Panels (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Overscale Art in Public Space: from Play to Dysplay
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Pain, Art and Communication
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Panel on Sonology: Sonifying the Conflict
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Panel Statement: Im-position: a minor politics for interactive art
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Participatory Pyramids: An Interface for Climate Change?
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Pathetic Fallacies and Category Mistakes: Making Sense and Nonsense of the (near-future) Sentient City
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Penumbra in Faint Light: Contemporary Art and Technology in Latin America Panel Introduction
Presenter(s):
- Reynaldo Thompson
- Tirtha Prasad Mukhopadhyay
- Priscila Arantes
- Gilbertto Prado
- Daniel Argente
- Daniel Cruz
- Bernardo Piñero
- Jorge La Ferla
- Nara Cristina Santos
- Maria Luiza (Malu) Fragoso
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Plasticity: Noise, Correlation and Interaction
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Presentation for Code panel
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Quoting and Appropriation: Whose Art is It?
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Rapid Response Collecting and Curating: Learning from the Victoria and Albert Museum
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Ré-émergence des sens dans les Arts des Reseaux
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Reimagining the Art Institution as an Open Source Civic Organisation
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Resolving the 2D Dilemma: Repurposing your 2D Art
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Response to 21st Century Schizoid: Bear Masculine Transitions Through Net Pornography
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Responsive Environments: A Panel On the Interrelation between Location, Atmosphere, and Digital Media
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Repulse the Beat: Teaching Cast and the Strategy Of Deceleration
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Right-Click to Save: Preservation, NFTs, and Distributed Ledgers
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Roger 10-4: Exploration of the Body as Space/Surface of Transmission and Reception
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Science Fictional Aesthetics: The Novum & Cognitive Estrangement in Contemporary Art
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Seeking Syncretism in Post-Biological Mixed Reality Data Transfer Systems
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Self-Willed: Flux and Reaction in Systems, Organisms and Materials
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Settler Dread and Indigeneity: Digital Media Arts in Oceania
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Sex for Work, Fun and Revolution in Early Hong Kong Media
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Security Gate 26.11
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Shaping Cultural and Creative Space: Beijing as a Case Study
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Signal Territories, Infrastructures and Intermediaries: New Interfaces for Art Science and Communication Policy
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Simply Scripting, Milling, Printing? On the Resistance of Materials and the Question of Precision in Digital Architecture and Fabrication
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Software Art and Design: Computational Thinking Through Programming Practice and Critical Code Theory
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Sound in Space: Seismic Moments Panel Introduction
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Sound: Architecture and Catastrophe
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Space, Time, Body and World: Here, There, and Nowhere
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Speculative Objects: Materialising Science Fiction
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Still Accessible? Rethinking the Preservation of Media Art
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Technologies as Agents to Penumbras
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Texting a Machine: Assembling an Emotional Response
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The Aesthetics of Codes, from Multimedia Design to Creative Art Education
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The Blog-The Memory Dump, The Disregarded Power of Undone Art
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The Computer As A Tool for Sculptors: Sculpting in Cyberspace
Presenter(s):
- Timothy Duffield
- Rob Fisher
- Helaman Ferguson
- Frank McGuire
- David Morris
- Bruce Hamilton
- Stephen Pevnick
- Stewart Dickson
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The Contemporary Art Centres of the Soros Foundation and C³
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The Dark Side of Making: Reflecting on Promises, Practices and Problems of the Last 25 Years
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The Digital Aesthetics of Climate Crisis Abstract
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The E-conference: Collapsing the Walls of the Arts Conference
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The Impact of Gestalt Perceptual Organization in the Stereoscopic Theatre Environment
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The Inter-Society for the Electronic Arts Revived?
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The Internet of Bodies: Future Human / Machine Choreographies
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The Matter of Technology
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The Matter with Media: Error in Audiovisual Apparatus as Aesthetic Value
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The Means to the End Implies the Creation of the Necessary Tools and Materials
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The Metaphor of Touch: Identification, Personality and Contact Within the Screen
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The Mutualism Relation within the Entrepreneurial Ecosystem
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The Network of No_des: Excavating the Histories of the ‘New’
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The People´s Smart Sculpture: Social Art in European Spaces
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The Persephone Project: Technologically Convergent Artificial Ecosystem
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The Radioactive Ecologies of Ken and Julia Yonitani
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The Rhythm and Structure of Multi-Cultural Communication
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The Surface of a Hysterical Body as an Interface
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The Techno/Cultural Interface: String Cycles and Watch the Skies
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The Webrecorder’s Challenge of Enabling Access to Dynamic Webbased Art
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The ‘Finished’ Work of Art is a Thing of the Past
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Three-Dimensional Media Technologies and the Electronic Arts
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 3
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To Consent and to Resent: Discourses of Sexual Agency in Hong Kong Media
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Too Quick: The Challenges of Interactive Art
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Touch and Go: Hyperformanccs, Automated Teller Machines, Identities, Social Relations
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Towards an Inventory of Best Practices for Transdisciplinary Collaboration
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Towards Geospatial Cultural Planning: Strategies for Local Cultural Innovation through Locative New Media Art
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Tracking the Boom: Think Tanks, Mouse Hacks and more in the United Arab Emirates
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Training Methods for Transdisciplinary Collaboration: Best Practices and Didactics for Team Work Panel Introduction
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Transcending Boundaries, Making Creative Resistance: A Study on the Young Feminist Activist Group and Their Online Activism in China
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Transcoding Place Through Digital Media
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Transdisciplinary Collaborative Practices in Art, Science and Technology
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Transmitting Architecture: The Transphysical City
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Turning the City into a Medium: Stories of Media Arts City
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Virtual Bodybuilding: The Cultural Specificity of Virtual Reality Design
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Virtual Skin: Articulating Race in Cyberspace Panel Statement
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Was Part of the Media Arts History Swept Under the Carpet? (Latin America’s Lost Ark)
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What are the Aesthetics of Collaboration?
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When a School of Satellites is a School of Photography
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Will it Take Sanctions Against Australia to Get Us Back Into the Black?
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Worldmaking, Participation, and Learning: Experiments in Collaborative Creation
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Your Participation Not Required: Machinic Performances
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[Id]entities as a Multilayered Self: The Individual Pervasiveness of Social Networks Abstract
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‘Democratising’ Curating: Speed, Sexuality and Selfies
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...and there was light! Rhetorical Performances in the Digital Realm
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2 Performances in the 21st. C Virtual Color Organ
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30+ Years of Artistic Data Visualization: evolution, trends, opportunities
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3D Visualisation for Patient Centred Communication
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Title:
@juspar [1] and Now Quoting Galloway [2]: “Code is the Only Language that is Executable”. Does What it Says. #code #chun [3] #netpol1010
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A Conceptual Gap Between Art and Business?
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A Diffractive Reading of the Messy Entanglements Between Mainstream Contemporary Art, Sci-Art and New Media Art
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A Layered Process: Lyrical Improvisation
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A Living Catalogue for Anish Kapoor: Revealing Untold Stories in Rich Media Museum
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A Matter of Perception: Exploring the Physicality of Electronic Art
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A Multi-Cultural ISEA
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A poetics of exile: the place of memory in the new media environment
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A Second Manifesto for Neuroplastic Arts
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A Study of the Changing Role of Typographic Education Within the Context of Hypermedia
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A talk about compositional gameplay and musical instrumentation
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A talk on Video Synthesises to accompany the Catching Light panel at ISEA2013
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About The Appearance of Digital and Technological Arts: For a Rehabilitation of the Memory
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Abstract Machines Within the Local and Global Dynamics
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Aesthetic and User Experience in Biofeedback Art
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After Privacy: Surveillance, Sexuality and the Electronic Self
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Agency and Autonomy: Intersections of Artificial Intelligence and Creative Practice
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Agency in a Dish: Supposed a Semi-Living Brain be Art (Maker)
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Algorithmic Generation of Temporal Forms
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Alien Agencies: the unstable dance between art, techno-science and new matter
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Alternative Histories of Computer Music: CSIRAC
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An Intent to Communicate Semaphores: Listening Posts, and other recent work
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Analyzing Disruptive Tactics and Strategies in Media Activism
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Animated Ideas: Investigating the Language of Animation
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Anna’s Cabinet of Curiosities: From the Series ‘Pages From the Book of the Unknown Explorer’
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Annie Abrahams’s Experiments in Intimacy
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Anonymous and the Politics of Social Media
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Anti-Author(ity) Manifesto: Digital World is a Plane
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Anti-Disciplinary Art: Rejecting the Standard Forms
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Anticipated Future; Controller and Controlled: Interchangeability
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Arabic Medicine Contributions to the Field of Ophalmology and Beyond
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Archiving as Art or Data Base Esthetics
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Arctic Perspective Initiative (API)
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Are Endings Necessary? Closure in Interactive Narrative
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Art and the Economy: How do they relate in the Digital Age?
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Art and the Liminal: Imagination, Liminality and Avatar-Mediated Presence
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Art In Science or Science In Art? On an Often Underestimated Relationship
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Title:
Art In The Post-Biological Era
Presenter(s):
- Roy Ascott
- Peter Anders
- Donna Cox
- Elisa Giaccardi
- Diane Gromala
- Pamela Jennings
- Jim Laukes
- Dan Livingstone
- Kieran Lyons
- Simone Michelin
- Laurent Mignonneau
- Joseph Nechvatal
- Marcos Novak
- Niranjan Rajah
- Michael Punt
- Bill Seaman
- Gretchen Schiller
- Thecla Schiphorst
- Christa Sommerer
- Chris Speed
Title:
Art, Design and Interactivity
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Art-Science: Exchange or Bartering?
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Art-Sciing: Slippery Terminologies and Language Performances in Art and Science Collaborations
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Artificial Gender, Natural Technology, and Emergent Mind
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Artificial Intelligence in the Arts
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Artificial Life: Challenges and Possibilities Panel Intro
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Artistic Electronic Networking Experiences with the First Mobile Electronic Cafe International: Casino Container
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Artistic Identity on the Net Panel Introduction
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Artists as the New Producers of the Common (?)
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Artists’ Autonomous Transport Infrastructures
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Architecture as New Media
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Aspects of Realtime Scoring and Extreme Sight Reading
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Asymmetries in the Control of Information and Ideas
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