Panels (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
21st Century Schizoid: Bear Masculine Transitions Through Net Pornography
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A Computer-Controlled Marionette for ‘Out of the Body Theater’
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A Failed Coup Attempt with Folk Songs (Part III): Anonymity and the Anonymous in a Culture of Sharing
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A Project of Disjunction and Conjunction: On the Aesthetics of Climate Change
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A Question of Antagonism: Identity, Representation of Self and New Media in Thailand
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A Seismic Moment: Sound as weapon, from Jericho to Waco
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A to X: Audience Experience in Media Art Research
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A Transdisciplinary Approach to Research-creation (When Art is Part of Everything Else)
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After the Gold Rush: Gold Farming in China – and in Western Academia
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AIwriting: Relations Between Image Generation and Digital Writing
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Alien Agencies: Liveness and Nonhuman Performativity
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Amplexus Poetics: Language, Art and New Software Forms
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An Interrogation of Space
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- Peter Anders
- Pamela Jennings
- James Leftwich
- Patrick Lichty
- Gregory Little
- Timothy McFadden
- Mike Mosher
- Scott Patterson
- Dan Livingstone
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Any Resemblance to Any Other World Known or Unknown is Purely Coincidental
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Archiving Digital Heritage: Pioneers of Fin-De-Siecle Latin America Introduction
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Archiving Experience: The Third Generation Variable Media Questionnaire
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Art and Artificial Life in Latin America: the Historical Legacy Takes on the Artistic Establishment
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Art and Politics. The Edith Russ Site for Media Art: A Space for Presentation and Production of Media Art
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Art and possible relations in nature
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Art and technology at school. Resources for a critical integration of new media art practices in the school context
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Art in the Age of Networks
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Art, Body and Technology: an overview of current approaches from Latin America
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Art, Mediation and Contemporary Art Emergent Practices
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Art, Science and Anthropology Experiments: Inviting other Knowledge about Mosquito-borne Diseases through Transdisciplinary Collaborations
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Art, science and industry: a symbiotic milieu to rethink visions of the world
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Artificial Changelings: A Work of Responsive Cinema in Progress
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Artificial Consciousness: Will Art replace the Artist?
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Artistic Strategies in Generative Art Practices
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Artists Teaching Artists: Case Studies of the Masterclass paradigm
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Balance-Unbalance (E-Arts Meets the Actual World)
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Bending the possible (one pixel at a time). Small-file ecomedia for the Anthropocene
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Between one and zero: noise, ghosts and plasticity
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Between Remake and Reperformance: Emerging Narratives in Media Art
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Beyond the Book: Computer-Based Literature
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Beyond The Digital Diaspora: Flame Wars
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Bio-Creation of Informatics: Rethinking Data Ecosystems in the Network Economy
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Biology as a New Art Medium and Its Possible Implications in Art Research
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Biomedical Signals in Media Art: towards the Awakening of Internal Peace
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Brazilian Pioneers in Art and Technology: Waldemar Cordeiro, Abraham Palatnik and Otávio Donasci
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Can Non-anthropocentric Relationships Lead to True Intimacy with Technology?
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Capture, Measure, Rhythm: Inventing New Relations of Aesthetics and Politics in the Electronic Arts
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Case Studies on Young Feminist Activists Using New Media
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Challenged by Choices: Narrative and Virtual Reality – a Symbiosis or Antibiosis?
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Cinematic Experiences and Bio Visualization Introduction
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Civic Media and Data (h)ac(k)tivism: Environments, Tools and Practices for Critical Data+Code Literacy and Visualization
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Closer and The Nether: The End of Intimacy as We Once Knew It
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CO2nfession / CO2mmitment: Experimental Urban Media in the Climate Change Debate
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CODED CULTURES: Exploring Creative Emergences
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CoLab panel: performance and interactive technologies
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Common Flowers/White Out: Bio-Hacking, Open-Sourcing and Exorcising GM Flowers
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Computational Thinking in Art/Design Education
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Computer Programming and Conception of Cities
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- Jean Brange
- Ammar Eloueni
- Luca Galofaro
- Carmelo Baglivo
- Stefania Manna
- Flavia Sparacino
- Gruppo A12
- Marcos Novak
- Dagmar Richter
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Conserving Interactivity: imai Case Study on Bill Seaman’s Exchange Fields
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Cosmologies of Care: Epistemological and Ontological Repositioning of Symbiotic Relationships in Art and Living Systems
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Creativity and imagination in the history of art and physics
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Critical contact: the climate crises, human/nonhuman thinking, and sensing the possible
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Critical Frictions, Connective Affinities: “Ideologies of Interactivity”
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Critical Futurists from Africa (HIVOS)
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Crypto Land: Blockchain as a challenge for art and digital art collections of the future
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Cultural Maintenance and Change: Currents in Art and Technology
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Cum Panis: the Biopolitics of Self, Fermentation and Revulsion
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Curb the Black Box: Overcoming Techno-Positive Fantasies
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Curriculum in the Cracks: Encouraging Cross-Disciplinary and Art-Science-Humanities Teaching
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Dance and Virtual Physics: The Mass of the Object Does Not Necessarily Equal the Object of the Mass
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Dancing in Suits: A Performer’s Perspective on the Collaborative Exchange Between Self, Body, Motion Capture, Animation and Audience
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Data and Public Policy: An Approach to Data Ecosystems from a Human Rights Perspective
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Decolonizing the machine: race, gender, disability, robots, computation and art
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Demusealizing the Museum: Audience’s Digital Agency and Institutional Critique 2.0 as Possible Futures for Art Institutions
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Design for the Non-Human
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- Tyler Fox
- Elizabeth Demaray
- Jordan Matthew Yerman
- Kira Decoudres
- Adam Zaretsky
- Leigh M. Smith
- Helene Steiner
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Diagnosing the Computer User: Addicted, Infected, Technophiliac?
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Digital Imaging and Artistic Education: A Pedagogical Model With Free Software GIMP
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Digital Threshold: Art, Body and Self-reflection on the Screen
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Documenting the Digital Critics: Analysing and Archiving Criticism After the Internet
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Donation Alerts on Twitch.TV: Commodification of Community and Attention
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Dummies, Dolls and Robotic Simpletons Interpreting Artificial Stupidity
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E/merging Publics? Interurban Collaboration and Building Connection Across Disparate Notions of Public Space
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Ecological Aesthetics: Artful Tactics for Humans, Nature, and Politics a Panel
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EIDEA, An Emergent Interactive Installation for the Interactive Design of Emergent Art
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Electronic Art in Brazil: Exhibition Spaces, Museological Strategies and Digital Archive
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- Priscila Arantes
- Marcos Cuzziol
- Cleomar Rocha
- Nara Cristina Santos
- Tania Fraga
- Reynaldo Thompson
- Maria Luiza (Malu) Fragoso
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Electronic arts in the age of the metaverse: what kind of a positive symbiotic organization?
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Embodied in VR: The Body as Experimental Ground
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Emerging Architectures in the Virtual Scape: Architecture of (Im)possibilities
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Emerging Art Practices Panel Introduction
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Emerging Collaborative Preservation Projects in Asia
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Emerging Narrative Forms and Bit Sensations
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Environmental Aesthetics and Nature Immersion Art Practices
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Establishing the Continuously Unfinished: The Institution as an Artistic Medium
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Evolved Architectural Representation: From Orthographic Drawings to Corporal Mapping and Swarm Behaviour
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Exquisite, Apart: Remoteness And/As Resistance
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Facial Interface Culture: Filters, Fakes, Flaneurs, and NFTs
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Facing Affect: Synthetic Interface & Meaning
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Fake Organum: The Uneasy Institutionalisation of Art as Research
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Feminizing the Archives of Digital Art: Recovering the Work of Female Artists Working in Mexico, 1960-1980
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For a symbiotic art/design/science education
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Forking as Cultural Practice: Institutional Governance after the DAO
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Foro Académico de Diseño y Arte Latinoaméricano
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Founding Meeting Inter-Society for the Electronic Arts
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From Appearance to Apparition: Communications and Consciousness in the Cybersphere
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From Insider Knowledge to Anecdote to Apocrypha: Reflections on How Media Art has Been and Could be Historicised
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From Representation to Action: How Art Addresses Climate Change
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Gender and Technology: The Epistemological Problem
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Genresis: Trends and Trajectories within the Art/Science Genre
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Get Lucky: Cognitive Aspects of Generative Art
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Globally Connecting New Media Art Archives: Progress, Goals and Challenges
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Graphic Design Principles and Computer Programming
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Higher Education for Sustainable Transitions by Mutual Learning in Immersive Transdisciplinary Real-world Laboratories (RwL)
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Hong Kong Women’s Queer Port Tastes and Twink Fantasies
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How Active is the Audience? A Study of Chinese Game Fandom
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Hybridity: Interfaces, Identities, and the Arts
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Hydrological symbiosis: An approach to the experience of water-based artworks
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I Feel Therefore I Am: Robots and Avatars, Our Colleagues and Playmates of the Future
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Ideology of Interactivity: Freedom, Choice, Creativity Panel Introduction
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Ideology of Liveness and falsification of the ontological “Live”
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Idols and Art: The Cognitive Fetish
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Imaginaries and engineering through bodily and digital experience with experimental matter for artistic outcome
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Immerce Cunningham Multimedia Prototype: A Visual Data-base Based on the Dances of Merce Cunningham
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Immersions in a Field Phenomenon: Going with the Flow
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Impact of Social Art in the People´s Smart Sculpture PS2
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Implementing STEAM approaches in Higher Education
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- Andrew Newman
- Heather Barnett
- Claudia Carter
- Nathan Cohen
- Robert Fischer
- Adrian Holme
- Kathryn Burns
- Tom Cahill-Jones
- Charmaine Stint
- Laura Veart
- Berry Jo
- Annette Naudin
- Alessandro Columbano
- Henriette Greulich
- Daniel Lordick
- Lisa Nickolaus
- Jaana Brinck
- Eva Durall
- Teemu Leinonen
- Natasa Brouwer-Zupancic
- Frank Nack
- Andre Nusselder
- Jacobijn Sandberg
- Mairead Hurley
- Jean O’Shea
- Shaun Ussher
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In Pursuit of Time Regained: Reconciling the Unstable Past, Present and Future of Web-Based Art
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Interactive Narrative: A Form of Fiction?
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Interactive Textiles and Wearable Computers
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Interactivity and Control: The Aesthetics of Real Space Interactives
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Interdisciplinary Innovation, Collaboration and Learning Processes in Academia
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Interface and Active Space: Human Machine-Design
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Interface Metaphors and New Narratives in Interactive Media
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Intimate Disavowal: Turning Away from Technological Media Art
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Intro Towards a Descriptive Approach of Gesture and Sound Interaction
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Intrainter Socialite: Emoticon Jacket For Social Interaction
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Investigating the Hybrid Character of Spatial Experiences Afforded by Locative Media
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ISEA2023 Education Forum
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Islands of the Day Before: Artistic Exploration in Post-Anthropocenic Food Ecologies
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Julio Le Parc & the GRAV: Instability, Movement, Active Past. A Perspective Look on his Work and Ideas from the Present of Electronic Art
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Kunstliche Kunst: Art and Aesthetics in Times of the Artificial
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Laboratories and Digital Experimentation Centers in Ecuador: First New Technologies Art Experiences
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Latin American Forum Legacy
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Latin American Kinetic Art and Its Relationship With Electronic Art: Gyula Kosice and Abraham Palatnik
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Let’s Watch Porn: Pornography and Sexually Formation in Young Hong Kong Lesbians
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Liminal acts: Using mobile technology as a critical medium.
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Literary Hypertext (From a Writer’s Point of View)
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Livestreaming, participatory culture, and gender politics at the edge of e-sports
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Locating Cyberfeminist Art in Singapore
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Locating East West Robot Culture
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Locationally Yours
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Looking ‘through’ Biomedia: Post-Anthropocentrism as Immediacy without Agency
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Lust & Wanderlust: Sex & Tourism in a Virtual World
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Making sense of sounds: patterns and noise
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Mariotti’s Ritual Artefacts and the Origins of Media Art: In search of the Lost Multisensorial Characteristics of New media
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Materiality, Mediality and Concepts of Touch
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Materiality, Posthumanist Performativity, and Wearables
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Mediated Empowerment: Using Media and Technology to Amplify the Voices of Local Communities
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Mediated Natures: Speculative Futures and Justice
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Medium-Specificity and Sociality in Expanded Cinema Re-Enactment
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Metastatic Membranes: Modulations of Threshold
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Methodological Approaches and Sensitive Experiences Based on Nature Immersions, Field Trips and Rural Residencies Introduction
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- Bart Vandeput
- Karla Schuch Brunet
- Carlos Augusto Moreira da Nóbrega
- Laura Beloff
- Maria Luiza (Malu) Fragoso
