Run Run Shaw Creative Media Centre
Symposium:
Venue Organising Institution(s):
- City University of Hong Kong
Venue Function(s):
- Academic Conference, Exhibition(s), General Event(s), and Performance(s)
Website:
Venue Location:
Kowloon Tong, Hong Kong SAR China
Overview:
The Run Run Shaw Creative Media Center is an academic building on the campus of the City University of Hong Kong. It was designed by Daniel Libeskind and built in 2011. This was the main symposium venue.
Director/Curator's Statement:
When putting together a show of this magnitude, selecting the works is only one of the challenges. Another is the design of the exhibition itself. The impressive geometric exterior of Daniel Libeskind’s Run Run Shaw Creative Media Centre encloses a set of inclined walls and tricky corners which make the endeavor more difficult still. Thus the group of works displayed in the CMC leverage the building’s open balconies as a vertical axis, with spaces on the 3rd, 8th and 9th floors providing horizontal counterpoint. Don Ritter and Tobias Gremmler engage directly with Libeskind’s architecture by projection-mapping its contours. Gremmler’s work engages the unique interior angles of the lobby space while Ritter’s ‘Burning Too’ grapples with the facade itself. Ascending through the lobby, the 3rd floor gallery presents an overview of the vast diversity of work featured at ISEA. On one side of the central wall we find the interactive and responsive objects, while on the other we encounter audiovisual interpretations of signal and noise. On the first balcony, ‘The Unuseless Machine for Democracy’ hints at Hong Kong’s recent Umbrella Movement and acts as a base for the vertical axis which rises through a range of artworks also engaging critically with socio-political issues. The 5th and the 6th floors explore different forms of communication, from Goldfish dialogues via the BBC and Baidu News to ‘Memento Mori’. While the Mini Cinema Studio and the immersive panoramic Gallery360 on the 7th and 8th floors invite the audience to discover narratives, documentaries and visualisations, the 8th floor balcony showcases money and sex, with works reflecting on cybersex and its relation to capitalism. The 9th floor showcases the diversity of video forms, exploring immersion, engagement, and disorientation. On the final balcony of the 9th floor, Fleury/Fontaine’s ‘Wait and See’, a work of generative data visualisation, and Van Eenoo’s ‘Rain and Sea’ (both also shown at PolyU) serve to link the two architecturally distinct locations.
Venue Art Events:
![Objectivity [Tentative]: Soundscape](https://isea-archives.siggraph.org/wp-content/uploads/2019/03/2012_Bar-Shai_Objectivity-150x150.jpg)
Venue Presentations:
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Title: Accumulated Memory Landscapes: Real-time On-line 3D Landscapes Based on Prosthetic Memory Data Presenter(s): — Symposium:
Title: After the Gold Rush: Gold Farming in China – and in Western Academia Presenter(s): — Symposium:
Title: Antarctica Underwater: Art & Science Presenter(s): — Symposium:
Title: Any Resemblance to Any Other World Known or Unknown is Purely Coincidental Presenter(s): — Symposium:
Title: Artistic Strategies in Generative Art Practices Presenter(s): — Symposium:
Title: Biocybernetic Serendipity: The Acceptance Of Noise and Mutation in Biocybernetic Art Presenter(s): — Symposium:
Title: Can Non-anthropocentric Relationships Lead to True Intimacy with Technology? Presenter(s): — Symposium:
Title: Causeway Presenter(s): — Symposium:
Title: Closer and The Nether: The End of Intimacy as We Once Knew It Presenter(s): — Symposium:
Title: Computational Thinking in Art/Design Education Presenter(s): — Symposium:
Title: Conceptualization of Audience Participation in Interactive Documentary Presenter(s): — Symposium:
Title: Conversation Pieces: Art Objects from Rare Earth Elements Presenter(s): — Symposium:
Title: Creativity and imagination in the history of art and physics Presenter(s): — Symposium:
Title: Cultural Revolution: a Case Study of how Two Experimental Arts Organisations are Surfing the Wave of Change in Australia Presenter(s): — Symposium:
Title: Cum Panis: the Biopolitics of Self, Fermentation and Revulsion Presenter(s): — Symposium:
Title: Cycles of Accusation: Accountability and Performative Code-based Interface Presenter(s): — Symposium:
Title: Development and Distribution Strategies of Independent Mobile Games in China Presenter(s): — Symposium:
Title: Documenting the Digital Critics: Analysing and Archiving Criticism After the Internet Presenter(s): — Symposium:
Title: Donation Alerts on Twitch.TV: Commodification of Community and Attention Presenter(s): — Symposium:
Title: Education in Art and Technology at Aalborg University Presenter(s): — Symposium:
Title: Emerge: Artists and Scientists Redesign the Future Presenter(s): — Symposium:
Title: Emerging Narrative Forms and Bit Sensations Presenter(s): — Symposium:
Title: Endless Ripples: A Growing Interactive Donation Device Presenter(s): — Symposium:
Title: Environmental Data: The Incredible Balancing Act Presenter(s): — Symposium:
Title: Family Crockery (Whiteness) + Signifiers of Ritual Mask (Animals) + Planting Ritual, Video Artworks 2011–2013 Presenter(s): — Symposium:
Title: Forming Historical Remembrance in the Digital Age: how Polish Interactive Musea Deal with National Heritage Presenter(s): — Symposium:
Title: From Insider Knowledge to Anecdote to Apocrypha: Reflections on How Media Art has Been and Could be Historicised Presenter(s): — Symposium:
Title: Future Heritage, Berlin – Ramallah Presenter(s): — Symposium:
Title: Get Lucky: Cognitive Aspects of Generative Art Presenter(s): — Symposium:
Title: Graphic Design Principles and Computer Programming Presenter(s): — Symposium:
Title: Hack the Body: Critical Reflection on the Blurry Boundaries between Intimacy, Privacy and Technology Presenter(s): — Symposium:
Title: Hacking the Body 2.0 Performance Presenter(s): — Symposium:
Title: How Active is the Audience? A Study of Chinese Game Fandom Presenter(s): — Symposium:
Title: How Far is Up? The Remediation Loop From Picture Book to App to Animated Film to Picture Book Presenter(s): — Symposium:
Title: Icebox: Internet Security for Everyone Presenter(s): — Symposium:
Title: Ideology of Liveness and falsification of the ontological “Live” Presenter(s): — Symposium:
Title: Impossible Choreographies: The Database as Creative Tool Presenter(s): — Symposium:
Title: Intouch: Ambient Remote Communication in Parent-child Relationships Presenter(s): — Symposium:
Title: Je me souviens, Colombian political refugees in Sherbrooke, Quebec Presenter(s): — Symposium:
Title: Livestreaming, participatory culture, and gender politics at the edge of e-sports Presenter(s): — Symposium:
Title: Mapping the Phenomenon of In-game Photography Presenter(s): — Symposium:
Title: Mavi: Movement Aesthetic Visualization Tool and its Use for Dance Video Making and Prototyping Presenter(s): — Symposium:
Title: Meaningful Personalisation of Virtual Museum Experiences Presenter(s): — Symposium:
Title: Media-Aesthetic Expressions of Worldly Sympathy The Illuminations of Le Tricolore Presenter(s): — Symposium:
Title: Object Hierophanies and the Mode of Anticipation Presenter(s): — Symposium:
Title: Online Education in Audio Visual Arts Presenter(s): — Symposium:
Title: Overscale Art in Public Space: from Play to Dysplay Presenter(s): — Symposium:
Title: Playlight: Enriching Music Experiences through Interactive Lighting Based on Motion Presenter(s): — Symposium:
Title: PNEK: Production Network for Electronic Art Presenter(s): — Symposium:
Title: Processing/lampreys: Parasite Aesthetics and Generic Eels Presenter(s): — Symposium:
Title: Rapid Response Collecting and Curating: Learning from the Victoria and Albert Museum Presenter(s): — Symposium:
Title: Selected lnterface Cultures Projects: Practice based Reseach on Interactive Art Presenter(s): — Symposium:
Title: Software Art and Design: Computational Thinking Through Programming Practice and Critical Code Theory Presenter(s): — Symposium:
Title: Sonic Participation in the Evolving Audio Feedback System Presenter(s): — Symposium:
Title: Stolen Kisses: Demonstrative Critical Gameplay Presenter(s): — Symposium:
Title: SyncDon II: Sharing of emotion by bio-synchronical communication Presenter(s): — Symposium:
Title: Technoetic Art in China: The Ascott Studio at DeTao Masters Academy Presenter(s): — Symposium:
Title: Texting a Machine: Assembling an Emotional Response Presenter(s): — Symposium:
Title: The Aesthetics of Codes, from Multimedia Design to Creative Art Education Presenter(s): — Symposium:
Title: The Blog-The Memory Dump, The Disregarded Power of Undone Art Presenter(s): — Symposium:
Title: The E-conference: Collapsing the Walls of the Arts Conference Presenter(s): — Symposium:
Title: The Grotto as a Gallery for Australian Contemporary Art Presenter(s): — Symposium:
Title: The Internet of Bodies: Future Human / Machine Choreographies Presenter(s): — Symposium:
Title: The People´s Smart Sculpture: Social Art in European Spaces Presenter(s): — Symposium:
Title: The Persephone Project: Technologically Convergent Artificial Ecosystem Presenter(s): — Symposium:
Title: The Radioactive Ecologies of Ken and Julia Yonitani Presenter(s): — Symposium:
Title: The Webrecorder’s Challenge of Enabling Access to Dynamic Webbased Art Presenter(s): — Symposium:
Title: Third Life Project Presenter(s):- Milan Loviška
- Otto Krause
- Herman A. Engelbrecht
- Jason B. Nel
- Gregor Schiele
- Alwyn Burger
- Stephan Schmeißer
- Christopher Cichiwskyj
- Carsten Griwodz
Title: Transcoding Place Through Digital Media Presenter(s): — Symposium:
Title: Virtual 3d Sound Sculptures for Realtime Performance: Reapropration of Game Engines for Visual Music Performance Presenter(s): — Symposium:
Title: What Death Tells Me: Reconnecting Sound and Moving Images of Cinema through Spectrum Analysis Presenter(s): — Symposium:
Title: Zero1 American Arts Incubator Wuhan Presenter(s): — Symposium:
Title: ‘Democratising’ Curating: Speed, Sexuality and Selfies Presenter(s): — Symposium:
Title: “Vernacular Sound”: System for Soundscaping of Everyday Objects Presenter(s): — Symposium:
Title: A Daydreamer of Someone Else’s Dreams, A Theoretical Framework for the Future Web Presenter(s): — Symposium:
Title: A Double Détournement in the Classroom: HK Protest Online Game as Conceptual Art Presenter(s): — Symposium:
Title: A Webcam Interface for Somatic-Technological Dance Experiences Presenter(s): — Symposium:
Title: Acceleration Toward Post-human, Post-Anthropocene Presenter(s): — Symposium:
Title: Acknowledgments regarding the ISEA2016 Art Events Presenter(s): — Symposium:
Title: Aesthetics of Adaptive Behaviors in Agent-based Art Presenter(s): — Collaborator(s): — Symposium:
Title: Aids Quilt Touch Project Presenter(s): — Symposium:
Title: Algorithmic Pollution: Media Narcissism and the Production of Authenticity Presenter(s): — Symposium:
Title: Alien Aesthetics: Xenofeminism and Nonhuman Animals Presenter(s): — Symposium:
Title: All That is Signal Distorts into Noise Presenter(s): — Symposium:
Title: An Origin of Interactive Art: Nam June Paik’s Progressive Musical Instruments Presenter(s): — Symposium:
Title: Aria (HK): Planting Play in Public Space Presenter(s): — Symposium:
Title: Art And Technology: A Perfect Combination For Innovation Presenter(s): — Symposium:
Title: Artistic Technology: Coded Cultures, “Making” and Artistic Research Presenter(s): — Symposium:
Title: Augmented Virtuality Via Experimental Art: Leap Motion and Control over Invisible Matter Presenter(s): — Symposium:
Title: AURALROOTS: Cross-modal Interaction and Learning Presenter(s): — Symposium:
Title: Banana Mission: a monkey behavioral study Presenter(s): — Symposium:
Title: Between Decay and Preservation: A Personal Approach to Media Art Archiving Presenter(s): — Symposium:
Title: Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build Presenter(s): — Symposium:
Title: B’seder: A Social Medium for Polish and Jewish Communities Presenter(s): — Symposium:
Title: Can Non-anthropocentric Relationships Lead to True Intimacy with Technology? Presenter(s): — Symposium:
Title: Cash Rules Everything Around Me: Reading the Recuperation of Hip-hop through Rancière’s Political Aesthetics and Attali’s Distinguishing of Signal and Noise Presenter(s): — Symposium:
Title: Chinese Characters as Concept and the International Language of Visual Art Presenter(s): — Symposium:
Title: Collaborative expression program by creating digital storybooks Presenter(s): — Symposium:
Title: Confucianism’s (in)visible Influence on New Media Art Presenter(s): — Symposium:
Title: Conglomerate Distortions I: Japan X Taiwan X Hong Kong Presenter(s): — Symposium:
Title: Conjunctions And Disjunctions: Resonators At The Exhibition Presenter(s): — Symposium:
Title: Convergence and Divergence: A Conceptual Model for Digital Serendipitous Systems Presenter(s): — Symposium:
Title: Critical Affection: The Artist as “Player” of Online Dating Cultures Presenter(s): — Symposium:
Title: Cyber Terrorism in Name of Cyber Activism: Discomfort in Looking at Some Derivative Works in Recent Hong Kong Presenter(s): — Symposium:
Title: De-schooling Product Design Education, an Experimental Physical Approach Presenter(s): — Symposium:
Title: Disembodiment Of The Gaze As Political Battlefield Presenter(s): — Symposium:
Title: Drippigment Presenter(s): — Symposium:
Title: Ear Ball for Empathy: To Realize the Sensory Experience of People with Autism Spectrum Disorders Presenter(s): — Symposium:
Title: Ephemeral Art and Interactive Art: The Quest for Preservation and Dissemination Presenter(s): — Symposium:
Title: Error as Armor: Data Obfuscation in the Yakamoto Industries Project Presenter(s): — Symposium:
Title: Evaluating Art Hacking Events Through Practice Presenter(s): — Symposium:
Title: Exploring the Medium: The Indexical Function of Artistic Photomicrography Made by the Scanning Electron Microscope Presenter(s): — Symposium:
Title: Expressive Experiments : Art and Particle Physics Presenter(s): — Symposium:
Title: Felt Technology Through Interactive Critters Presenter(s): — Symposium:
Title: FileLife: Kurenniemi and the Question of Living Archives Presenter(s): — Symposium:
Title: Flip the Book, Flip the Memories: a Case Study of Multimodal Interaction for the Library Located in Macao World Heritage Site Presenter(s): — Symposium:
Title: fmiDmsHK Presenter(s): — Symposium:
Title: Footnoting as Art: Thinking About a Poetics of Historical Examination Presenter(s): — Symposium:
Title: Foundations of a Design Framework for DIY Nomadic Public Screens Presenter(s): — Symposium:
Title: Future Lake Hiidenvesi Centre For Art, Research And Design Presenter(s): — Symposium:
Title: Going beyond the glitch art: Critical glitch studies as a new research paradigm for analyzing post-digital technologies Presenter(s): — Symposium:
Title: Group Selfie: Pinhole Camera to Promote Interaction among People Presenter(s): — Symposium:
Title: Have a Panoramic Wall but No Panoramic Footage? Make a Triptych! Presenter(s): — Symposium:
Title: Hearing Blind as a New Interface for Exploring the Urban Soundscape Presenter(s): — Symposium:
Title: How the Traditional Chinese Idea of Time and Space Can Be Applied through Digital Moving Images Presenter(s): — Symposium:
Title: Ideational Drawing as a Foresight Method in Designing Future States of Objects Presenter(s): — Symposium:
Title: Imaginando Macondo Presenter(s): — Symposium:
Title: In Search for the DomoNovus: Speculations on the “New Home” Presenter(s): — Symposium:
Title: Integration of Media Art and Chinese Culture Heritage Presenter(s): — Symposium:
Title: Interactive Re-mapping of Temporality in the Actualization Process of Pre-scored / Sheet Music with Dynamic Imaging Techniques under Data-flow Programming Presenter(s): — Symposium:
Title: Internet of Props: New Media Ontology for Cultural Artifact Presenter(s): — Symposium:
Title: Intimate Technologies: The Ethics of Simulated Relationships Presenter(s): — Symposium:
Title: ISEA2016 Keynote Panel Presenter(s): — Symposium:
Title: Joke Lanz is Spinning the Records: Analysis and Graphical Representation of an Improvised Concert of Experimental Turntablism Presenter(s): — Symposium:
Title: Life, Living Organisms, and Lost Histories Presenter(s): — Symposium:
Title: Loos: Preserving Culture Through Animation Presenter(s): — Symposium:
Title: Media Art Rhetoric: A Case Study of Wanderl_st Presenter(s): — Symposium:
Title: MicroBioMe: A Mad Hatter’s Tea Party (or DIY Health Design) Presenter(s): — Symposium:
Title: Microtemporality: At The Time When Loading-in-progress Presenter(s): — Symposium:
Title: Microtemporality: Techno Sex in Art: Mating Man and Machine In the Solve et Coagula Experiment Presenter(s): — Symposium:
Title: Multi-dimensional Sound Mapping of Migration Tracks of Pelagic Species Presenter(s): — Symposium:
Title: Music in Print, How Publishing Has Been Able to Flirt With Music Presenter(s): — Symposium:
Title: MVP: An Automatic Music Video Producer Presenter(s): — Symposium:
Title: New Machines for Inefficiency: A Device for Interacting with Strangers Presenter(s): — Symposium:
Title: Noise &/as Nervousness: Gertrude Stein in the Interface Presenter(s): — Symposium:
Title: Noise Responsive Systems: How do those change the infrastructure of the Institution? Presenter(s): — Symposium:
Title: Occult Computing for Artists: An introduction Presenter(s): — Symposium:
Title: ocial Glitch: Radical Aesthetics and the Consequences of Extreme Events Presenter(s): — Symposium:
Title: On Being A Microbioartist: Making Art In A Microbiology Laboratory Presenter(s): — Symposium:
Title: On-line Film Circulation in China: The Case of Youku Tudou As a Creative Corporate Soft Power Champion Presenter(s): — Symposium:
Title: Online Social Network Based on Internet of Things and Habit of Drinking Coffee in South of Brazil Presenter(s): — Symposium:
Title: Performativity and Computer Art: Towards a DIY Society Presenter(s): — Symposium:
Title: Plasticity and Feedback: Schemas of Indetermination in Cybernetics and Art Presenter(s): — Symposium:
Title: Play-ability?: A Taxonomy of Art Games Presenter(s): — Symposium:
Title: Posthumanism, New Materialism and Feminist Media Art Presenter(s): — Symposium:
Title: Preface and Acknowledgements (To the Proceedings) Presenter(s): — Symposium:
Title: Pulse Project: A Sonic Investigation across Bodies, Cultures and Technologies Presenter(s): — Symposium:
Title: Re-enacting And Open Sourcing As Methods For Experiencing Programmed Art Utopia Presenter(s): — Symposium:
Title: Re-programming and Open Sourcing Kinetic Art from the 1960’s Presenter(s): — Symposium:
Title: Re-render: Public Making with the ISEA Archive Presenter(s): — Symposium:
Title: Reading Digital Art in the Age of Double-Coding Presenter(s): — Symposium:
Title: Reconfiguring the Negotiation of Cultural Heritage: An Overview from “the Last Promontory of Centuries” Presenter(s): — Symposium:
Title: Reconstruct Danse Macabre: Negotiating the Passage of Time Presenter(s): — Symposium:
Title: Reconstruction of Images: Real/Illusion Presenter(s): — Symposium:
Title: Red Hot Spinning: Immersive 3D Narrative in Asian Gaming Presenter(s): — Symposium:
Title: Reimagining Picturebook: A Fictorical Fable Presenter(s): — Symposium:
Title: Reproduction of Dream Experience in Virtual Reality Presenter(s): — Symposium:
Title: Restructuring the Presence and Movements of the Audience in Creating Telematics Models Presenter(s): — Symposium:
Title: Resurrect from Digital: Interactive Site-specific Projection Mapped Sculpture (2) Presenter(s): — Symposium:
Title: Rush Hour: Divergent Movement Teleporting Presenter(s): — Symposium:
Title: S T R A T I C : Synthesized Performance Presenter(s): — Symposium:
Title: Shifts in the Photographic Paradigm through Digitality and the Aesthetics of Noise Presenter(s): — Symposium:
Title: Simondon’s Concept of the Image: At the Junction of the Technological and the Animal Presenter(s): — Symposium:
Title: Somplexity: An Experiment of Posthumanist Platonic Sex Presenter(s): — Symposium:
Title: Sound Painting Presenter(s): — Symposium:
Title: Starcraft II and Chinese Scroll Painting: Narrative Ideas for RTS Computer Games Presenter(s): — Symposium:
Title: Street Cat Photo Booth Presenter(s): — Symposium:
Title: Structural Montage for Immersive Cinema: an Experiment in Transposing Fulldome to VR Presenter(s): — Symposium:
Title: Subverting the Conventions of Affection Games in the Digital Wild Presenter(s): — Symposium:
Title: Symmetry: Breaking Through the Looking Glass Presenter(s): — Symposium:
Title: The Algorithmic as Agonistic Agency: Approaches on Experimental Design, the Politics of Codes, and PostAnthropocentric Paradoxes in (Media) Cultures Presenter(s): — Symposium:
Title: The Condition Towards Hybrid Agency Presenter(s): — Symposium:
Title: The Environment Health Clinic, Collaboratory (Xclinic), Farmacy and Ooz: Towards a Museum of Natural Futures Presenter(s): — Collaborator(s): — Symposium:
Title: The Ground I Stand on is Not my Ground: Interactive Erasure Poetry Presenter(s): — Symposium:
Title: The Impoverished Image: Online Video Art Exposure Presenter(s): — Symposium:
Title: The Installation Series Of Untitled (Wishes, Lies And Dreams >> Primitive Cool…) Presenter(s): — Symposium:
Title: The Interrupted Living Machine (working Title) Presenter(s): — Symposium:
Title: The Pandorabird Project: Identifying The Types Of Music That May Be Favored By Our Avian Co-inhabitants Presenter(s): — Symposium:
Title: The Role of Eye Contact and Spectatorship in Interactive Installations Presenter(s): — Symposium:
Title: The Summoning: Chimeras Sing a Song Presenter(s): — Symposium:
Title: The Unstable Characters: Reading of Chinese Text-based Digital Works Presenter(s): — Symposium:
Title: The Usb Finger Project: Storing a Digital Work of Art Within the Body Presenter(s): — Symposium:
Title: The Virtual Thematic Route Emil Benčić: From Experience to Infinity Presenter(s): — Symposium:
Title: Touch as Techne: Pulse Reading as Interface Presenter(s): — Symposium:
Title: Touchology: Exploration of Empathetic Touch Interaction with Plants for Well-being Presenter(s): — Symposium:
Title: Transcoding Nang Talung: An Animated Adaptation of Thai Shadow Play Presenter(s): — Symposium:
Title: Universal Expression in Computer-mediated Paint Presenter(s): — Symposium:
Title: Using Expressive Musical Robots: Working with an Ensemble of New Mechatronic Instruments Presenter(s): — Symposium:
Title: Utopia, Experiment, Hack, Prototype. Transformative Rhetoric and Action in Net Art and Contemporary Maker Culture Presenter(s): — Symposium:
Title: Venice Texas (http://venicetexas.com) Presenter(s): — Symposium:
Title: Videogames as a Tool of Political Activism in Hong Kong Presenter(s): — Symposium:
Title: Violence of a Different Kind (I am a Conquistador) Presenter(s): — Symposium:
Title: Whorl: An lmmersive Dive into a World of Flowers, Color, and Play Presenter(s): — Symposium:
Title: ‘The Familiar’: Technology-being-with-us Presenter(s): — Symposium:
Title: “AS IF” You Are Suffering in Silence: An Interactive Installation as Empathy Tool for Chronic Pain Presenter(s): — Symposium:
Title: “Postcards from Beyond, from Elsewhere…” Series Of N Widgets Presenter(s): — Symposium:
Venue Workshops:
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Title: Empathy Engine: Sonifying & Visualizing Media Effects Workshop Symposium: | Organiser/Presenter(s):
Title: Some Notes on Sound: Non-Music Digital Soundscaping Symposium: | Organiser/Presenter(s):
