnología: Reflexiones sobre la producción y práctica artística
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Computer Music, Music Languages, Live Coding
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Computers as Metaphor, Minds as Computers: Notes Towards a Dysfunctional Robotics
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Conspiracy dwellings: surveillance in contemporary art
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Conscience, Memory and Protest: Vestiges of the Forever War
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Contemporary Art and Climate Change: The Aesthetics of Disappearance at the Poles
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Coping with Hyperculture
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Copyright And The Creative Commons
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Corps et sens en Performance Videographique Panel Statement
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Cordon off the Contempt in a Word Compartment (and Other Whispering Moments)
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Creating an Art & Technology Infrastructure for the San Jose International Airport
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Creative industries forum
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Creative Communities: Nooks, Niches, and Networks
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Creating Toy Cities: The Experience Design of Transmedia Objects
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Creating with the Camera, Canvas, and Computation
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Critical Art Ensemble Science/Art and their legal limitations
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Critical Frictions, Connective Affinities: “Ideologies of Interactivity”
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Critical Futurists from Africa (HIVOS)
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Crossing Boundaries: The Banff Center for the Arts and Interdisciplinary New-Media
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CTheory Multimedia: Wired Ruins/Digital Terror and Ethnic Paranoia
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Cultural Maintenance and Change: Currents in Art and Technology
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Culture, Technology and Asian Pop Culture
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Culture, Technology and Power: Creative Leisure and Social Change
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Cultivating Conduits: Virtual Attempts to Make a Real Connection
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Curating Games in the Asia Pacific Region
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Curating in/as Open System(s)
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Curating in/as Open System(s): Social Technologies and Emergent Forms of Curating
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Curating Lively Objects: Post-disciplinary perspectives on media art exhibition
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Curatorial Challenges in Art, Science and Technology: FACTORS 4.0 at Bienalsur
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Curriculum in the Cracks: Encouraging Cross-Disciplinary and Art-Science-Humanities Teaching
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Curating New Media Art in China: A Creative Approach from Within
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Cybersublime: The Aesthetization of Digital Politics
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Data Natures: The Politics and Aesthetics of Prediction
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De la Fenetre au Labyrinthe: Les Technologies, le Corps et le Plaisir des Relations
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Decontamination, Surveillance and Ready Made Martial Law in the Anthrax Age
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Devirtualisation: Toward a Critical, Embodied Interactivity
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Devising and Positioning Interactivity in Net projects
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Declaration of Sentiments/Gün
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Declaration of Sentiments/Gün (DOS/G)
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Deviant Media Tactics: Creating Faces
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Diagnosing the Computer User: Addicted, Infected, Technophiliac?
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Dialogic Exchanges for Virtual Curation
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Diffractive Art Practices: Ecologies of Intra-actions and Difference
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Digital Divas Present Between the Sheets
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Digital Divide
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Digital performance in flesh and bones
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Digital Tools Panel: Creative Development and Developing Creativity Introduction
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Digital Tools: Creative Development and Developing Creativity Panel Member
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Digital Tools: Creative Development and Developing Creativity Panel Statement 1
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Digital Tools: Creative Development and Developing Creativity Panel Statement 2
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Digital Choreography? There’s an App for that!
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Digital Materiality: Making the Incomprehensible (Unbegreifliche) Perceptible
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Digital Paint to Digital Photography: The Long Reach of Abstract Expressionism
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Digital Photography: Expanded Creativity and Vision
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Digital Publics: Promises and Problems of an Applied Cyber-Revolution
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Digitalism and the More Knowledgeable Other
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Disrupting audio-visual paradigms with real-time technology
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Disrupting the City: Using Urban Screens to Remediate Public Space
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Disruption Through Design: Critical Exploits and Spaces of Possibility
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Discomfort Design: Critical Reflection Through Uncomfortable Play
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Dissemination of Knowledge of Electronic Textiles in Art Schools and Universities
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Distance Makes the Art Grow Further: Distributed Authorship and Telematic Textuality in La Plissure du Texte
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Disturbing Conurbations: Swimming Against the Dominant Spectrum
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Diversifying the city: The role of heritage and culture in the age of technology
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Direct to Video: Steve Beck’s Cameraless Television
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Do You Know What It Feels Like for a Girl in Virtual Worlds?
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Double Shadow: Digital Representation and Authorial Identity
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Dream Land: Mass Hallucinations and Virtual Changes to Real Environments
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Dummies, Dolls and Robotic Simpletons Interpreting Artificial Stupidity
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