Panels (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Creative industries forum
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— Symposium:
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Creative Communities: Nooks, Niches, and Networks
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Creating Toy Cities: The Experience Design of Transmedia Objects
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Creating with the Camera, Canvas, and Computation
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Critical Art Ensemble Science/Art and their legal limitations
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Critical Frictions, Connective Affinities: “Ideologies of Interactivity”
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Critical Futurists from Africa (HIVOS)
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Crossing Boundaries: The Banff Center for the Arts and Interdisciplinary New-Media
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CTheory Multimedia: Wired Ruins/Digital Terror and Ethnic Paranoia
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Cultural Maintenance and Change: Currents in Art and Technology
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Culture, Technology and Asian Pop Culture
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Culture, Technology and Power: Creative Leisure and Social Change
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Cultivating Conduits: Virtual Attempts to Make a Real Connection
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Curating Games in the Asia Pacific Region
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Curating in/as Open System(s)
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Curating in/as Open System(s): Social Technologies and Emergent Forms of Curating
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Curating Lively Objects: Post-disciplinary perspectives on media art exhibition
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Curatorial Challenges in Art, Science and Technology: FACTORS 4.0 at Bienalsur
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Curriculum in the Cracks: Encouraging Cross-Disciplinary and Art-Science-Humanities Teaching
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Curating New Media Art in China: A Creative Approach from Within
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Cybersublime: The Aesthetization of Digital Politics
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Dance and Virtual Physics: The Mass of the Object Does Not Necesseraly Equal the Object of the Mass
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Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience
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Data Natures: The Politics and Aesthetics of Prediction
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De la Fenetre au Labyrinthe: Les Technologies, le Corps et le Plaisir des Relations
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Decontamination, Surveillance and Ready Made Martial Law in the Anthrax Age
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Title:
Design for the Non-Human
Presenter(s):
- Elizabeth Demaray
- Tyler Fox
- Jordan Matthew Yerman
- Kira Decoudres
- Adam Zaretsky
- Leigh M. Smith
- Helene Steiner
Title:
Devirtualisation: Toward a Critical, Embodied Interactivity
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Devising and Positioning Interactivity in Net projects
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Declaration of Sentiments/Gün
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Declaration of Sentiments/Gün (DOS/G)
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— Symposium:
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Deviant Media Tactics: Creating Faces
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Diagnosing the Computer User: Addicted, Infected, Technophiliac?
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Dialogic exchanges for virtual curation
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Diffractive Art Practices: Ecologies of Intra-actions and Difference
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Digital Divas Present Between the Sheets
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Digital Divide
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Digital Imaging and Artistic Education: A Pedagogical Model With Free Software GIMP
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Digital performance in flesh and bones
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Digital Tools Panel: Creative Development and Developing Creativity Introduction
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Digital Tools: Creative Development and Developing Creativity Panel Member
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Digital Tools: Creative Development and Developing Creativity Panel Statement 1
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Digital Tools: Creative Development and Developing Creativity Panel Statement 2
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Digital Choreography? There’s an App for that!
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Digital Materiality: Making the Incomprehensible (Unbegreifliche) Perceptible
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Digital Paint to Digital Photography: The Long Reach of Abstract Expressionism
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Digital Photography: Expanded Creativity and Vision
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Digital Publics: Promises and Problems of an Applied Cyber-Revolution
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Digitalism and the More Knowledgeable Other
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Disrupting audio-visual paradigms with real-time technology
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Disrupting the City: Using Urban Screens to Remediate Public Space
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Disruption Through Design: Critical Exploits and Spaces of Possibility
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Discomfort Design: Critical Reflection Through Uncomfortable Play
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Dissemination of Knowledge of Electronic Textiles in Art Schools and Universities
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Distance Makes the Art Grow Further: Distributed Authorship and Telematic Textuality in La Plissure du Texte
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Disturbing Conurbations: Swimming Against the Dominant Spectrum
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Divergent Generative Art Practices
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Diversifying the city: The role of heritage and culture in the age of technology
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Direct to Video: Steve Beck’s Cameraless Television
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Title:
Do You Know What It Feels Like for a Girl in Virtual Worlds?
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Double Shadow: Digital Representation and Authorial Identity
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Dream Land: Mass Hallucinations and Virtual Changes to Real Environments
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Dummies, Dolls and Robotic Simpletons Interpreting Artificial Stupidity
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E-discourse in Online Networked Communities: Structure, Timing, Tone, and Affect
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E-participation: Engaged Participation
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E/merging Publics? Interurban Collaboration and Building Connection Across Disparate Notions of Public Space
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Eastern-Western Interaction in Digital Media
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Eco-Art + the Evolving Landscape of Social and Situated Practices
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Ecolocated: environment, sound and engagement
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Ecological Aesthetics: Artful Tactics for Humans, Nature, and Politics a Panel
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Ecological Novelty and its psychological problems
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Econotopias: Imagining Possible Futures Through the Creative Economy
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Educational and artistic practice for the convergence of art and technology in Korea
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Educational forum: ISEA2009, ARS Electronica 2009 and Re:live 2009
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EIDEA, An Emergent Interactive Installation for the Interactive Design of Emergent Art
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Electronic Art and Audience Panel Introduction
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Electronic Art and the Globalisation of Culture
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Electronic Art in Brazil: Exhibition Spaces, Museological Strategies and Digital Archive
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Electronic Authorship, Collaboration, Community, and Practice
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Embodied in VR: The Body as Experimental Ground
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Embodiment: Meat and Machines
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EMDL: European Mobile Dome Lab for Artistic Research
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Emerging Architectures in the Virtual Scape: Architecture of (Im)possibilities
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Emerging Art Practices Panel Introduction
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Emerging Platforms for Artist Interaction
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Emotion research forum
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Environmental Aesthetics and Nature Immersion Art Practices
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Erotics of the Internet
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Error in Audiovisual Apparatus as Aesthetic Value
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Estonian Experience: Non-Institutional Media Art Production in Estronia
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Expanded Circuits and Poetic Re-Writings: Circuito Alameda
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Exquisite, Apart: Remoteness And/As Resistance
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Extending personalized experience with local engagement
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Exercises in Remote Collaboration: Huis Clos / No Exit (or, “How Cyberformance Reveals Intimacy”)
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Exercises in Remote Intimacy (or, “When Web-Casting is Cyberformance”)
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Executing Ecologies: Systems, Code, Inscription
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Facing Affect: Synthetic Interface & Meaning
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Fact, Fiction, Faction: Converging Styles in Literature and Journalism in Online-Publications
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Fake Organum: The Uneasy Institutionalisation of Art as Research
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Films: Party, Love Story, M. Monroe, V. Mayakovsky and Manifesto of Neo-Academism
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Title:
First Plenary Meeting of the Inter-Society for the Electronic Arts
Presenter(s):
- Seth Shostak
- Virginia Barratt
- Christine Schöpf
- Theo Hesper
- Raymond Lauzzana
- Paul Brown
- Wim van der Plas
- Roger F. Malina
- Copper Frances Giloth
- Ken Gray
- Craig R. Harris
Title:
Five Miles of Liquid Tire: Making Sense of Spectacle, Looking, and Illuminated Art in Blackpool (1879 – 1998)
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Fluxus,Intermedia and Language Experimentation: The Reconstruction of Media at the End of Language
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Folksonomies as Social Curating: The I tag you tag me Exhibition Case
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Form, Substance, Correspondence: Intersensory Composition in the Digital Age
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Foro Académico de Diseño y Arte Latinoaméricano
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Forschertrieb, The Instinct for Research: Toward a Queer Psychoanalysis and a Psychoanalytical Queer Theory
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From Appearance to Apparition: Communications and Consciousness in the Cybersphere
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From East to West: Computer Animation Education in China and the United States
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From isolation to networking. Cyber homosovieticus in search of promised land
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From Literal to Metaphorical Utopia: Space and Time in the White Cube
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From Mouse Hack to iPad: New Media in the UAE at Zayed University
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From Playful Strategies to Playability
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From Prototypes to Niche Production: How the DIY Wearable Tech Community is Crafting a New Fashion Revolution
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From Weightless World to Hybrid Homes: Rethinking the Extra-Terrestrial
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From “Immaterial” to “Hypermaterial”
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Games and Gaming in China
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Gender and Technology: The Epistemological Problem
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Gender and Technology: What Problem? Panel Introduction
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Gender and Technology: What Problem? Panel Statement 1
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Gender and Technology: What Problem? Panel Statement 2
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Gender Confusion and Other Forms of Cyber Cheating
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Gendered inter/activity? Reflections on memories of prison experience in Northern Ireland’s conflict
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Genresis: Trends and Trajectories within the Art/Science Genre
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Title:
Getting Off the Planet
Presenter(s):
- Patricia Watts
- Jenée Misraje
- Sam Bower
- Joyce Cutler-Shaw
- Eric Hanson
- Charles Lindsay
- Juanita Schlaepfer
Title:
Gigantic: Mediation Beyond Surface
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Title:
Global Local Panel Intro
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GLUE: Case Studies on how Things Stick
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God and Silicon: Better Eternal Living Through Technology
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Government, citizenship and the public sphere: contested democracy and digital technology
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GPS Art: Mapping New Territories
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Greg Garvey – Pedagogy of the Oppressed Panel Notes
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Gueê: A Tribute to the Tikuna woman
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Hearing Inside the Frame: The Mechanics of Pictorialism
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Title:
Hey Human! What Should We Do Now?
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Title:
Hip Hop & Technology
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— Symposium:
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