Panels (Sorted by Title)
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[Title] [Presenter Last Name] [Year]
Title:
Standardization of Music Representations
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STUDY 7/0: Error-Generated Spatiotemporal Visualization
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Sublime Ecologies and Artistic Endeavours: Artificial Life and Interactivity in the On-line Project Technosphere
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Surveillance Situationist-Humanistic Intelligence
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Surveillant Interventions: From City Walks to Live Cinema
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Sustainable Preservation Practices and the Rhizome Art Base
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Symbols, Pictures and Signs: Social and Psychological Meaning
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Systemness: Towards a Data Aesthetics of Climate Change
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Tactile Interfaces and Bodily Communication: The Rhetorics of Touch in Virtual Reality
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Tagging Practices and the Disturbed Dialectic of Literary Criticism
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Talking About Electronic Art
Presenter(s):
- Thierry Grillet
- Jacqueline Sanson
- Isabelle Giannattasio
- Aurdlien Bambagioni
- Andrea Davidson
- Antoine Denize
- Martin Le Chevalier
- Annick Bureaud
- Christophe Jouanlanne
- Francois Perrodin
- Sylvie Boulanger
- Pascale Cassagneau
- Christine Van Assche
- Jane Garcia
- Anne-Marie Duguet
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Technique in Place and Technology with Reference to Contemporary Fine Art
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Techno Formalism: Excessive Surfaces, Abstracted Identities
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Technological Diffusion and the Construction of a Universal Aesthetic
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Technological Embodiment of the Female Body and Voice via Radio Transmission
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Technology Recapitulates Phylogeny: Emergence and interactive Art
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Technotopia: The Colonization of the Body as the Ultimate Frontier
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Technologies of Mediation and Immediation
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Telegenic Urbanisms: Click the Image to Enlarge and Zoom in
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Telepistemology and The Aesthetics of Telepresence
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The Ambiguity Zone: Which Dimension Am I In?
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The Architecture of Cyberspace
Presenter(s):
- Peter Anders
- Gerhard Eckel
- Mathias Fuchs
- James Leftwich
- Dirk Lusebrink
- Marcos Novak
- Wolfgang Strauss
- Nik Williams
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The Artist as Sensory Machine in the Post Reality
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The Arts of the Artificial: Some Implications for a Finite Universe
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The Avant-Gardes’ Everyday Sensorium: On Tasting and Smelling Modernism
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The Betaville Participation System
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The Birth of Memory from the Spirit of the Machine
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The Case of France: From Minitel to Gitoyen
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The Changes in Public/Private Sphere and Presentation of Electronic Media Arts
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The Chemist as Flâneur in Intelligent Architecture
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The City as Ludic Interface: Vectors of Vireal Testlabs in Urban Mediatecture
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The Cognitive Underpinnings of the Denial to Act
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The Computers and Sculptors Revolution: Projects from Europe and the United States
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The Construction of Artistic Truths in Digital Images
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The Cultural Aesthetics of Pervasive Gaming
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The Cybernetic Cinema of the Whitneys
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The Discovery of ‘Gameplay’ and the Formation of Computer Gaming’s Aesthetic
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The Earth Sciences and Creative Practice: Exploring the Boundaries Between Digital and Material Cultures
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The Ecological Value of Pervasive Media
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The Exploitation of ‘Tangible Ghosts’: Conjectures on Soundscape Recording and its Re-Appropriation in Sound Art
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The Future Master Craftsperson: How to Get What You Want
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The Hacienda: The Conversational Aesthetics of Liquid Architecture
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The Information Super-highways and Cultural Imperialism: Ownership and Access to the Media
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The Instrumentality of Pain in Virtual Reality
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The Kind of Problem a Software City Is
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The Locative Apparatus: From Situationism to Compositionism
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The Magic Light for Viewing the Inside of Objects: A Supernatural Interactive Display
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The Magnetic Field of Audiovisual Art Practices
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The Making Of Diamandini: Perception, Identification, Emotional Activation During Human-Robot Interaction
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The Meaning of AI Art Following the Challenges of Artificial General Intelligence
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The Media Façade as Paradigm Change of the Public Space
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The Media Space
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The Metaphor of Cave in the Electronic Arts
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The Metaphor of Touch-Identification, Personality and Contact Within the Screen
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The Mutant Offspring of Information Economies
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The Network Without Walls
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The Ocean that Keeps Us Apart also Joins Us: Charting Knowledge and Practice in the Anthropocene
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The Open: Mediating the Human and Non-Human Interface
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The Panic Museum: Memory and Digital Alzheimer’s in the Information Age – Exhibition and Conservation in the Digital Arts
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The Past, Present, and Future of Publishing in Electronic Arts
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The Photographic Image: Revolution / Iteration
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The Place is the Map: Because of Locative Media an A-Social Map
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The Place, the Space and the Ethnoscape: Examples of Hybridity in Western/European and Non-Western/Asian Media Arts
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The Power Play of Editorial Patchwork
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The Provincial and the Providential: Buffalo as Wilderness
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The Rise of Minority and Creativity in AI: What, Why, and How
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The Ritornelli of Everyday Life: Some Epistemic Experiments with Information Technology
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The Running Nude: Narrative Mistakes of a Generative VR Experience
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The Sewing Circle Method of Working Under Cover
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The Shock of Refinement: Reaestheticizing Life Through a New Technology of Consciousness
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The Societal Implications of Energy Abundance
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The Sound of Small Brain Circuits: Plasticity and Synchronisation in the Neurogranular Sampler
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The State of Ata, an Artists’ Book: My Turkish I.D. Card
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The Third Skin: A Medium or a Mess(age)?
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The Touch of Art in the Age of Digital Paintings. Digital Irony?
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The Touch Through Time: Raoul Hausmann, Nam June Paik and the Transmission Technologies of the Avantgarde
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The Use of Animation in the Generation and Documentation of Ideas in Systems Painting
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The Values of Online Social Relations
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The Viral.Net Virtual Forum on Radical Cosmologies
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The Visual Politics of Play: On the Signifying Practices of Digital Games
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The ‘Rebuntu’ Project and Thoughts Around Behavior and Position of Modern Operating Systems
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Theoretical And Art Researches Involving Science And Technology: About The Present State Of The Art
Presenter(s):
- Anne-Marie Duguet
- Lev Manovich
- Erkki Huhtamo
- Jean-Louis Weissberg
- Margaret Morse
- Louis Bec
- Simon Penny
- Anne Cauquelin
- Jean-Louis Boissier
Title:
Theoretical and Practical Approaches to Electronic Arts Education
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Title:
There Is No Such Thing as Interesting Programming
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Theatres of/as Art and Artificial Life
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Think BETA: Soft City Culture and Technology
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Title:
Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Introduction Panel Statement
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 1
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Three-space, Time-base, In-yer-face Art: The Aesthetics of Real Space Interactives Panel Statement 2
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Tools for Collaborative Research in Complex Ecosystems
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Totem, Network & Taboo: Collateral Damage no. 39
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Towards the Development of Electronic Literacy and Network-Thinking in Remote Aboriginal Communities
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Towards (Co-authoring) Communitas: The Facilitation of Becoming through Participatory Art/Tech Projects and the Practice of Place-Making
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Towards a Natural History of the Virtual Realms
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Towards the Third Culture: Intersections of Arts, Science, and Technology
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Tracing Space: Locative Media as a Means for Artistic Expression
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Trance, Fixation, Serenity and Death: Meaningful Repetition: If There is One Moment Only, Let it Be Here in the Falling Snow. Out on the Wild Grasslands, I am You
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Transcultural Approaches Panel Introduction Panel Statement
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Transitio_MX Curatorial Approaches: Impolis, In(communities) and Free Synthesis
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Transforming the Physicality of Emotion
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Translating Motion Capture Analysis into Performance
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Transreal Bodies and Digitized Clones: Bridging Realities With Sound, Biometrics and Motion Capture
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Title:
Unexpected Affairs: Wearable Technology, Human and The Arts
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Unheard voices: audio visual recordings of memories of the troubles in Northern Ireland
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Title:
University Technology During a Budget Crisis
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Title:
Untitled
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